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This manifesto is a verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another.
This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality.
In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms "human" and "being." When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe. The authors explain that "Another way to read reversible destiny . . . Is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility."
Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression.
American Literary Realism and Graphic Illustration, 1880-1905
Cahokia and Mississippian Politics in Native North America
This ambitious book provides a theoretical explanation of how prehistoric Cahokia became a stratified society, and ultimately the pinnacle of Native American cultural achievement north of Mexico. Considering Cahokia in terms of class struggle, Pauketat claims that the political consolidation in this region of the Mississippi Valley happened quite suddenly, around A.D. 1000, after which the lords of Cahokia innovated strategies to preserve their power and ultimately emerged as divine chiefs. The new ideas and new data in this volume will invigorate the debate surrounding one of the most important developments in North American prehistory.
Shaping the Urban Religious Culture of Richmond, Virginia, 1900-1929
Avenues of Faith documents how religion flourished in southern cities after the turn of the century and how a cadre of clergy and laity created a notably progressive religious culture in Richmond, the bastion of the Old South. Famous as the former capital of the Confederacy, Richmond emerges as a dynamic and growing industrial city invigorated by the social activism of its Protestants.
By examining six mainline white denominations-Episcopalians, Methodists, Presbyterians, Baptists, Disciples of Christ, and Lutherans-Samuel C. Shepherd Jr. emphasizes the extent to which the city fostered religious diversity, even as "blind spots" remained in regard to Catholics, African Americans, Mormons, and Jews. Shepherd explores such topics as evangelism, interdenominational cooperation, the temperance campaign, the Sunday school movement, the international peace initiatives, and the expanding role of lay people of both sexes. He also notes the community's widespread rejection of fundamentalism, a religious phenomenon almost automatically associated with the South, and shows how it nurtured social reform to combat a host of urban problems associated with public health, education, housing, women's suffrage, prohibition, children, and prisons.
In lucid prose and with excellent use of primary sources, Shepherd delivers a fresh portrait of Richmond Protestants who embraced change and transformed their community, making it an active, progressive religious center of the New South.
Syd Pollock and His Great Black Teams
The National Pastime and American Identity During the War on Terror
Baseball has long been considered America’s “national pastime,” touted variously as a healthy diversion, a symbol of national unity, and a model of democratic inclusion. But, according to Michael Butterworth, such favorable rhetoric belies baseball’s complicity in the rhetorical construction of a world defined by good and evil.
Baseball and Rhetorics of Purity is an investigation into the culture and mythology of baseball, a study of its limits and failures, and an invitation to remake the game in a more democratic way. It pays special attention to baseball’s role in the reconstruction of American identity after September 11, 2001. This study is framed by a discussion that links the development of baseball to the discourses of innocence and purity in 19th-century America. From there, it examines ritual performances at baseball games; a traveling museum exhibit sponsored by the National Baseball Hall of Fame and Museum; the recent debate about the use of performance-enhancing drugs; the return of Major League Baseball to Washington, D.C., in 2005; and the advent of the World Baseball Classic in 2006.
Butterworth argues that by promoting myths of citizenship and purity, post-9/11 discourse concerning baseball ironically threatens the health of the democratic system and that baseball cannot be viewed as an innocent diversion or escape. Instead, Butterworth highlights how the game on the field reflects a more complex and diverse worldview, and makes a plea for the game’s recovery, both as a national pastime and as a site for celebrating the best of who we are and who we can be.