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“His life had come to this: save a few deer from the jaws of dogs. He was a small man sent to perform a small task.”
Howard Elman is a man whose internal landscape is as disordered as his front yard, where native New Hampshire birches and maples mingle with a bullet-riddled washer, abandoned bathroom fixtures, and several junk cars. Howard, anti-hero of this first novel in Ernest Hebert’s highly acclaimed Darby Chronicles, is a man who is tough and tender.
Howard’s battle against encroaching change symbolizes the class conflict between indigenous Granite Staters scratching out a living and citified immigrants with “college degrees and big bank accounts.” Like the winter-weakened deer threatened by the dogs of March—the normally docile house pets whose instincts arouse them to chase and kill for sport—Howard, too, is sorely beset.
The seven novels of Hebert’s Darby Chronicles cover 35 years in the life of a small New England town as seen through the eyes of three families—the Elmans, the Salmons, and the Jordans—each representing a distinct social class. It all starts with The Dogs of March, cited for excellence in 1980 by the Hemingway Foundation (now the Pen Faulkner Award for Fiction).
A delightful account of Edward Hopper’s sojourns in Vermont with his wife, Jo, illustrated by the watercolors and drawings that he made there Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club’s summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward’s continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont’s “finest” river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater’s Wagon Wheels farm in South Royalton. These “vacations” were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and oils, and an opportunity to paint something different, to be in a new place and paint en plein air. Over the course of his Vermont sojourns, Edward Hopper produced some two dozen paintings, watercolors that are among the most distinctive of his regional works, strongly characterized by place. In this accessible volume, Bonnie Tocher Clause tells the story of the Hoppers’ visits to Vermont, their stays on the Slater farm, and their introduction to farm life. She locates the sites shown in Hopper’s Vermont paintings, identifies two watercolors not previously recognized as Vermont scenes, and traces the development of Hopper’s singular interpretations of the Vermont landscape. In Edward Hopper in Vermont, Clause details the provenance of the Vermont paintings through the years, tracking the history of sales leading to the works’ ultimate homes with private collectors and museums. Showcasing all the Vermont paintings in color, this volume will delight both fans of Hopper’s work and those who are fascinated by the story of the creation, collection, and business of producing great art.
The Enigmatic Lives of Frances Caroline Adams and Joshua Lawrence Chamberlain
Joshua Chamberlain has fascinated historians and readers ever since his service in the Civil War caused his commanding officers to sit up and take notice when the young professor was on the field. What makes a man a gifted soldier and natural leader? In this compelling book, Diane Monroe Smith argues that finding the answer requires a consideration of Chamberlain's entire life, not just his few years on the battlefield. Truly understanding Chamberlain is impossible, Smith maintains, without exploring the life of Joshua's soul mate and wife of almost fifty years, Fanny. In this dual biography, Fanny emerges as a bright, talented woman who kept Professor, General, and then Governor Chamberlain on his toes. But you don't have to take Smith's word for it. Liberally quoting from years of correspondence, the author invites you to judge for yourself.
The Sierra Diablo Murders and Nazi Espionage in America
In 1938, Hazel Frome, the wife of a powerful executive at Atlas Powder Company, a San Francisco explosives manufacturer, set out on a cross-country motor trip with her twenty-three-year-old daughter, Nancy. When their car broke down in El Paso, Texas, they made the most of being stranded by staying at a posh hotel and crossing the border to Juarez for shopping, dining, and drinking. A week later, their near-nude bodies were found in the Chihuahuan Desert. Though they had been seen on occasion with two mystery men, there were no clues as to why they had apparently been abducted, tortured for days, and shot execution style.
El Paso sheriff Chris Fox, a lawman right out of central casting, engaged in a turf war with the Texas Rangers and local officials that hampered the investigation. But the victims’ detours had placed them in the path of a Nazi spy ring operating from the West Coast to Latin America through a deep-cover portal at El Paso. The sleeper cell was run by spymasters at the German consulate in San Francisco. In 1938, only the inner circle of the Roosevelt White House and a few FBI agents were aware of the extent to which German agents had infiltrated American industry.
Fetch the Devil is the first narrative account of this still officially unsolved case. Based on long forgotten archives and recently declassified FBI files, Richmond paints a convincing portrait of a sheriff’s dogged investigation into a baffling murder, the international spy ring that orchestrated it, and America on the brink of another world war.
Master Potter in the Garden
If you mention Guy Wolff to a serious gardener, that gardener will almost certainly admit to either owning a Guy Wolff flowerpot or coveting one. Wolff's pots--some small and perfect for a sunny windowsill, others massive and just right for a favorite outdoor spot--are widely considered to be the epitome of gardenware. Their classical proportions, simple decoration, and the marks of Wolff's hands all combine to make plants look their best. His pots possess an honesty and liveliness that machine-made flowerpots lack.
Wolff is probably the best-known potter working in the United States today. In gardening circles, he is a highly revered horticultural icon; gardeners flock to his lectures and demonstrations. His work also appeals to lovers of design and fine arts: visit the personal gardens of landscape designers, and you will see Guy Wolff pots. Step inside the gates of estate gardens, and you will see Guy Wolff pots. Yet he is a potter's potter. He's a big ware thrower, a skill few have today. He thinks deeply about what he calls the architecture of pots and the importance of handmade objects in our lives.
Whether you are a longtime collector of Wolff's pots, anxious to buy your first one, or simply intrigued by the beauty and practicality of hand-crafted goods in our fast-paced era, you'll want to add this richly illustrated book to your library.
Part Falstaff, part King Lear, but all American, Howard Elman was a fifty-something workingman when he burst onto the literary scene in The Dogs of March, the first novel of the Darby Chronicles. Now in this, its seventh installment, the Darby constable is an eighty-something widower who wants to do “a great thing” before he motors off into the sunset.
