"Everyone complains about what is lost in translations. This is the first account I have seen of the potentially positive impact of translation, that it represents... a genuinely new contribution." -- Drew A. Hyland

In his original philosophical exploration of translation, John Sallis shows that translating is much more than a matter of transposing one language into another. At the very heart of language, translation is operative throughout human thought and experience. Sallis approaches translation from four directions: from the dream of nontranslation, or universal translatability; through a scene of translation staged by Shakespeare, in which the entire range of senses of translation is played out; through the question of the force of words; and from the representation of untranslatability in painting and music. Drawing on Jakobson, Gadamer, Benjamin, and Derrida, Sallis shows how the classical concept of translation has undergone mutation and deconstruction.

Explores and critiques the so-called “decentering of the subject” in French phenomenology. This incisive work examines questions of ontotheology and their relation to the so-called “theological turn” of recent French phenomenology. Joeri Schrijvers explores and critiques the decentering of the subject attempted by Jean-Luc Marion, Jean-Yves Lacoste, and Emmanuel Levinas, three philosophers who, inspired by their reading of Heidegger, attempt to overturn the active and autonomous subject. In his consideration of each thinker, Schrijvers shows that a simple reversal of the subject-object distinction has been achieved, but no true decentering of the subject. For Lacoste, the subject becomes God’s intention; for Marion, the subject becomes the object and objective of givenness; and for Levinas, the subject is without secrets, like an object, before a greater Other. Critiquing the axioms and assumptions of contemporary philosophy, Schrijvers argues that there is no overcoming ontotheology. He ultimately proposes a more phenomenological and existential approach, a presencing of the invisible, to address the concerns of ontotheology.

Burt C. Hopkins presents the first in-depth study of the work of Edmund Husserl and Jacob Klein on the philosophical foundations of the logic of modern symbolic mathematics. Accounts of the philosophical origins of formalized concepts—especially mathematical concepts and the process of mathematical abstraction that generates them—have been paramount to the development of phenomenology. Both Husserl and Klein independently concluded that it is impossible to separate the historical origin of the thought that generates the basic concepts of mathematics from their philosophical meanings. Hopkins explores how Husserl and Klein arrived at their conclusion and its philosophical implications for the modern project of formalizing all knowledge.

François Raffoul approaches the concept of responsibility in a manner that is distinct from its traditional interpretation as accountability of the willful subject. Exploring responsibility in the works of Nietzsche, Sartre, Levinas, Heidegger, and Derrida, Raffoul identifies decisive moments in the development of the concept, retrieves its origins, and explores new reflections on it. For Raffoul, responsibility is less about a sovereign subject establishing a sphere of power and control than about exposure to an event that does not come from us and yet calls to us. These original and thoughtful investigations of the post-metaphysical senses of responsibility chart new directions for ethics in the continental tradition.

A provocative examination of the artistic interpretation of twelve of Borges' most famous stories. In Painting Borges, Jorge J. E. Gracia explores in depth the artistic interpretation of fiction using a novel and philosophically sophisticated approach. The book presents a provocative theory of the artistic interpretation of literature, thus contributing both to aesthetics and hermeneutics; it provides original artistic and philosophical interpretations of twelve of Borges's most famous stories, thus making new inroads in to the understanding of Borges's work; and it introduces readers to recent figurative Argentinean and Cuban art, two of the most vibrant artistic currents today. The book breaks new ground because, although the artistic interpretation of literature is nothing new in the history of art, the philosophical exploration of how artists have interpreted literature is a topic that has been largely ignored.

What is strange? Or better, who is strange? When do we encounter the strange? We encounter strangers when we are not at home: when we are in a foreign land or a foreign part of our own land. From Freud to Lacan to Kristeva to Heidegger, the feeling of strangeness-das Unheimlichkeit-has marked our encounter with the other, even the other within our self. Most philosophical attempts to understand the role of the Stranger, human or transcendent, have been limited to standard epistemological problems of other minds, metaphysical substances, body/soul dualism and related issues of consciousness and cognition. This volume endeavors to take the question of hosting the stranger to the deeper level of embodied imagination and the senses (in the Greek sense of aisthesis). This volume plays host to a number of encounters with the strange. It asks such questions as: How does the embodied imagination relate to the Stranger in terms of hospitality or hostility (given the common root of hostis as both host and enemy)? How do we distinguish between projections of fear or fascination, leading to either violence or welcome? How do humans sensethe dimension of the strange and alien in different religions, arts, and cultures? How do the five physical senses relate to the spiritual senses, especially the famous sixthsense, as portals to an encounter with the Other? Is there a carnal perception of alterity, which would operate at an affective, prereflective, preconscious level? What exactly do embodied imaginariesof hospitality and hostility entail, and how do they operate in language, psychology, and social interrelations (including racism, xenophobia, and scapegoating)? And what, finally, are the topical implications of these questions for an ethics and practice of tolerance and peace?

Exploring the first-person narratives of three figures from the Christian, Jewish, and Islamic mystical traditions -- St. Teresa of Avila, Rabbi Dov Baer, and Rūzbihān Baqlī -- Anthony J. Steinbock provides a complete phenomenology of mysticism based in the Abrahamic religious traditions. He relates a broad range of religious experiences, or verticality, to philosophical problems of evidence, selfhood, and otherness. From this philosophical description of vertical experience, Steinbock develops a social and cultural critique in terms of idolatry -- as pride, secularism, and fundamentalism -- and suggests that contemporary understandings of human experience must come from a fuller, more open view of religious experience.

This is the first full-length book in English on the noted French philosopher Philippe Lacoue-Labarthe. Martis introduces the range of Lacoue-Labarthe's thinking, demonstrating the systematic nature of his philosophical project. Focusing in particular on the dynamic of the loss of the subject and its possible post-deconstructive recovery, he places Lacoue-Labarthe's achievements in the context of related philosophers, most importantly Nancy, Derrida, and Blanchot. John Martis, S.J. teaches at the United Faculty of Theology, Melbourne, Australia, as a member of Jesuit Theological College, where he is Professor of Philosophy and Academic Principal.