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The University of Alabama Press
The Life and Times of Johnson Jones Hooper
The Astonishing Travels of Karl Heller, 1845-1848
Marines in the First Gulf War
America's Battalion tells the experiences of one unit, the 3rd Battalion, 3rd Marines, during Operation Desert Storm—the first Gulf War. Building from interviews with the members of the batallion, Otto Lehrack examines the nature of warfare in the Persian Gulf. The terrain of the Arabian Peninsula and the disposition of the enemy dictated conventional warfare requiring battalion and regimental assaults coordinated at the division level, so interviewees are primarily the officers and senior non-commissioned officers concerned.
The 3rd of the 3rd, also known as "America's Battalion," had just returned from deployment in the summer of 1990 when they were required to immediately re-deploy to a strange land to face a battle-hardened enemy after Iraq invaded Kuwait. Theirs was only the second Marine battalion to arrive in Saudi Arabia. They participated in the first allied ground operation of the war, played a key role in the battle for the city of Khafji, and were the first to infiltrate the Iraqi wire and minefield barrier in order to provide flank security for the beginning of the allied offensive.
Facing an enemy that had used some of the most fearsome weapons of mass destruction—chemical and biological agents—against its former opponents and against its own people, the Marines had been prepared for the worst. Lehrack has documented this unit's remarkable performance through the accounts of those who participated in the historic events in the Persian Gulf and returned home to tell of them.
Authenticity and Identity in American Literature and Culture
Fakery, authenticity, and identity in American literature and culture at the turn of the 20th century
Focusing on texts written between 1880 and 1930, Mary McAleer Balkun explores the concept of the “counterfeit,” both in terms of material goods and invented identities, and the ways that the acquisition of objects came to define individuals in American culture and literature. Counterfeiting is, in one sense, about the creation of something that appears authentic—an invented self, a museum display, a forged work of art. But the counterfeit can also be a means by which the authentic is measured, thereby creating our conception of the true or real.
Balkun provides new readings of traditional texts such as The Great Gatsby, Adventures of Huckleberry Finn, and The House of Mirth, as well as readings of less-studied texts, such as Walt Whitman’s Specimen Days and Nella Larsen’s Passing. In each of these texts, Balkun locates the presence of manufactured identities and counterfeit figures, demonstrating that where authenticity and consumerism intersect, the self becomes but another commodity to be promoted, sold, and eventually consumed.
Elizabeth Stoddard was a gifted writer of fiction, poetry, and journalism; successfully published within her own lifetime; esteemed by such writers as William Dean Howells and Nathaniel Hawthorne; and situated at the epicenter of New York's literary world. Nonetheless, she has been almost excluded from literary memory and importance. This book seeks to understand why. By reconsidering Stoddard’s life and work and her current marginal status in the evolving canon of American literary studies, it raises important questions about women’s writing in the 19th century and canon formation in the 20th century.
Essays in this study locate Stoddard in the context of her contemporaries, such as Dickinson and Hawthorne, while others situate her work in the context of major 19th-century cultural forces and issues, among them the Civil War and Reconstruction, race and ethnicity, anorexia and female invalidism, nationalism and localism, and incest. One essay examines the development of Stoddard's work in the light of her biography, and others probe her stylistic and philosophic originality, the journalistic roots of her voice, and the elliptical themes of her short fiction. Stoddard’s lifelong project to articulate the nature and dynamics of woman's subjectivity, her challenging treatment of female appetite and will, and her depiction of the complex and often ambivalent relationships that white middle-class women had to their domestic spaces are also thoughtfully considered.
The editors argue that the neglect of Elizabeth Stoddard's contribution to American literature is a compelling example of the contingency of critical values and the instability of literary history. This study asks the question, “Will Stoddard endure?” Will she continue to drift into oblivion or will a new generation of readers and critics secure her tenuous legacy?
Perspectives on the Past, Prospects for the Future
This work brings various important topics and groups in American religious history the rigor of scholarly assessment of the current literature. The fruitful questions that are posed by the positions and experiences of the various groups are carefully examined. American Denominational History points the way for the next decade of scholarly effort.
Roman Catholics by Amy Koehlinger
Congregationalists by Margaret Bendroth
Presbyterians by Sean Michael Lucas
American Baptists by Keith Harper
Methodists by Jennifer L. Woodruff Tait
Black Protestants by Paul Harvey
Mormons by David J. Whittaker
Pentecostals by Randall J. Stephens
Evangelicals by Barry Hankins
Illustrating the diversity of Native adaptations in an increasingly hostile and marginalized world, this volume is continental in scope—ranging from Connecticut to the Carolinas, and westward through Texas and Colorado. Calling on various theoretical perspectives, the authors provide nuanced perspectives on material culture use as a manipulation of the market economy. A thorough examination of artifacts used by Native Americans, whether of Euro-American or Native origin, this volume provides a clear view of the realities of the economic and social interactions between Native groups and the expanding Euro-American population and the engagement of these Native groups in determining their own fate.
Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the Imagists and literary Impressionists active at the turn of the twentieth century. The genre reflects the philosophy that “form is thought,” and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of Minimalist fiction are efficiency, frequent use of allusion, and implication through omission.
Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway’s In Our Time; Raymond Carver’s Cathedral; Jay McInerney’s Bright Lights, Big City; Susan Minot’s Monkeys; Sandra Cisneros’s Caramelo; and Cormac McCarthy’s The Road. In his conclusion, Clark discusses the ongoing evolution of the category.
Past, Present, Future
The essays raise such issues as the education of civil servants, the changes necessitated by crises, the growth of social sciences in governmental concerns, and primarily, the role of public administrators in America. Each author is a distinguished expert in his own right, and each essay can stand alone as a remarkable insight into the changing world of public administration within American society. Frederick Mosher’s expertise and supervision shapes this work into a remarkable and holistic perspective on public administration over time.