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His Life and School
This definitive biography shows that Aristotle's philosophy is best understood on the basis of a firm knowledge of his life and of the school he founded. First published in Italian, and now translated, updated, and expanded for English readers, this concise chronological narrative is the most authoritative account of Aristotle's life and his Lyceum available in any language. Gathering, distilling, and analyzing all the evidence and previous scholarship, Carlo Natali, one of the world's leading Aristotle scholars, provides a masterful synthesis that is accessible to students yet filled with evidence and original interpretations that specialists will find informative and provocative.
Cutting through the controversy and confusion that have surrounded Aristotle's biography, Natali tells the story of Aristotle's eventful life and sheds new light on his role in the foundation of the Lyceum. Natali offers the most detailed and persuasive argument yet for the view that the school, an important institution of higher learning and scientific research, was designed to foster a new intellectual way of life among Aristotle's followers, helping them fulfill an aristocratic ideal of the best way to use the leisure they enjoyed. Drawing a wealth of connections between Aristotle's life and thinking, Natali demonstrates how the two are mutually illuminating.
For this edition, ancient texts have been freshly translated on the basis of the most recent critical editions; indexes have been added, including a comprehensive index of sources and an index to previous scholarship; and scholarship that has appeared since the book's original publication has been incorporated.
Language and the World in the Sophistical Refutations
Presenting the first book-length study in English of Aristotle’s Sophistical Refutations, this work takes a fresh look at this seminal text on false reasoning. Through a careful and critical analysis of Aristotle’s examples of sophistical reasoning, Scott G. Schreiber explores Aristotle’s rationale for his taxonomy of twelve fallacy types. Contrary to certain modern attempts to reduce all fallacious reasoning to either errors of logical form or linguistic imprecision, Aristotle insists that, as important as form and language are, certain types of false reasoning derive their persuasiveness from mistaken beliefs about the nature of language and the nature of the world.
Accidents, Cause, Necessity, and Determinism
The first exhaustive study of Aristotle's concept of chance. This landmark book is the first to provide a comprehensive account of Aristotle’s concept of chance. Chance is invoked by many to explain order in the universe, the origins of life, even human freedom and happiness. An understanding of Aristotle’s concept of chance is indispensable for an appreciation of his views on nature and ethics, views which have had a tremendous influence on the development of Western philosophy. Author John Dudley analyzes Aristotle’s account of chance in the Physics, the Metaphysics, in his biological and ethical treatises, and in a number of his other works as well. Important complementary considerations such as Aristotle’s criticism of Presocratic philosophers, particularly Empedocles and Democritus, Plato’s concept of chance, the chronology of Aristotle’s works, and the relevance of Aristotle’s work to evolution and quantum theory are also covered in depth. This is an essential book for scholars and students of Western philosophy.
Writings from the Complete Works
Aristotle’s moral philosophy is a pillar of Western ethical thought. It bequeathed to the world an emphasis on virtues and vices, happiness as well-being or a life well lived, and rationally motivated action as a mean between extremes. Its influence was felt well beyond antiquity into the Middle Ages, particularly through the writings of St. Thomas Aquinas. In the past century, with the rise of virtue theory in moral philosophy, Aristotle’s ethics has been revived as a source of insight and interest. While most attention has traditionally focused on Aristotle’s famous Nicomachean Ethics, there are several other works written by or attributed to Aristotle that illuminate his ethics: the Eudemian Ethics, the Magna Moralia, and Virtues and Vices.
This book brings together all four of these important texts, in thoroughly revised versions of the translations found in the authoritative complete works universally recognized as the standard English edition. Edited and introduced by two of the world’s leading scholars of ancient philosophy, this is an essential volume for anyone interested in the ethical thought of one of the most important philosophers in the Western tradition.
According to Aristotle, man’s essential sociality implies a distinctive conception of politics, one in which all political associations exist for the sake of the moral perfection of human beings. This stands in sharp contrast with the modern view of politics that man is not “by nature” political; rather, man chooses to create political associations for the sake of securing the protection of his life and property. Many political theorists have begun to express doubts about this modern view, calling for a return to Aristotle’s vision of a politics that is deeply moral. In Aristotle’s Politics Today, distinguished political philosophers representing a diversity of approaches examine the meaning, relevance, and implications of Aristotle’s political thought for contemporary social and political theory. The contributors engage a broad range of topics, including Aristotle’s views on constitutionalism, the extension of Aristotelian ideas to issues in international relations, the place of Aristotelian virtue in modern democratic politics, and Aristotle’s conception of justice.
