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Martin Heidegger's sustained reflection on Greek thought has been increasingly recognized as a decisive feature of his own philosophical development. At the same time, this important philosophical meeting has generated considerable controversy and disagreement concerning the radical originality of Heidegger's view of the Greeks and their place in his groundbreaking thinking. In Heidegger and the Greeks, an international group of distinguished philosophers sheds light on the issues raised by Heidegger's encounter and engagement with the Greeks. The careful and nuanced essays brought together here shed light on how core philosophical concepts such as phenomenology, existentialism, hermeneutics, and ethics are understood today. For readers at all levels, this volume is an invitation to continue the important dialogue with Greek thinking that was started and stimulated by Heidegger.
Contributors are Claudia Baracchi, Walter A. Brogan, Günter Figal, Gregory Fried, Francisco J. Gonzalez, Drew A. Hyland, John Panteleimon Manoussakis, William J. Richardson, John Sallis, Dennis J. Schmidt, and Peter Warnek.
Quaestiones ordinariae art. XLVII-LII
Volume 30 of the Henrici de Gandavo Opera Omnia series is devoted to Henry’s Summa quaestionum ordinariarum, articles 47-52. This section of Henry’s Summa deals with the action of the (divine) will; the divine will in relation to the divine intellect; divine beatitude; passion in relation to the divine being; the differences between the divine attributes; and the order of the divine attributes. The critical edition of the text is accompanied by a detailed introduction to the manuscripts and to Henry’s sources.
Philosophical Synthesis in Early Han Thought
The present study emphasizes Chapter Six of Huai-nan Tzu in expounding the theory of kan-ying STIMULUS-RESPONSE; RESONANCE, which postulates that all things in the universe are interrelated and influence each other according to pre-set patterns.
Stratégies et méthodes exégétiques
The issue of Plutarch's Platonism is a crucial topic for both specialists in Plutarch and for those interested in Plato.While previous publications on this issue focus on the faithfulness of Plutarch to Platonic philosophy and how Platonic theses are presented in the Middle Platonism, this volume attempts, through a multifaceted approach, to focus on how and why Plutarch uses the words of Plato in the Moralia.
The relation between the Greek and Judeo-Christian traditions is "the great problem" of Western philosophy, according to Emmanuel Levinas. In this book Brian Schroeder, Silvia Benso, and an international group of philosophers address the relationship between Levinas and the world of ancient thought. In addition to philosophy, themes touching on religion, mythology, metaphysics, ontology, epistemology, ethics, and politics are also explored. The volume as a whole provides a unified and extended discussion of how an engagement between Levinas and thinkers from the ancient tradition works to enrich understandings of both. This book opens new pathways in ancient and modern philosophical studies as it illuminates new interpretations of Levinas' ethics and his social and political philosophy.
An Essay on the Purpose of Comedy
Love Song for the Life of the Mind develops the view of comedy that, the author argues, would have been set out in Aristotle's missing second book of Poetics. As such it is both a philosophical and a historical argument about Aristotle; and the theory of comedy it elucidates is meant to be trans-historically and trans-culturally accurate.
His Continuing Influence and Contemporary Relevance
Lucretius (c. 99 BCE–c. 55 BCE) is the author of De Rerum Natura, a work which tries to explain and expound the doctrines of the earlier Greek philosopher Epicurus. The Epicurean view of the world is that it is composed entirely of atoms moving about in infinite space. The implications of this view are profound: the proper study of the world is the province of natural philosophy (science); there are no supernatural gods who created the world or who direct its course or who can reward or punish us; death is simply annihilation, and so there is no next life and no torment in an underworld. Epicurus, and then his disciple Lucretius, advocated a simple life, free from mental turmoil and anguish. The essays in this collection deal with Lucretius’s critique of religion, his critique of traditional attitudes about death, and his influences on later thinkers such as Isaac Newton and Alfred Tennyson. We see that Lucretius’s philosophy is connected to contemporary philosophy such as existentialism and that aspects of his thought work against trying to separate the sciences and the humanities. Lucretius: His Continuing Influence and Contemporary Relevance is the title of a 2009 conference on Lucretius held at St. John Fisher College, when many of the ideas in these essays were first presented.
Grâce à sa grande richesse, la métaphore platonicienne du miroir a été adoptée, amplifiée et élaborée dans l’Antiquité par une multitude d’auteurs, certes tous d’inspiration platonicienne, mais appartenant à la fois au paganisme et au christianisme. Lorsqu’on étudie cette métaphore dans le corpus philosophique, mystique et poétique en terre d’Islam, on constate qu’il ne s’agit pas d’une récurrence fortuite, d’un lieu commun, d’un archétype de la pensée humaine. Il s’agit au contraire de l’adoption d’un thème précis, toujours lié à un contexte platonicien malgré la pluralité des courants dans lesquels il apparaît. Les contributeurs au livre Miroir et Savoir se sont attachés à étudier les modalités selon lesquelles le thème platonicien du miroir est passé du paganisme et du christianisme à la culture arabo-musulmane, de la langue grecque et syriaque à l’arabe et au persan. Ils ont tenté de dévoiler les mécanismes de ces passages et d’en déterminer l’enjeu conceptuel. Cet ouvrage espère ainsi apporter une contribution au dossier de l’histoire de la réception du corpus philosophique grec dans le monde arabo-musulman.
Late Scholastic Theory of Supertranscendental Being
Sylvester Mauro, S.J. (1619-1687) noted that human intellects can grasp what is,what is not, what can be, and what cannot be. The first principle, ‘it is not possible that the same thing simultaneously be and not be,' involves them all. The present volume begins with Greeks distinguishing ‘being' from ‘something' and proceeds to the late Scholastic doctrine of ‘supertranscendental being,' which embraces both. On the way is Aristotle's distinction between ‘being as being' and ‘being as true' and his extension of the latter to include impossible objects. The Stoics will see ‘something' as the widest object of human cognition and will affirm that, as signifiable, impossible objects are something, more than mere nonsense. In the sixteenth century, Francisco Suárez will identify mind-dependent beings most of all with impossible objects and will also regard them as signifiable. By this point, two conceptions will stand in opposition. One, adumbrated by Averroes, will explicitly accept the reality and knowability of impossible objects. The other, going back to Alexander of Aphrodisias, will see impossibles as accidental and false conjunctions of possible objects. Seventeenth-century Scholastics will divide on this line, but in one way or another will anticipate the Kantian notion of ‘der Gegenstand überhaupt.' Going farther, Scholastics will see the two-sided upper border of being and knowing at God and the negative theology, and will fix the equally double lower border at ‘supertranscendental being' and ‘supertranscendental nonbeing,' which non-being, remaining intelligible, will negate the actual, the possible, and even the impossible.
An Approach to Aristotle's Poetics
Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one’s approach to Aristotle’s Poetics. Its scope is twofold: historical and systematic. In its historical aspect it develops an approach to Aristotle’s Poetics, which brings his distinctive philosophy of being to bear on the reception of this text. In its systematic aspect it relates Aristotle’s theory of art to the perennial desiderata of any theory of art, and particularly to Kandinsky’s.