Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Cultural Change and Continuity in the Pre-Columbian Southeast
A Dan Josselyn Memorial Publication
A 17th-century trading post and Indian town in central Georgia reveal evidence of culture contact and change.
Ocmulgee Old Fields near Macon, Georgia, is the site of a Lower Creek village and associated English trading house dating from the late 17th and early 18th centuries. It was excavated in the early 1930s as part of a WPA project directed by A. R. Kelly, which focused primarily on the major Mississippian temple mounds of Macon Plateau. The specific data for the Old Fields was not analyzed until nearly 30 years after the excavation.
Part of the significance of this site lies in its secure identification with a known group of people and the linkage of those people with recognizable archaeological remains. The Old Fields site was among the very first for which this kind of identification was possible and stands at the head of a continuing tradition of historic sites archaeology in the Southeast.
Carol I. Mason's classic study of the Ocmulgee Old Fields site has been a model for contact-period Indian archaeology since the 1960s. The report includes a discussion of the historic setting and an analysis of the archaeological materials with an identification of the Lower Creek town and possibly of the English trader who lived there. Now, for the first time, the original report is widely available in book form. With a new foreword by the author and a new introduction from Southeastern archaeology expert Marvin T. Smith, readers have the benefit of a contemporary view of this very fine piece of careful scholarship.
Carol I. Mason is Adjunct Professor of Archaeology at Lawrence University in Appleton, Wisconsin, and author of Wisconsin Indians: Prehistory to Statehood. Marvin T. Smith is Professor of Anthropology at Valdosta State University and author of Coosa: The Rise and Fall of a Southeastern Mississippian Chiefdom.
"This volume is valuable as a landmark in Southeastern research. It is somewhat outdated in its archaeological comparisons, but it is an excellent source for site findings and historical documentation. . . . The book provides greater insight into more current documents on the topic of these early relationships between the Old and New Worlds in the Southeast. It is a starting point from which to move forward and is valuable as a catalyst for future research."—Southeastern Archaeology
" Mason's work presents the analysis and interpretation of a large body of material excavated by Works Progress Administration archaeologists during the 1930s and, in this case, continued into the 1940s. Large-scale projects, undertaken by field crews numbering in the hundreds of workers, amassed quantities of artifactual material and supporting documentation. In many instances, substantial amounts of material remain unanalyzed and unreported to this day. . . . The Ocmulgee Old Fields site with its mix of indigenous and European people, local material culture and trade goods, and varied functions represents an opportunity to study the Lower Creeks between 1670 and 1717. . . .I recommend (this volume) to all colleagues laboring to understand the early historic peiod in the Southeast."—The Florida Anthropologist
"A masterful blend of meticulous archaeological analysis and wide-ranging historical research . . . with extraordinary style and wisdom."—Journal of Field Archaeology
Chronology, Content, Contest
At its height the Moundville ceremonial center was a densely occupied town of approximately 1,000 residents, with at least 29 earthen mounds surrounding a central plaza. Today, Moundville is not only one the largest and best-preserved Mississippian sites in the United States, but also one of the most intensively studied. This volume brings together nine Moundville specialists who trace the site’s evolution and eventual decline.
Ocmulgee National Monument, Georgia
A Dan Josselyn Memorial Publication
A premier mound site offers a wealth of primary data on mortuary practices in the Mississippian Period.The largest prehistoric mound site in Georgia is located in modern-day Macon and is known as Ocmulgee. It was first recorded in August 1739 by General James Oglethorpe’s rangers during an expedition to the territory of the Lower Creeks. The botanist William Bartram wrote extensively of the ecology of the area during his visit in 1773, but the 1873 volume by Charles C. Jones, Antiquities of the Southern Indians, Particularly of the Georgia Tribes, was the first to treat the archaeological significance of the site.
Professional excavations began at Ocmulgee in 1933 under the auspices of the Smithsonian Institution, using Civil Works Administration labor. Investigations continued under a variety of sponsorships until December 1936, when the locality was formally named a national monument. Excavation of the mounds, village sites, earth lodge, and funeral mound revealed an occupation of the Macon Plateau spanning more than 7,000 years. The funeral mound was found to contain log tombs, bundles of disarticulated bones, flexed burials, and cremations. Grave goods included uniquely patterned copper sun disks that were found at only one other site in the Southeast—the Bessemer site in Alabama—so the two ceremonial centers were established as contemporaries.
In this classic work of archaeological research and analysis, Charles Fairbanks has not only offered a full treatment of the cultural development and lifeways of the builders of Ocmulgee but has also related them effectively to other known cultures of the prehistoric Southeast.
This manifesto is a verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another.
This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality.
In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms "human" and "being." When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe. The authors explain that "Another way to read reversible destiny . . . Is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility."
Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression.