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The Practice of Religious Studies
This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of religion,on the one hand, and theology,on the other.In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religion.
The Hermeneutics of Gianni Vattimo
Essays describe Italian philosopher Gianni Vattimo’s unique and radical hermeneutic philosophy. This is the first collection of essays in English that deals directly with the philosophy of Gianni Vattimo from a purely critical perspective, further establishing his rightful place in contemporary European philosophy. Vattimo, who first came to prominence as the translator of Gadamer’s Truth and Method into Italian, is now considered to be more than a philosopher and prolific author. As a former member of the European Parliament (1999–2004), he is also a public intellectual. This book takes up his call to advance the crucial active and affirmative engagement with thinking and society. More than just interpretations of Vattimo’s thinking, these essays are expressions of the new impetus given to hermeneutic philosophy by “weak thought,” the term he coined for how we think now in the wake of Nietzsche, Heidegger, and Gadamer. The development of Vattimo’s thinking is reflected in the organization of the volume, divided into three main parts: Hermeneutics and Nihilism, Metaphysics and Religion, and Politics and Technology.
Habermas and the Idea of Progress
Between Reason and History examines the role of the idea of progress both in Ju¬rgen Habermas’s critical social theory and in critical social theory in general. The reception to Habermas’s magnum opus, The Theory of Communicative Action, has tended to downplay the theory of social evolution it contains, but there are no in-depth examinations of this aspect of Habermas’s critical theory. This book fills this gap by providing a comprehensive and detailed examination of Habermas’s theory of social evolution, its significance within the wider scope of his critical social theory, and the importance of a theoretical understanding of history for any adequate critical social theory.
The Ethical Nature of the Arts in Hegelian Aesthetics
Between Transcendence and Historicism explores Hegel’s aesthetics within the larger context of the tradition of theoretical reflection to emphasize its unique ability to account for traditional artistic practice. Arguing that the concept of the ethical is central to Hegel’s philosophy of art, Brian K. Etter examines the poverty of modernist aesthetic theories in contrast to the affirmation by Hegel of the necessity of art. He focuses on the individual arts in greater detail than is normally done for Hegel’s aesthetics, and considers how the dual constitution of the ethical nature of art can be justified, both within Hegel’s own philosophical system and in terms of its relevance to the dilemmas of modern social life. Etter concludes that the arts have a responsibility to represent the goodness of existence, the ideal, and the ethical life in dignifying the metaxological realm through their beauty.
Heidegger, Klee, and Gadamer on Gesture and Genesis
Engagement with the image has played a decisive role in the formulation of the very idea of philosophy since Plato. Identifying pivotal moments in the history of philosophy, Dennis J. Schmidt develops the question of philosophy's regard of the image in thinking by considering painting—where the image most clearly calls attention to itself as an image. Focusing on Heidegger and the work of Paul Klee, Schmidt pursues larger issues in the relationship between word, image, and truth. As he investigates alternative ways of thinking about truth through word and image, Schmidt shows how the form of art can indeed possess the capacity to change its viewers.
Science, Hermeneutics, and Praxis
Drawing freely and expertly from Continental and analytic traditions, Richard Bernstein examines a number of debates and controversies exemplified in the works of Gadamer, Habermas, Rorty, and Arendt. He argues that a "new conversation" is emerging about human rationality—a new understanding that emphasizes its practical character and has important ramifications both for thought and action.
