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On the Analogy of Being, Metaphysics, and the Act of Faith
Analogia Entis: On the Analogy of Being, Metaphysics, and the Act of Faith is an intellectually rigorous and systematic account of Thomas’s teaching regarding the analogy of being. Steven A. Long’s work stands in contradistinction to historical-doctrinal surveys and general introductions, retrieving by way of an interpretation of Aristotle and Aquinas the indispensable role that analogy of being plays for metaphysics and, consequently, for theology. In his later writings St. Thomas did not return to questions about the analogy of being that he had answered earlier in his career. This has led most historical-textual treatments of analogy in current scholarship to the mistaken conclusion that Thomas actually changed his answers to these questions. Scholars fail to see the continuity between his treatment in the Summa theologiae and his earlier De veritate. Long's study demonstrates the coherence of St. Thomas’s earlier and later analyses. It shows how Thomas’s later account in the Summa theologiae necessarily presupposes his earlier teaching.
Aristotle’s treatise On the Soul figures among the most influential texts in the intellectual history of the West. It is the first systematic treatise on the nature and functioning of the human soul, presenting Aristotle’s authoritative analyses of, among others, sense perception, imagination, memory, and intellect. The ongoing debates on this difficult work continue the commentary tradition that dates back to antiquity. This volume offers a selection of papers by distinguished scholars, exploring the ancient perspectives on Aristotle’s De anima, from Aristotle’s earliest successors through the Aristotelian Commentators at the end of Antiquity. It constitutes a twin publication with a volume entitled Medieval Perspectives on Aristotle’s De anima (to be published in the Series ‘Philosophes Médiévaux’, Peeters Publ.), both volumes appearing to celebrate the 50th anniversary of the De Wulf Mansion Centre for Ancient, Medieval and Renaissance Philosophy at K.U. Leuven and U.C. Louvain. Contributions by: Enrico Berti, Klaus Corcilius, Frans de Haas, Andrea Falcon, Patrick Macfarlane, Pierre-Marie Morel, Ronald Polansky, R.W. Sharples, Nathanael Stein, Annick Stevens, Joel Yurdin, Marco Zingano.
Rethinking Human-Nonhuman Relationships
What does American pragmatism contribute to contemporary debates about human-animal relationships? Does it acknowledge our connections to all living things? Does it bring us closer to an ethical treatment of all animals? What about hunting, vegetarianism, animal experimentation, and the welfare of farm animals? While questions about human relations with animals have been with us for millennia, there has been a marked rise in public awareness about animal issues -- even McDonald's advertises that they use humanely treated animals as food sources. In Animal Pragmatism, 12 lively and provocative essays address concerns at the intersection of pragmatist philosophy and animal welfare. Topics cover a broad range of issues, including moral consideration of animals, the ethics of animal experimentation, institutional animal care, environmental protection of animal habitat, farm animal welfare, animal communication, and animal morals. Readers who interact with animals, whether as pets or on a plate, will find a robust and fascinating exploration of human-nonhuman relationships.
Contributors are James M. Albrecht, Douglas R. Anderson, Steven Fesmire, Glenn Kuehn, Todd Lekan, Andrew Light, John J. McDermott, Erin McKenna, Phillip McReynolds, Ben Minteer, Matthew Pamental, Paul Thompson, and Jennifer Welchman.
The Animal That Therefore I Am is the long-awaited translation of the complete text of Jacques Derrida's ten-hour address to the 1997 Crisy conference entitled The Autobiographical Animal,the third of four such colloquia on his work. The book was assembled posthumously on the basis of two published sections, one written and recorded session, and one informal recorded session.The book is at once an affectionate look back over the multiple roles played by animals in Derrida's work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction-dating from Descartes-between man as thinking animal and every other living species. That starts with the very fact of the line of separation drawn between the human and the millions of other species that are reduced to a single the animal.Derrida finds that distinction, or versions of it, surfacing in thinkers as far apart as Descartes, Kant, Heidegger, Lacan, and Levinas, and he dedicates extended analyses tothe question in the work of each of them.The book's autobiographical theme intersects with its philosophical analysis through the figures of looking and nakedness, staged in terms of Derrida's experience when his cat follows him into the bathroom in the morning. In a classic deconstructive reversal, Derrida asks what this animal sees and thinks when it sees this naked man. Yet the experiences of nakedness and shame also lead all the way back into the mythologies of man's dominion over the beastsand trace a history of how man has systematically displaced onto the animal his own failings or btises. The Animal That Therefore I Am is at times a militant plea and indictment regarding, especially, the modern industrialized treatment of animals. However, Derrida cannot subscribe to a simplistic version of animal rights that fails to follow through, in all its implications, the questions and definitions of lifeto which he returned in much of his later work.
