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Figures of Simplicity Cover

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Figures of Simplicity

Sensation and Thinking in Kleist and Melville

A fascinating comparison of the work of Heinrich von Kleist and Herman Melville. Figures of Simplicity explores a unique constellation of figures from philosophy and literature—Heinrich von Kleist, Herman Melville, G. W. Leibniz, and Alexander Baumgarten—in an attempt to recover alternative conceptions of aesthetics and dimensions of thinking lost in the disciplinary narration of aesthetics after Kant. This is done primarily by tracing a variety of “simpletons” that populate the writings of Kleist and Melville. These figures are not entirely ignorant, or stupid, but simple. Their simplicity is a way of thinking; one that author Birgit Mara Kaiser here suggests is affective thinking. Kaiser avers that Kleist and Melville are experimenting in their texts with an affective mode of thinking, and thereby continue, she argues, a key line within eighteenth-century aesthetics: the relation of rationality and sensibility. Through her analyses, she offers an outline of what thinking can look like if we take affectivity into account.

Force:A Fundamental Concept of Aesthetic Anthropology Cover

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Force:A Fundamental Concept of Aesthetic Anthropology

A Fundamental Concept of Aesthetic Anthropology

Christoph Menke

This book reconceives modern aesthetics by reconstructing its genesis in the 18th century, between Baumgarten's Aesthetics and Kant's Critique of Judgment. Force demonstrates that aesthetics, and hence modern philosophy, began twice. On the one hand, Baumgarten's Aesthetics is organized around the new concept of the "subject": as a totality of faculties; an agent defined by capabilities; one who is able. Yet an aesthetics in the Baumgartian manner, as the theory of the sensible faculties of the subject, at once faces a different aesthetics: the aesthetics of force. The latter conceives the aesthetic not as sensible cognition but as a play of expression--propelled by a force that, rather than being exercised like a faculty, does not recognize or represent anything because it is obscure and unconscious: the force of what in humanity is distinct from the subject. The aesthetics of force is thus a thinking of the nature of man: of aesthetic nature as distinct from the culture acquired by practice. It founds an anthropology of difference: between force and faculty, human and subject.

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God after Metaphysics

A Theological Aesthetic

John Panteleimon Manoussakis

While philosophy believes it is impossible to have an experience of God without the senses, theology claims that such an experience is possible, though potentially idolatrous. In this engagingly creative book, John Panteleimon Manoussakis ends the impasse by proposing an aesthetic allowing for a sensuous experience of God that is not subordinated to imposed categories or concepts. Manoussakis draws upon the theological traditions of the Eastern Church, including patristic and liturgical resources, to build a theological aesthetic founded on the inverted gaze of icons, the augmented language of hymns, and the reciprocity of touch. Manoussakis explores how a relational interpretation of being develops a fuller and more meaningful view of the phenomenology of religious experience beyond metaphysics and onto-theology.

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The Harmony of Goodness

Mutuality and Moral Living According to John Duns Scotus

Mary Beth Ingham, C.S.J.

In The Harmony of Goodness, Ingham presents the ethical vision of John Duns Scotus (1265-1308) in an integrated manner, bringing together aspects of virtue, moral reasoning, free choice, rational judgment, and spirituality as parts of a whole human life. This work examines the ethical thought of Scotus according to his notion of mutuality or relationship. This study brings to light Scotus’ integrated vision of human moral living.

Heidegger, Holderlin, and the Subject of Poetic Language Cover

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Heidegger, Holderlin, and the Subject of Poetic Language

Toward a New Poetics of Dasein

Jennifer Gosetti-Ferencei

Heidegger's interpretations of the poetry of Hlderlin are central to Heidegger's later philosophy and have determined the mainstream reception of Hlderlin's poetry. Gosetti-Ferencei argues that Heidegger has overlooked central elements in Hlderlin's poetics, such as a Kantian understanding of aesthetic subjectivity and a commitment to Enlightenment ideals. These elements, she argues, resist the more politically distressing aspects of Heidegger's interpretations, including Heidegger's nationalist valorization of the German language and sense of nationhood, or Heimat.In the context of Hlderlin's poetics of alienation, exile, and wandering, Gosetti-Ferencei draws a different model of poetic subjectivity, which engages Heidegger's later philosophy of Gelassenheit, calmness, or letting be. In so doing, she is able to pose a phenomenologically sensitive theory of poetic language and a new poetics of Dasein,or being there.

The Human Eros Cover

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The Human Eros

Eco-ontology and the Aesthetics of Existence

The Human Eros: Eco-ontology and the Aesthetics of Existence explores themes in classical American philosophy, primarily that of John Dewey, but also in the thought of Ralph Waldo Emerson, George Santayana, and Native American traditions. The primary claim is that human beings exist with a need for the experience of meaning and value, a “Human Eros.” Our various cultures are symbolic environments or “spiritual ecologies” within which the Human Eros can thrive. This is how we inhabit the earth. Encircling and sustaining our cultural existence is nature. Western philosophy has not generally provided adequate conceptual models for thinking ecologically. Thus the idea of “eco-ontology” undertakes to explore ways in which this might be done beginning with the primacy of Nature over Being, but also including the recognition of possibility and potentiality as inherent aspects of existence. I argue for the centrality of Dewey for an effective ecological philosophy. Both “pragmatism” and “naturalism” need to be contextualized within an emergentist, relational, non-reductive view of nature and an aesthetic, imaginative, non-reductive view of intelligence.

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Japanese Hermeneutics

Current Debates on Aesthetics and Interpretation

Michael F. Marra

Japanese Hermeneutics provides a forum for the most current international debates on the role played by interpretative models in the articulation of cultural discourses on Japan. It presents the thinking of esteemed Western philosophers, aestheticians, and art and literary historians, and introduces to English-reading audiences some of Japan's most distinguished scholars, whose work has received limited or no exposure in the United States.

In the first part, "Hermeneutics and Japan," contributors examine the difficulties inherent in articulating "otherness" without falling into the trap of essentialization and while relying on Western epistemology for explanation and interpretation. In the second part, "Japan's Aesthetic Hermeneutics," they explore the role of aesthetics in shaping discourses on art and nature in Japan. The essays in the final section of the book, "Japan's Literary Hermeneutics," rethink the notion of "Japanese literature" in light of recent findings on the ideological implications of canon formations and transformations within Japan's prominent literary circles.

Contributors: Amagasaki Akira, Haga Toru, Hamashita Masahiro, Inaga Shigemi, Kambayashi Tsunemichi, Thomas LaMarre, John C. Maraldo, Michael F. Marra, Mark Meli, Ohashi Ryosuke, Otabe Tanehisa, Graham Parkes, J. Thomas Rimer, Sasaki Ken'ichi, Haruo Shirane, Suzuki Sadami, Stefan Tanaka, Gianni Vattimo.

John Dewey and the Artful Life Cover

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John Dewey and the Artful Life

Pragmatism, Aesthetics, and Morality

By Scott Stroud

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Kant and the Unity of Reason

History of Philosophy

by Angelica Nuzzo

Kant and the Unity of Reason is a comprehensive reconstruction and a detailed analysis of Kant's Critique of Judgment. In the light of the third Critique, the book offers a final interpretation of the critical project as a whole.

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