John Dewey and the Neopragmatists
Perhaps the most significant development in American philosophy in recent times has been the extraordinary renaissance of Pragmatism, marked most notably by the reformulations of the so-called "Neopragmatists" Richard Rorty and Hilary Putnam. With Pragmatism offering the allure of potentially resolving the impasse between epistemological realists and antirealists, analytic and continental philosophers, as well as thinkers across the disciplines, have been energized and engaged by this movement. In Beyond Realism and Antirealism: John Dewey and the Neopragmatists, David L. Hildebrand asks two important questions: first, how faithful are the Neopragmatists' reformulations of Classical Pragmatism (particularly Deweyan Pragmatism)? Second, and more significantly, can their Neopragmatisms work? In assessing Neopragmatism, Hildebrand advances a number of historical and critical points: Current debates between realists and antirealists (as well as objectivists and relativists) are similar to early 20th century debates between realists and idealists that Pragmatism addressed extensively. Despite their debts to Dewey, the Neopragmatists are reenacting realist and idealist stands in their debate over realism, thus giving life to something shown fruitless by earlier Pragmatists. What is absent from the Neopragmatist's position is precisely what makes Pragmatism enduring: namely, its metaphysical conception of experience and a practical starting point for philosophical inquiry that such experience dictates. Pragmatism cannot take the "linguistic turn" insofar as that turn mandates a theoretical starting point. While Pragmatism's view of truth is perspectival, it is nevertheless not a relativism. Pace Rorty, Pragmatism need not be hostile to metaphysics; indeed, it demonstrates how pragmatic instrumentalism and metaphysics are complementary. In examining these and other difficulties in Neopragmatism, Hildebrand is able to propose some distinct directions for Pragmatism. Beyond Realism and Antirealism will provoke specialists and non-specialists alike to rethink not only the definition of Pragmatism, but its very purpose.
Each of the five volumes in the Stone Art Theory Institutes series—and the seminars on which they are based—brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fourth volume in the series, Beyond the Aesthetic and the Anti-Aesthetic focuses on questions revolving around the concepts of the aesthetic, the anti-aesthetic, and the political. The book is about the fact that now, almost thirty years after Hal Foster defined the anti-aesthetic, there is still no viable alternative to the dichotomy between aesthetics and anti- or non-aesthetic art. The impasse is made more difficult by the proliferation of identity politics, and it is made less negotiable by the hegemony of anti-aesthetics in academic discourse on art. The central question of this book is whether or not artists and academicians are free of this choice, in practice, in pedagogy, and in theory. Aside from the editor, the contributors are, Stéphanie Benzaquen, J. M. Bernstein, Karen Busk-Jepsen, Luis Camnitzer, Diarmuid Costello, Joana Cunha Leal, Angela Dimitrakaki, Alexander Dumbadze, T. Brandon Evans, Geng Youzhuang, Boris Groys, Beata Hock, Gordon Hughes, Michael Kelly, Grant Kester, Meredith Kooi, Cary Levine, Sunil Manghani, William Mazzarella, Justin McKeown, Andrew McNamara, Eve Meltzer, Nadja Millner-Larsen, Maria Filomena Molder, Carrie Noland, Gary Peters, Aaron Richmond, Lauren Ross, Toni Ross, Eva Schürmann, Gregory Sholette, Noah Simblist, Jon Simons, Robert Storr, Martin Sundberg, Timotheus Vermeulen, and Rebecca Zorach.
The Danish theologian-philosopher K. E. Løgstrup is second in reputation in his homeland only to Søren Kierkegaard. He is best known outside Europe for his The Ethical Demand, first published in Danish in 1956 and published in an expanded English translation in 1997. Beyond the Ethical Demand contains excerpts, translated into English for the first time, from the numerous books and essays Løgstrup continued to write throughout his life. In the first essay, he engages the critical response to The Ethical Demand, clarifying, elaborating, or defending his original positions. In the next three essays, he extends his contention that human ethics “demands” that we are concerned for the other by introducing the crucial concept of “sovereign expressions of life.” Like Levinas, Løgstrup saw in the phenomenon of “the other” the ground for his ethics. In his later works he developed this concept of “the sovereign expressions of life,” spontaneous phenomena such as trust, mercy, and sincerity that are inherently other-regarding. The last two essays connect his ethics with political life. Interest in Løgstrup in the English-speaking academic community continues to grow, and these important original sources will be essential tools for scholars exploring the further implications of his ethics and phenomenology.