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Narcocorridos and the Construction of a Cultural Persona on the U.S.-Mexico Border
Since the late 1970s, a new folk hero has risen to prominence in the U.S.–Mexico border region and beyond—the narcotrafficker. Celebrated in the narcocorrido, a current form of the traditional border song known as the corrido, narcotraffickers are often portrayed as larger-than-life “social bandits” who rise from poor or marginalized backgrounds to positions of power and wealth by operating outside the law and by living a life of excess, challenging authority (whether U.S. or Mexican), and flouting all risks, including death. This image, rooted in Mexican history, has been transformed and commodified by the music industry and by the drug trafficking industry itself into a potent and highly marketable product that has a broad appeal, particularly among those experiencing poverty and power disparities. At the same time, the transformation from folk hero to marketable product raises serious questions about characterizations of narcocorridos as “narratives of resistance.” This multilayered ethnography takes a wide-ranging look at the persona of the narcotrafficker and how it has been shaped by Mexican border culture, socioeconomic and power disparities, and the transnational music industry. Mark Edberg begins by analyzing how the narcocorrido emerged from and relates to the traditional corrido and its folk hero. Then, drawing upon interviews and participant-observation with corrido listening audiences in the border zone, as well as musicians and industry producers of narcocorridos, he elucidates how the persona of the narcotrafficker has been created, commodified, and enacted, and why this character resonates so strongly with people who are excluded from traditional power structures. Finally, he takes a look at the concept of the cultural persona itself and its role as both cultural representation and model for practice.
Dance and Humanist Culture in Fifteenth-Century Italy
"This book adds an entirely new dimension to the consideration of Humanism and Italian culture. It will make a welcome addition to the field of cultural studies by broadening the subject to consider an important source of information that has been previously overlooked." -- Timothy McGee
The Eloquent Body offers a history and analysis of court dancing during the Renaissance, within the context of Italian Humanism. Each chapter addresses different philosophical, social, or intellectual aspects of dance during the 15th century. Some topics include issues of economic class, education, and power; relating dance treatises to the ideals of Humanism and the meaning of the arts; ideas of the body as they relate to elegance, nobility, and ethics; the intellectual history of dance based on contemporaneous readings of Pythagoras and Plato; and a comparison of geometric dance structures to geometric order in Humanist architecture.
A Song of Life
"... a rare kind of biography and autobiography: a clear and elegant exposition of fact, as well as a humane portrait of a great piano virtuoso, composer, teacher, and democratic soul, as told to and seen through the eyes of one close to him." -- Mark Mitchell
Ernst von Dohnányi (1877--1960) was one of the most highly respected musicians of his time. The young Dohnányi enjoyed an international prestige that brought him into contact with such 19th-century masters as Johannes Brahms and Eugène d'Albert. He is remembered for his technique and interpretive skills as a pianist and conductor, as well as for the masterpieces he composed for piano, chamber ensembles, and orchestra. As a teacher and administrator, Dohnányi was responsible for the training of an entire generation of musicians in Hungary, and for helping to shape the country's musical culture. After World War II, his career foundered when he was falsely accused of being a Nazi sympathizer. In 1953, at the age of 76, Dohnányi returned to international prominence with a triumphant "re-debut" at Carnegie Hall. Ernst von Dohnányi: A Song of Life, written from a firsthand perspective by Dohnányi's widow, is the first full English-language biography of the artist.
Three Decades of Northern Cree Music
Includes audio CD with over 50 Cree hunting songs
Essential Song: Three Decades of Northern Cree Music, a study of subarctic Cree hunting songs, is the first detailed ethnomusicology of the northern Cree of Quebec and Manitoba. The result of more than two decades spent in the North learning from the Cree, Lynn Whidden’s account discusses the tradition of the hunting songs, their meanings and origins, and their importance to the hunt. She also examines women’s songs, and traces the impact of social change—including the introduction of hymns, Gospel tunes, and country music—on the song traditions of these communities.
The book also explores the introduction of powwow song into the subarctic and the Crees struggle to maintain their Aboriginal heritage—to find a kind of song that, like the hunting songs, can serve as a spiritual guide and force.