Maybe Howard achieves this goal, but he manages it in strange, wonderful, and dangerous ways. On his quest he’s aided, abetted, hindered, and befuddled by his middle-aged children, his hundred-year-old hermit friend Cooty Patterson, a voice in his head, and the person he loves most, his grandson, Birch Latour. At 24, Birch has returned to Darby with his friends to take over the stewardship of the Salmon Trust and to launch a video game, Darby Doomsday. At stake is the fate of Darby. And the world? Maybe.
Howard Elman’s Farewell begins as a coming of (old) age story, morphs into a murder mystery, expands into a family saga, and in the end might just follow Howard Elman into the spirit world.
This is a novel for people who like New England fiction with humor, pathos, and just a touch of magical realism.
The Epic Voyages of the Polar Adventurer Fram
In the golden age of polar exploration (from the mid-1800s to the early 1900s), many an expedition set out to answer the big question—was the Arctic a continent, an open ocean beyond a barrier of ice, or an ocean covered with ice? No one knew, for the ice had kept its secret well; ships trying to penetrate it all failed, often catastrophically. Norway’s charismatic scientist-explorer Fridtjof Nansen, convinced that it was a frozen ocean, intended to prove it in a novel if risky way: by building a ship capable of withstanding the ice, joining others on an expedition, then drifting wherever it took them, on a relentless one-way journey into discovery and fame . . . or oblivion.
Ice Ship is the story of that extraordinary ship, the Fram, from conception to construction, through twenty years of three epic expeditions, to its final resting place as a museum. It is also the story of the extraordinary men who steered the Fram over the course of 84,000 miles: on a three-year, ice-bound drift, finding out what the Arctic really was; in a remarkable four-year exploration of unmapped lands in the vast Canadian Arctic; and on a two–year voyage to Antarctica, where another famous Norwegian explorer, Roald Amundsen, claimed the South Pole.
Ice Ship will appeal to all those fascinated with polar exploration, maritime adventure, and wooden ships, and will captivate readers of such books as The Endurance, In the Heart of the Sea, and The Last Place on Earth. With more than 100 original photographs, the book brings the Fram to life and light.
The Secret History of Monsieur de Beaumarchais, the French Playwright Who Saved the American Revolution
Pierre-Augustin Caron de Beaumarchais was an eighteenth-century French inventor, famed playwright, and upstart near-aristocrat in the court of King Louis XVI. In 1776, he conceived an audacious plan to send aid to the American rebels. What's more, he convinced the king to bankroll the project, and singlehandedly carried it out. By war's end, he had supplied Washington's army with most of its weapons and powder, though he was never paid or acknowledged by the United States.
To some, he was a dashing hero--a towering intellect who saved the American Revolution. To others, he was pure rogue--a double-dealing adventurer who stopped at nothing to advance his fame and fortune. In fact, he was both, and more: an advisor to kings, an arms dealer, and author of some of the most enduring works of the stage, including The Marriage of Figaro and The Barber of Seville.
The Power of Ideas on a Finite Planet
Climate change. Finite fossil fuels. Fresh water depletion. Rising commodity prices. Ocean acidification. Overpopulation. Deforestation. Feeding the world's billions.
We're beset by an array of natural resource and environmental challenges. They pose a tremendous risk to human prosperity, to world peace, and to the planet itself.
Yet, if we act, these problems are addressable. Throughout history we've overcome similar problems, but only when we've focused our energies on innovation. For the most valuable resource we have isn't oil, water, gold, or land - it's our stockpile of useful ideas, and our continually growing capacity to expand them.
In this remarkable book, Ramez Naam charts a course to supercharge innovation - by changing the rules of our economy - that can lead the whole world to greater wealth and human well-being, even as we dodge looming resource crunches and environmental disasters and reduce our impact on the planet.
"Most books about the future are written by blinkered Pollyannas or hand-wringing Cassandras. Ramez Naam--Egypt-born, Illinois-raised, a major contributor to the computer revolution--is neither. Having thought about science, technology and the environment for decades, he has become that rarest of creatures: a clear-eyed optimist. Concise, informed and passionately argued, The Infinite Resource both acknowledges the very real dangers that lie ahead for the human enterprise and the equally real possibility that we might not only survive but thrive." --Charles Mann, New York Times bestselling author of 1491 and 1493
"An amazing book. Throughout history, the most important source of new wealth has been new ideas. Naam shows how we can tap into and steer that force to overcome our current problems and help create a world of abundance." --Peter H. Diamandis, MD, chairman and CEO, X PRIZE Foundation; chairman, Singularity University; and author, Abundance--The Future Is Better Than You Think
Since 1969, Ethan Allen has been the subject of three biographical studies, all of which indulge in sustaining and revitalizing the image of Allen as a physically imposing Vermont yeoman, a defender of the rights of Americans, an eloquent military hero, and a master of many guises, from rough frontiersman to gentleman philosopher.
Seeking the authentic Ethan Allen, the authors of this volume ask: How did that Ethan Allen secure his place in popular culture? As they observe, this spectacular persona leaves little room for a more accurate assessment of Allen as a self-interested land speculator, rebellious mob leader, inexperienced militia officer, and truth-challenged man who would steer Vermont into the British Empire.
Drawing extensively from the correspondence in Ethan Allen and his Kin and a wide range of historical, political, and cultural sources, Duffy and Muller analyze the factors that led to Ethan Allen’s two-hundred-year-old status as the most famous figure in Vermont’s past. Placing facts against myths, the authors reveal how Allen acquired and retained his iconic image, how the much-repeated legends composed after his death coincide with his life, why recollections of him are synonymous with the story of Vermont, and why some Vermonters still assign to Allen their own cherished and idealized values.