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Nearly every poem in How We Spent Our Time flies at its mast a title in the form of a gerund or gerund phrase, that humble verbal noun. The book's table of contents, therefore, reads like an equally humble enumeration of the ways a human lifetime can be paid out, so to speak: looking, getting, owning, learning. We all do them all. And yet there is exceptional artistry in the testimonials these doings make witness to. The arrangement of the poems within the text is part of it. Note how "keeping" immediately precedes "spending," in the poems "Keeping It Together" and "Spending the Night"; these poems are conversational but endlessly skilful in the ways they keep the language vivid and fresh and surprising. How We Spent Our Time is flush with pangs and satisfactions, abundant with wisdom and delight.
Hurricane Party is an original and rewarding work, a masterful follow-up to Big Muddy River of Stars, and a livewire, compelling contribution to American poetry. No other poet sounds like Pelegrin, and that's the sure sign of a writer at the top of her game. —Elton Glaser
I Have My Own Song for It: Modern Poems of Ohio gathers together 117 poems by 85 poets for a fresh perspective on the Buckeye State. Not since 1911 has there been a comprehensive collection of poems written about Ohio. And this anthology is especially relevant as Ohio celebrates its 200th year as a state. It could be called Ohio’s bicentennial gift to itself. These poems, written by such celebrated Ohio natives as James Wright and Mary Oliver, and by accomplished if less well known poets like Ruth L. Schwartz and Rachel Langille, offer a virtual tour of people and places in the state, traveling around Ohio’s lakes and rivers, farms and open country, small towns and large cities. In resonant language and compelling imagery, in shapely verse and lines responsive to the moment’s impulse, the poems bring Ohio to its citizens and, beyond the borders of the state, to lovers of poetry everywhere. The perspective may be personal or historical, close-up or wide-ranging, celebratory or otherwise, but each poem becomes part of the state’s legacy passed on to future generations, a collective record of how Ohio appears to itself and to others at the begining of the 21st century.
The Story of the First Interpreters of the Fourteenth Amendment
Infinite Hope and Finite Disappointment details the hopes and promises of the 14th Amendment in the historical, legal and sociological context within which it was framed. Part of the Reconstruction Amendments collectively known as "The Second Founding," the 14th Amendment fundamentally altered the 1787 Constitution to protect individual right and altered the balance of power between the national government and the states. The work also shows how initial Supreme Court interpretations of the Amendment's reach hindered its applicability. Finally, the contributors investigate the current impact of the 14th Amendment. The book is divided into three parts: "Infinite Hope: The Framers as First Interpreters;" "Finite Disappointment: The Supreme Court as First Interpreter;" and "Never Losing Infinite Hope: The People as First Interpreters ."
Controlling Cultural Eutrophication 1960s-1990s
During the 1960s, inland bodies of water in North America and Europe experienced a dangerous transformation. Nutrients were dumped into the lakes, causing chain reactions which severely impacted on lake environments. The excessive increase into inland waters through human activity, known as cultural eutrofication, emerged as a dominant problem. Massive algae blooms drifted in overnourished lakes, depleting oxygen, damaging fish stocks, and transforming the water's ecosystem. In Lake Erie Rehabilitated, historian William McGucken presents a comprehensive account of the most notorious international incident of cultural eutrophication---Lake Erie. With the assistance of the International Joint Commission, Canada and the United States diagnosed phosphorous as the primary cause of the problem and, in a unique cooperative effort, reduced input to the lake from municipal and industrial wastewater plants and agricultural lands. Public pressure and government regulation encouraged the reluctant detergent industry to produce alternative detergents and, finally, reduced the input of phosphorous to targeted levels. Lake Erie is now rehabilitated, but its history over the last three decades demonstrates the importance of maintaining an environmental balance. Meticulously researched and documented, this book will appeal to environmentalists, historians, and readers who seek to understand the Great Lakes ecosystem, environmental issues, and environmental regulation.
Managing Ecosystems for A Sustainable Future
This timely collection written by an interdisciplinary array of law professors, who specialize in legal and policy issues surrounding ecosystem management, and scholars and practitioners in areas such as environmental policy and planning, conservation, economics, and biology explore why ecosystems must be valued and managed in their own right. The importance of ecosystems has been underestimated. We cannot simply hope ecosystems will benefit from legislation focused on other environmental and natural resource protections, such as those for wildlife, trees, air and water. An ecosystem, a community of organisms together with their physical environment, viewed as a system of interacting and interdependent relationships, has its own intricate administrative issues. Edited by Kalyani Robbins, a law professor, The Laws of Nature will investigate how ecosystems function, their value to humans and wildlife, and what factors affect ecosystems' survival. This analysis will be coupled with cutting-edge theories and regulatory proposals from legal scholars who study ecosystem questions. In the end, a thorough and multi-disciplinary understanding of the importance of ecosystem will be presented.
Winner of the 2010 Akron Poetry Prize, Le Spleen de Poughkeepsie is tender anti-epic, a grunge-tinged love song to America's benighted post-industrial heartland. Harmon's Poughkeepsie shimmers just beyond the borders of banal recognition. "If you're not part of the problem, / you're part of the lengthening / tragedy," Harmon writes in an introductory pastoral, seeking out "the stray / detours and workarounds of the secret / city inside the more obvious one...on the outskirts of the absurd / attention to the material life." Poughkeepsie is that city of the heart where no one can look at anyone else "alone," where "the noise of beauty" is a cop's bullet polishing off a "traffic-struck doe," where "five dollars takes you anywhere in this town / except out of it."
A Letter to Serafin is a multi-paneled study of juxtapositions and duplicities, where history becomes a living entity, not just a shadowy artifact. Minczeski colors his lines with dark hues of wry comedy and sharp tones of pathos, transcending geography and time by providing testimony on behalf of those who no longer can. This is a vital book for anyone who has ever been transported by a piece of artwork, or haunted by a photograph that projects meaning beyond its borders. If the aim of poetry is to speak the unspeakable, then John Minczeski gives voice to all that goes unsaid between generations.
In “Foreword,” the opening poem of Clare Rossini’s new book, Lingo, the poet exclaims: “Don’t tell me the tongue’s / Not a magical place.” And who would argue the point after reading these poems in which the body and spirit of language bring such joy, from a toddler’s garbled imitations to the ripe lines of Shakespeare? Whether in the Midwest or New England, in elegies or celebrations, Rossini takes comfort in the miracle of words, where the homely and exotic can flourish at the same time, like the thought of flamingoes in Minnesota (“Rice County Soliloquy”). Rossini treats both the human and the natural world with tenderness and good-hearted humor, her wit and compassion as impressive as the bravura of plainspoken poetry. Out of such grace come the graceful poems of Lingo.