Including profiles of the hunters and their songs and accompanied by an original audio CD of more than fifty Cree hunting songs, Essential Song makes an important contribution to ethnomusicology, social history, and Aboriginal studies.
Jazz and European Sources, Dynamics, and Contexts
The critical role of Europe in the music, personalities, and analysis of jazz It is often said that jazz is America’s great gift to the world, but while true, this belies the surprising, often crucial role that Europe has played in the development and popularity of jazz throughout the world. Based on a series of symposia attracting leading scholars, critics, and musicians from throughout Europe and the United States, Eurojazzland first addresses the impact of European musical traditions and instruments on the formation and development of American jazz. Part two details the vital experiences of American musicians on European soil, from black minstrels to such jazz greats as Benny Carter and Duke Ellington, and deals with European jazzmen and their developments of American jazz styles. The final part chronicles the importance of European critics and musicologists in jazz criticism and offers essays on European contributions to jazz musicianship and production. Eurojazzland proves that jazz is simply too rich and varied for one country to claim, define, or contain. This groundbreaking collection will appeal to jazz aficionados, scholars, musicologists, and musicians.
Exploring Sounds and Cultures
Native American drumming and chant; Czech and German polka; country fiddling; African American spirituals, blues and jazz; cowboy songs; Mexican corridos; zydeco; and the sounds of a Cambodian New Year’s celebration — all are part of the amazing cultural patchwork of traditional music in Texas. In Everyday Music, author and researcher Alan Govenar brings readers face-to-face with the stories and memories of people who are as varied as the traditions they carry on.? In 1986, Alan Govenar traveled more than 35,000 miles around Texas, interviewing, recording, and photographing the vast cultural landscape of the state. In Everyday Music, he compares his experiences then with his attempts to reconnect with the people and traditions that he had originally documented. ?Stopping at gas stations, restaurants, or street-corner groceries in small towns and inner-city neighborhoods, Govenar asked local residents about local music and musicians. What he found on his road trip around the state—and what he shares in the pages of this book — are the time-honored songs, tunes, and musical instruments that have been passed down from one generation to the next. Govenar invites you to accompany him on his journey — one that will forever change the way you look at the traditional music that is such an important part of our everyday lives.? Everyday Music is accompanied by a special online resource (www.everydaymusiconline.org) with video clips, recorded interviews, and performances. The site also features special resources for teachers who want to bring this rich cultural experience into their classrooms and for general readers who simply want to know more.
Essays in Analysis and Meaning
Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms's most "absolute" works.
A Handbook for Choral Conductors
Face to Face with Orchestra and Chorus is a crucial guide for choral conductors who are presented with the daunting task of conducting a full-size orchestra. This book provides a survival kit for both novice and experienced choral conductors, with an overview of the orchestral instruments and their particular needs, tips for rehearsing an orchestra effectively, and guidelines for proper baton technique. Conductors are walked through six case studies from the Baroque and Classical periods, including Handel's Messiah, Bach's Magnificat in D Major, Vivaldi's Gloria, and Beethoven's "Choral" Fantasia.
The Music of John Luther Adams
The first critical anthology of an important and singular contemporary composer The artistic heir of sonic artists such as John Cage and James Tenney, John Luther Adams is one of the most significant and highly regarded contemporary American composers. The Farthest Place is the first critical look at the work of the composer whom the New Yorker critic Alex Ross has called “one of the most original musical thinkers of the new century.” While often identified with the Alaska that so inspires him, Adams is anything but a regionalist. Though inspired by the wild and open nature that surrounds him, “Adams does not represent nature through music. He creates tonal territories that resonate with nature—immersive listening experiences that evoke limitless distance, suspended time, deep longing and even transcendence.” In addition to the New Yorker piece by Alex Ross, and original essays by Kyle Gann and Wilco’s own Glenn Kotche, The Farthest Place includes essays by scholars, critics, composers, and performers, merging theoretical and historical observations, musical and environmental questions with analytical discourse and personal commentaries on Adams’s music and thought.