In these lectures, delivered in 1933-1934 while he was Rector of the University of Freiburg and an active supporter of the National Socialist regime, Martin Heidegger addresses the history of metaphysics and the notion of truth from Heraclitus to Hegel. First published in German in 2001, these two lecture courses offer a sustained encounter with Heidegger's thinking during a period when he attempted to give expression to his highest ambitions for a philosophy engaged with politics and the world. While the lectures are strongly nationalistic and celebrate the revolutionary spirit of the time, they also attack theories of racial supremacy in an attempt to stake out a distinctively Heideggerian understanding of what it means to be a people. This careful translation offers valuable insight into Heidegger's views on language, truth, animality, and life, as well as his political thought and activity.

By elaborating upon pivotal twentieth-century studies in language, representation, and subjectivity, Being Made Strange reorients the study of rhetoric according to the discursive formation of subjectivity. The author develops a theory of how rhetorical practices establish social, political, and ethical relations between self and other, individual and collectivity, good and evil, and past and present. He produces a novel methodology that analyzes not only what an individual says, but also the social, political, and ethical conditions that enable him or her to do so. This book also offers valuable ethical and political insights for the study of subjectivity in philosophy, cultural studies, and critical theory.

Presenting the first step-by-step commentary on Husserl’s Ideas I, Marcus Brainard’s Belief and Its Neutralization provides an introduction not only to this central work, but also to the whole of transcendental phenomenology. Brainard offers a clear and lively account of each key element in Ideas I, along with a novel reading of Husserl, one which may well cause scholars to reconsider many long-standing views on his thought, especially on the role of belief, the effect and scope of the epoché, and the significance of the universal neutrality modification.

In contemporary race and sexuality studies, the topic of animality emerges almost exclusively in order to index the dehumanization that makes discrimination possible. Bestial Traces argues that a more fundamental disavowal of human animality conditions the bestialization of racial and sexual minorities. Hence, when conservative politicians equate homosexuality with bestiality, they betray an anxious effort to deny the animality inherent in all sexuality. Focusing on literary texts by Edgar Allan Poe, Joel Chandler Harris, Richard Wright, Philip Roth, and J. M. Coetzee, together with philosophical texts by Derrida, Heidegger, Agamben, Freud, and Nietzsche, Peterson maintains that the representation of social and political others as animals can be mitigated but never finally abolished. All forms of belonging inevitably exclude some others as "beasts." Though one might argue that absolute political equality and inclusion remain desirable, even if ultimately unattainable, ideals, Bestial Traces shows that, by maintaining such principles, we exacerbate rather than ameliorate violence because we fail to confront how discrimination and exclusion condition all social relations.

Examines the early works of German-Jewish philosopher Leo Strauss (1899-1973). Praised as a major political thinker of the twentieth century and vilified as the putative godfather of contemporary neoconservatism, Leo Strauss (1899–1973) has been the object of heated controversy both in the United States and abroad. This book offers a more balanced appraisal by focusing on Strauss’s early writings. By means of a close and comprehensive study of these texts, David Janssens reconstructs the genesis of Strauss’s thought from its earliest beginnings until his emigration to the United States in 1937. He discusses the first stages in Strauss’s grappling with the “theological-political problem,” from his doctoral dissertation on Friedrich Heinrich Jacobi to his contributions to Zionist periodicals, from his groundbreaking study of Spinoza’s critique of religion to his research on Moses Mendelssohn, and from his rediscovery of medieval Jewish and Islamic philosophy to his research on Hobbes. Throughout, Janssens traces Strauss’s rediscovery of the Socratic way of life as a viable alternative to both modern philosophy and revealed religion.

Plato's chora as developed in the Timaeus is a creative matrix in which things arise and stand out in response to the lure of the Good. Chora is paired with the Good, its polar opposite; both are beyond beingand the metaphors hitherto thought to disclose the transcendent. They underlie Plato's distinction of a procreative gap between being and becoming. The chiasmus between the Good and chora makes possible their mutual participation in one another. This gap makes possible both phenomenological and cosmological interpretations of Plato. Metaphor is restricted to beings as they appear in this gap through the crossing of metaphor's terms, terms that dwell with, rather than subulate, one another. Hermeneutically, through its iswe can see something being engendered or determined by that crossing.Bigger's larger goal is to align the primacy of the Good in Plato and Christian Neoplatonism with the creator God of Genesis and the God of love in the New Testament.

This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of religion,on the one hand, and theology,on the other.In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religion.

Essays describe Italian philosopher Gianni Vattimo’s unique and radical hermeneutic philosophy. This is the first collection of essays in English that deals directly with the philosophy of Gianni Vattimo from a purely critical perspective, further establishing his rightful place in contemporary European philosophy. Vattimo, who first came to prominence as the translator of Gadamer’s Truth and Method into Italian, is now considered to be more than a philosopher and prolific author. As a former member of the European Parliament (1999–2004), he is also a public intellectual. This book takes up his call to advance the crucial active and affirmative engagement with thinking and society. More than just interpretations of Vattimo’s thinking, these essays are expressions of the new impetus given to hermeneutic philosophy by “weak thought,” the term he coined for how we think now in the wake of Nietzsche, Heidegger, and Gadamer. The development of Vattimo’s thinking is reflected in the organization of the volume, divided into three main parts: Hermeneutics and Nihilism, Metaphysics and Religion, and Politics and Technology.

Between Reason and History examines the role of the idea of progress both in Ju¬rgen Habermas’s critical social theory and in critical social theory in general. The reception to Habermas’s magnum opus, The Theory of Communicative Action, has tended to downplay the theory of social evolution it contains, but there are no in-depth examinations of this aspect of Habermas’s critical theory. This book fills this gap by providing a comprehensive and detailed examination of Habermas’s theory of social evolution, its significance within the wider scope of his critical social theory, and the importance of a theoretical understanding of history for any adequate critical social theory.

Between Transcendence and Historicism explores Hegel’s aesthetics within the larger context of the tradition of theoretical reflection to emphasize its unique ability to account for traditional artistic practice. Arguing that the concept of the ethical is central to Hegel’s philosophy of art, Brian K. Etter examines the poverty of modernist aesthetic theories in contrast to the affirmation by Hegel of the necessity of art. He focuses on the individual arts in greater detail than is normally done for Hegel’s aesthetics, and considers how the dual constitution of the ethical nature of art can be justified, both within Hegel’s own philosophical system and in terms of its relevance to the dilemmas of modern social life. Etter concludes that the arts have a responsibility to represent the goodness of existence, the ideal, and the ethical life in dignifying the metaxological realm through their beauty.