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Guangqiu Xu, a native of China fluent in both Mandarin and Cantonese, has written an exhaustive study of United States-China relations during the Cold War, with a special focus on the role of the U.S. Congress in influencing Sino-American policy. Based upon extensive archival research in Chinese and American sources, Professor Xu's book is comprehensive and original. It is a detailed account of the interactions between Congress and the White House as the United States forged its policies regarding the world's most populous nation. Covering the period from the establishment of the People's Republic of China in 1949 to the United States' recognition of the PRC in 1979, this study shows how Congress became a key factor in the formulation and conduct of China policy. No other book examines so fully the legislative-executive struggles and compromises during this thirty-year period, from the postwar maneuverings of Truman to Nixon's surprising visit to Beijing. Especially important is Professor Xu's use of Chinese source material to discuss China's reaction and response to American policy decisions. Congress and the U.S.-China Relationship, 1949-1979 examines a familiar story from a fresh perspective, putting into a new context the forces at play in determining how the United States and China responded to each other during the chilliest years of the Cold War. With his emphasis on Congress, Professor Xu has opened up the history of the period to an analysis of how legislative power, direct and indirect, can affect foreign policy and change the course of world events.
Women and the Law in Twentieth-Century Literature
For the past twenty years, the law and literature movement has been gaining ground. More recently, a feminist perspective has enriched the field. With Courting Failure: Women and the Law in Twentieth-Century Literature, Heidi Slettedahl Macpherson adds a compelling voice to the discussion. Courting Failure critically explores the representation of women, fictional and historical, in conflict with the law. Macpherson focuses on the judicial system and the staging of women's guilt, examining both the female suspect and the female victim in a wide variety of media, including novels like Toni Morrison's Beloved and Margaret Atwood's Alias Grace, theatrical plays, movies such as I Want to Live! and Legally Blonde, and the television series Ally McBeal. In these texts and others, canonical or popular, Macpherson exposes the court as an arena in which women often fail, or succeed only by subverting the system. Combining feminist literary theory with the discourse of the law and literature movement, Courting Failure is a highly readable and analytically rigorous study of justice and gender on the page and screen.
Seen and Unseen Dimensions of Indigenous Knowledge among Q'eqchi' Communities in Guatemala
How are biological diversity, protected areas, indigenous knowledge and religious worldviews related? From an anthropological perspective, this book provides an introduction into the complex subject of conservation policies that cannot be addressed without recognising the encompassing relationship between discursive, political, economic, social and ecological facets. By facing these interdependencies across global, national and local dynamics, it draws on an ethnographic case study among Maya-Q'eqchi' communities living in the margins of protected areas in Guatemala. In documenting the cultural aspects of landscape, the study explores the coherence of diverse expressions of indigenous knowledge. It intends to remind of cultural values and beliefs closely tied to subsistence activities and ritual practices that define local perceptions of the natural environment. The basic idea is to illustrate that there are different ways of knowing and reasoning, seeing and endowing the world with meaning, which include visible material and invisible interpretative understandings. These tend to be underestimated issues in international debates and may provide an alternative approach upon which conservation initiatives responsive to the needs of the humans involved should be based on.
In Delicate Bait, Roger Mitchell explores the small histories of the self in the larger world, intent on giving everything its just place and name. The poems roam over field and seashore and city, "inventing a world so similar to the world itself/ it becomes the world." Whether musing on the past or searching for "something even memory can't reach," Mitchell faces up to "the wobble of most things human," with a combination of stoicism and wonder and a language as supple as the spoken word. Winner of the 2002 Akron Poetry Prize.
Beyond One L
Young lawyers are morosely unhappy by every conceivable standard. They arrive at our law schools brimming with enthusiasm, but a decade later they are reporting staggering levels of anxiety, drug addiction, and depression. In legal circles there is talk about a “crisis of professionalism” and a “decline in civility,” but the problem goes much deeper. Through ignorance and greed, the legal profession has designed a complicated system of education, licensing, and practice that drives young lawyers into fear, alienation, and self-hatred. The author of this book---a law professor and practicing attorney---argues that young lawyers face a series of institutional absurdities built into the fabric of law school, the bar exam, and law firm practice. The current system is churning out a tidal wave of disaffected and bitter lawyers who see the legal system as a Byzantine maze, an endless artificial game totally disconnected from considerations of justice. “The Destruction of Young Lawyers” shows how these struggles can be reversed through massive structural change and is the first step toward diagnosis and treatment of the specific problems facing young lawyers.
