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The University of Alabama Press
The Year of the Hangman
“A revisionist view of the Revolution’s most crucial year… it explodes many of the myths surrounding Burgoyne’s Canadian expedition and Howe’s Pennsylvania campaign. There is a wealth of fascinating detail in this book, including information on arms and supplies, rations for women camp followers, and even the numbers of carts (30-odd) carrying Burgoyne’s luggage.”
Memoirs of a Tuskegee Airman
A-Train is the story of one of the black Americans who, during World War II, graduated from Tuskegee (AL) Flying School and served as a pilot in the Army Air Corps’ 99th Pursuit Squadron. Charles W. Dryden presents a fast-paced, balanced, and personal account of what it was like to prepare for a career traditionally closed to African Americans, how he coped with the frustrations and dangers of combat, and how he, along with many fellow black pilots, navigators, bombardiers, and crewmen, emerged with a magnificent war record.
Under the command of Colonel Benjamin O. Davis Jr., the Tuskegee airmen fought over North Africa, Sicily, and Europe, escorting American bomber crews who respected their "no-losses" record. Some were shot down, many of them were killed or captured by the enemy, and several won medals of valor and honor. But the airmen still faced great barriers of racial prejudice in the armed forces and at home. As a member of that elite group of young pilots who fought for their country overseas while being denied civil liberties at home, Dryden presents an eloquent story that will touch each and every reader.
Originally published as the Twenty-Fifth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution in 1907, this book was praised in an article in American Anthropologist as doing "more than any other to give a comprehensive idea of the archaeology of the West Indies."
Until that time, for mainly political reasons, little scientific research had been conducted by Americans on any of the Caribbean islands. Dr. Fewkes' unique skills of observation and experience served him well in the quest to understand Caribbean prehistory and culture. This volume, the result of his careful fieldwork in Puerto Rico in 1902-04, is magnificently illustrated by 93 plates and 43 line drawings of specimens from both public and private collections of the islands.
A 1907 article in the Journal of the Royal Anthropological Institute of Great Britain and Ireland described the volume as "a most valuable contribution to ethnographical science."
Far from being a conventional work of historical fiction, Martin’s collection asks readers to think about what truly constitutes history. What would the past look like if history was written under the influence of Mad Magazine and The Twilight Zone? What happens when the assassination in Sarajevo becomes “the assassination in Sarajevo,” when Gavrilo Princip becomes “Gavrilo Princip,” when the past and the present shape a textual future that looks suspiciously like a past that never was and a present that never is?
Mark Twain's Fictions
Covering the entire body of Mark Twain's fiction, Clark Griffith in Achilles and the Tortoise answers two questions: How did Mark Twain write? And why is he funny? Griffith defines and demonstrates Mark Twain's poetics and, in doing so, reveals Twain's ability to create and sustain human laughter.
As he attempted to attain the comic resolution and comically transfigured characters he yearned for, Twain forever played, for Griffith, the role of the Achilles of Zeno's Paradox. Like the tortoise that Achilles cannot overtake in Zeno's tale, the richness of comic life forever remained outside Twain's grasp.
The last third of Griffith's study draws parallels between Mark Twain and Herman Melville. Although the two authors never met and seem not to have read each other's works, they labored under the sense of what, in Moby-Dick, Ishmael calls "a vast practical joke . . . at nobody's expense but [one's] own." The laughter occasioned by this cosmic conspiracy shapes the career of Huckleberry Finn fully as much as it does Ishmael's voyage. Out of the laughter are generated the respective obsessions of Captain Ahab and Bartleby, of Pudd'nhead Wilson and Hadleyburg. Reduced at last to a dry mock, the laughter is the prevailing tone of both Billy Budd and The Mysterious Stranger Manuscripts.
Starch Grain Research in the Prehistoric Eastern Woodlands
The Radical Impulse in Nineteenth-Century and Contemporary Poetic Practice
According to editors July Carr and Jeffrey C. Robinson, “ active romanticism” is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, “ active romanticism” champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. “ Poetry fetter’ d, fetters the human race,” declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language.
Bringing together work by well-known writers and critics, ranging from scholarly studies to poets’ testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the well-spring from which it flowed.
Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis.
Conversations with Contemporary Poets