Prejudice is often not a conscious attitude: because of ingrained habits in relating to the world, one may act in prejudiced ways toward others without explicitly understanding the meaning of one’s actions. Similarly, one may know how to do certain things, like ride a bicycle, without being able to articulate in words what that knowledge is. These are examples of what Alexis Shotwell discusses in Knowing Otherwise as phenomena of “implicit understanding.” Presenting a systematic analysis of this concept, she highlights how this kind of understanding may be used to ground positive political and social change, such as combating racism in its less overt and more deep-rooted forms. Shotwell begins by distinguishing four basic types of implicit understanding: nonpropositional, skill-based, or practical knowledge; embodied knowledge; potentially propositional knowledge; and affective knowledge. She then develops the notion of a racialized and gendered “common sense,” drawing on Gramsci and critical race theorists, and clarifies the idea of embodied knowledge by showing how it operates in the realm of aesthetics. She also examines the role that both negative affects, like shame, and positive affects, like sympathy, can play in moving us away from racism and toward political solidarity and social justice. Finally, Shotwell looks at the politicized experience of one’s body in feminist and transgender theories of liberation in order to elucidate the role of situated sensuous knowledge in bringing about social change and political transformation.

Dans La dynamique multiculturelle et les fins de l'histoire, Réal Fillion propose une lecture originale de textes clés portant sur la philosophie de l'histoire signés par Kant, Hegel et Marx, et démontre que ces textes demeurent pertinents aujourd'hui pour comprendre l'histoire. Il présente les thèses de ces trois auteurs à propos de la dynamique et des fins de l'histoire afin de répondre à la question suivante : où allons-nous? Appuyant sa réponse sur le double constat que le monde devient de plus en plus multiculturel et de plus en plus unifié, Fillion réaffirme la tâche de la philosophie spéculative de l'histoire telle que l'avait comprise la philosophie allemande : il s'agit de comprendre et d'expliciter le processus historique en tant que tout en évolution. De sa compréhension de la dynamique du passé et du présent telle que présentée par Kant, Hegel et Marx, l'auteur considère plusieurs courants récents de la pensée sociale et politique afin de jeter un éclairage différent sur les événements actuels et les avenirs possibles. Il présente ainsi une réponse à la fois riche et actuelle à la question : où le monde actuel s'en va-t-il?

This book, at the intersections of political sociology,political philosophy, and theology, reads the legacyof Bosnia as both a paradigm and an antiparadigm forthe human condition. The adjective Bosnian sums up anacceptance of the diversity of human attitudes towardthe world and toward God. Yet the Bosnian tradition ofaccepting the inevitability of, and thus the right to, differingChristologies among people who speak the samelanguage and share the same history has been reduced tothe antiparadigms of confessionalism, ethnicism, andultimately nationalism, which seeks either to expel or tosubordinate to the majority everything that is other.

Secular criticism is a term invented by Edward Said to denote not a theory but a practice that counters the tendency of much modern thinking to reach for a transcendentalist comfort zone, the very space philosophy wrested away from religion in the name of modernity. Using this notion as a compass, this book reconfigures recent secularism debates on an entirely different basis, by showing (1) how the secular imagination is closely linked to society’s radical poiesis, its capacity to imagine and create unprecedented forms of worldly existence; and (2) how the space of the secular animates the desire for a radical democratic politics that overturns inherited modes of subjugation, whether religious or secularist.Gourgouris’s point is to disrupt the co-dependent relation between the religious and the secular—hence, his rejection of fashionable languages of postsecularism—in order to engage in a double critique of heteronomous politics of all kinds. For him, secular criticism is a form of political being: critical, antifoundational, disobedient, anarchic, yet not negative for negation’s sake but creative of new forms of collective reflection, interrogation, and action that alter not only the current terrain of dominant politics but also the very self-conceptualization of what it means to be human.Written in a free and combative style and given both to close readings of texts and to gazing off into the broad horizon, these essays cover a range of issues—historical and philosophical, archaic and contemporary, literary and political—that ultimately converge in the significance of contemporary radical politics: the assembly movements we have seen in various parts of the world in recent years. The secular imagination demands a radical pedagogy and unlearning a great many established thought patterns. Its most important dimension is not battling religion per se but dismantling theological politics of sovereignty in favor of radical conditions for social autonomy.

Philip Quinn, John A. O’Brien Professor at the University of Notre Dame from 1985 until his death in 2004, was well known for his work in the philosophy of religion, political philosophy, and core areas of analytic philosophy. Although the breadth of his interests was so great that it would be virtually impossible to identify any subset of them as representative, the contributors to this volume provide an excellent introduction to, and advance the discussion of, some of the questions of central importance to Quinn in the last years of his working life. Paul J. Weithman argues in his introduction that Quinn’s interest and analyses in many areas grew out of a distinctive and underlying sensibility that we might call “liberal faith.” It included belief in the value of a liberal education and in rigorous intellectual inquiry, the acceptance of enduring religious, cultural, and political pluralism, along with a keen awareness of problems posed by pluralism, and a deeply held but non-utopian faith in liberal democratic politics. These provocative essays, at the cutting edge of epistemology, the philosophy of religion, philosophical theology, and political philosophy, explore the tenets of liberal faith and invite continuing engagement with the philosophical issues.

Alice Ormiston’s Love and Politics argues that modern politics is rooted not merely in the pursuit of power, but that it is essentially underpinned by the experience of love. Hegel understood love as a principle that unites reason and emotion, and self and other, and that provides the foundation for a deep sense of connectedness to the world and for genuine acts of autonomy. Through an original and highly accessible interpretation of Hegel’s works, Ormiston shows how the modern commitment to individual rights and freedoms can only be adequately understood by reference to the experience of love that lies at the foundation of the modern subject and its political expression in acts of conscience. Hegel’s thought thus joins forces with feminist arguments for an embodied theory of the subject and for a focus on empathy in political reasoning, with republican concerns about democracy and civic education, and with postmodern concerns about the otherness of certain experiences and forms of knowledge. Ormiston’s book offers a developed concept of the subject that can serve as a foundation for resistance to problems of our time, including atomism and instrumental rationality, the ills of an unfettered capitalism, and the reality of a radical evil.

Messiahs and Machiavellians is an innovative exploration of “modern evil” in works of early- and late-modern theatre, raising issues about ethics, politics, religion, and aesthetics that speak to our present condition. Paul Corey examines how theatre—which expressed a key political dynamic both in the Renaissance and the twentieth century—lays open the impulses that instigated modernity and, ultimately, unparalleled levels of violence and destruction. Starting with Albert Camus’ Caligula and Samuel Beckett’s Waiting for Godot, then turning to Machiavelli’s Mandragola and Shakespeare’s Measure for Measure, Corey traces the emergence of two dominant, intertwining features of modern evil: an unrestrained pursuit of power and the utopian desire for perfection. Corey’s imaginative and convincing readings of these plays, based on detailed textual analysis, move beyond the accounts usually offered by literary critics. Drawing on political, theological, and philosophical sources—a combination as fertile as it is unusual—Corey’s methodology allows him to make keen and subtle arguments about the eschatological nature of modern politics.