Politics, Culture, and Economics in North America
The essays in this collection are the product of a conversation among scholars, spanning national borders and disciplinary boundaries, about the increasing integration of Canada, Mexico, and the United States and the development of a "continental perspective." This conversation has been underway for some time, reflecting the causes, challenges, and consequences of economic, cultural, and political integration in North America. The conjunction of national elections in all three of the great North American democracies in 2000 offered us the opportunity to deepen this conversation and engage in scholarly discourse from a "continental perspective." Taken together, the essays in this book provide a vivid portrait of North American democracies at the turn of the century.
The Story of the Atlantic and Great Western Railroad
The Atlantic & Great Western Railroad was one of the earliest and largest east-west railroad projects in the United States. It was the dream of American builders William Reynolds of Pennsylvania and Marvin Kent of Ohio. By using the non-standard six-foot gauge, these men helped construct a trunk line connecting the Atlantic tidewater with the Mississippi River "without break of gauge." Money for the construction came principally from European investors, like Don Jose de Salamanca of Spain, while Great Britain furnished the iron. A strong English support group included James McHenry, Sir Samuel Morton Peto, and the brilliant engineer, Thomas Kennard. This American-European enterprise represented a unique example of intercontinental cooperation in railroad history. Reynolds was the first president of the Pennsylvania and New York divisions of the A&GW. This published history is the first published source on this important railroad. With a memorable talent for detail and authority, Reynolds demonstrates how difficult it was to build a railroad against a backdrop of the Civil War. The lack of capital and resources, the scarcity of labor, the control of the oil market, and the endless struggle against hostile public opinion and fierce competitors like the Pennsylvania Railroad and the New York Central posed challenges that were not easily overcome. Yet, as Reynolds states, "in the face of all these formidable obstacles, the enterprise was crowned with success."
William Greenway’s Everywhere at Once travels between muggy recollections of a Southern Baptist childhood, meditations on the otherworldly beauty of Wales, and commentary on life, death, and the revelry in between. In lines taut with bluesy musical precision, Greenway clearly demarcates the before and after, pivoting on his wife’s stroke and arduous recovery. “This is our new umbilicus, / like those childhood cans on a string,” Greenway declares in “Cells,” a poem that likens his beloved to “a preemie, struggling back / from your ‘fatal’ stroke / to be my wife again.” For every witty turn of phrase, a punch beyond the punch line stuns us with wisdom and transcendence. Whether we are witnessing “Feeding Time at the Fuel and Fuddle” or “The Path to Iskeroon,” the constant company of a wry conductor’s voice guides and provokes, paying tribute to the humble moments in life, and even the world “beyond / the reach of light and love and words.”
An Anthology of Contemporary Persona Poetry
The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient in origin and contemporary in practice. The embodiment of different voices is not only a dramatic and creative moment, but also a moment of true empathy, as the author moves beyond his or her own margins to fully inhabit the character, personality, and mindset of another human being. While there are a great number of poems written in persona, both historically as well as in the modern poetic landscape, there are no anthologies currently in existence that collect and celebrate the diverse writers who work in this mode today-or the divergent voices and characters they create. Stacey Lynn Brown and Oliver de la Paz have selected a superb collection of approximately 200 persona poems. These poems embody characters from popular culture, history, the Bible, literature, mythology, newspaper clippings, legends, fairy tales, and comic books, to name just a few, and their diversity is reflective of the wide range of authors working in this genre. The anthology will also contain brief explanatory notes written by the poets to help historicize and contextualize their characters and personae.
I know I'm holding a good book in my hand when I use the other to call my friends and read poems to them. How generous John Repp is! He zooms in on the moment, but he's always glancing at everything that surrounds it. His funny poems have dark hearts, just as the sad ones are clearly written by someone capable of belly-shaking laughter. They tell wonderful stories, yet they contain chewy little nuggets that are often indifferent and even hostile to story. I've said elsewhere that a poem either writes you a check or sends you a bill, and Fat Jersey Blues writes me checks faster than I can cash them. Oh, and these poems make me do something else that the good ones always do: when I hung up after reading "Bob Johnson" or "The Maltese Falcon" or "Balcony" to a friend, I sat down to write myself. -David Kirby, author of The Biscuit Joint