In the field of philosophy, Plato's view of rhetoric as a potentially treacherous craft has long overshadowed Aristotle's view, which focuses on rhetoric as an independent discipline that relates in complex ways to dialectic and logic and to ethics and moral psychology. This volume, composed of essays by internationally renowned philosophers and classicists, provides the first extensive examination of Aristotle's Rhetoric and its subject matter in many years. One aim is to locate both Aristotle's treatise and its subject within the more general context of his philosophical treatment of other disciplines, including moral and political theory as well as poetics. The contributors also seek to illuminate the structure of Aristotle's own conception of rhetoric as presented in his treatise.
The first section of the book, which deals with the arguments of rhetoric, contains essays by M. F. Burnyeat and Jacques Brunschwig. A section treating the status of the art of rhetoric features pieces by Eckart Schütrumpf, Jürgen Sprute, M. M. McCabe, and Glenn W. Most. Essays by John M. Cooper, Stephen Halliwell, and Jean-Louis Labarrière address topics related to rhetoric, ethics, and politics. The final section, on rhetoric and literary art, comprises essays by Alexander Nehamas and André Laks.
Originally published in 1994.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Between Philosophy and Art
Though our time is often said to be post-religious and post-metaphysical, many continue to seek some encounter with otherness and transcendence in art. This book deals diversely with the issues of art, origins, and otherness, both in themselves and in philosophical engagements with the works of Plato, Kant, Hegel, Schopenhauer, Nietzsche, and Heidegger. Addressing themes such as eros and mania, genius and the sublime, transcendence and the saving power of art, William Desmond tries to make sense of the paradox that too much has been asked of art that now almost nothing is asked of it. He argues that there is more to be said philosophically of art, and claims that art has the power to open up mindfulness beyond objectifying knowledge, as well as beyond thinking that claims to be entirely self-determining.
In the Wake of a Radical Aestheticism
Art’s Undoing is about radical aestheticism, the term that best describes a recurring event in some of the most powerful and resonating texts of nineteenth-century British literature. A radical aestheticism offers us the best way to reckon with what takes place at certain moments in certain texts by P.B. Shelley, Keats, Dickinson, Hopkins, D.G. Rossetti, and Wilde when aestheticized representations reach their radicalization. This aesthetic radicalization has profound consequences not only for the specific texts in which it occurs but for our understanding of the ambitious literary project undertaken by each of these writers and, finally, of our conception of the legacy of this literary tradition. This book explores what happens when these writers, deeply committed to certain versions of ethics or politics or theology, nonetheless produce the encounter with a radical aestheticism in their own work. These are the sites and occasions at which the authors’ projects are subjected to a fundamental crisis.A radical aestheticism offers no positive claims for art (either those based on ethical or political grounds or on aesthetic grounds, as in “art for art’s sake”): it provides no “transcendent or underlying ground” for their validation. In this sense, a radical aestheticism is the experience of a poesis that exerts such a pressure on the claims and workings of the aesthetic that it becomes a kind of black hole from which no illumination is possible. The radical aestheticism encountered in these writers is that which in the course of its very extremity takes us to the constitutive elements – the figures, the images, the semblances – that are at the root of any aestheticism, an encounter registered as evaporation, as combustion, as undoing. It is, therefore, an undoing by and of art and aesthetic experience, one that leaves this important literary tradition in its wake.In order to grasp the nature and consequences of this radical aestheticism, I turn to Walter Benjamin’s notion of the aura (Shelley, Hopkins), Roland Barthes’s accounts in his late work of “the third meaning” and the indolence of aesthetics (Keats), Jacques Derrida’s notion of the “event-machine” and Giorgio Agamben’s account of an originary poesis (Dickinson), Hans Urs von Balthasar’s theological aesthetics (Hopkins), absorption and theatricality according to Michael Fried (Rossetti), Jacques Lacan and Slavoj Zizek on the ethics of desire (Rossetti), and Georges Bataille’s notions of expenditure and sacrifice (Wilde). These diverse theoretical projects become in the course of the book something of a parallel text, one that reveals how some of the most significant theoretical and philosophical projects of our time remain within the wake of a radical aestheticism.