Medicine, Power, and the Care of the Dying
In this original and compelling book, Jeffrey P. Bishop, a philosopher, ethicist, and physician, argues that something has gone sadly amiss in the care of the dying by contemporary medicine and in our social and political views of death, as shaped by our scientific successes and ongoing debates about euthanasia and the “right to die”—or to live. The Anticipatory Corpse: Medicine, Power, and the Care of the Dying, informed by Foucault’s genealogy of medicine and power as well as by a thorough grasp of current medical practices and medical ethics, argues that a view of people as machines in motion—people as, in effect, temporarily animated corpses with interchangeable parts—has become epistemologically normative for medicine. The dead body is subtly anticipated in our practices of exercising control over the suffering person, whether through technological mastery in the intensive care unit or through the impersonal, quasi-scientific assessments of psychological and spiritual “medicine.”
"[The book] illuminate[s] the philosophical urge to attain certainty and system, and especially system that is based on certain and indubitable ground. The historical approach works well.... This collection makes no pretensions, yet manages to deliver important contributions to the continuing inquiry." â€”John Lachs, Vanderbilt University The debate over foundationalism, the viewpoint that there exists some secure foundation upon which to build a system of knowledge, appears to have been resolved and the antifoundationalists have at least temporarily prevailed. From a firmly historical approach, the book traces the foundationalism/antifoundationalism controversy in the work of many important figuresâ€”Animaxander, Aristotle and Plato, Augustine, Descartes, Hegel and Nietzsche, Habermas and Chisholm, and othersâ€”throughout the history of philosophy. The contributors, Joseph Margolis, Ronald Polansky, Gary Calore, Fred and Emily Michael, William Wurzer, Charlene Haddock Siegfried, Sandra B. Rosenthal, Kathleen Wallace, and the editors present well the diversity, interest, and roots of antifoundationalism.
The History of an Idea
The notion of retrieving a bit of the past-by owning a material piece of it-has always appealed to humans. Often our most prized possessions are those that have had a long history before they came into our hands. Part of the pleasure we gain from the encounter with antiques stems from the palpable age and the assumed (sometimes imaginary) cultural resonances of the particular object. But precisely what is it about these objects that creates this attraction? What common characteristics do they share and why and how do these traits affect us as they do?
In Antiques: The History of an Idea, Leon Rosenstein, a distinguished philosopher who has also been an antiques dealer for more than twenty years, offers a sweeping and lively account of the origin and development of the antique as both a cultural concept and an aesthetic category. He shows that the appeal of antiques is multifaceted: it concerns their value as commodities, their age and historical and cultural associations, their uniqueness, their sensuous and tactile values, their beauty. Exploring how the idea of antiques evolved over time, Rosenstein chronicles the history of antique collecting and connoisseurship. He describes changing conceptions of the past in different epochs as evidenced by preservations, restorations, and renascences; examines shifting attitudes toward foreign cultures as revealed in stylistic borrowings and the importation of artifacts; and investigates varying understandings of and meanings assigned to their traits and functions as historical objects.
While relying on the past for his evidence, Rosenstein approaches antiques from an entirely original perspective, setting history within a philosophical framework. He begins by providing a working definition of antiques that distinguishes them from other artifacts in general and, more distinctly, both from works of fine art and from the collectible detritus of popular culture. He then establishes a novel set of criteria for determining when an artifact is an antique: ten traits that an object must possess in order to elicit the aesthetic response that is unique to antiques. Concluding with a provocative discussion of the relation between antiques and civilization, this engaging and thought-provoking book helps explain the enduring appeal of owning a piece of the past.