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The Life and Music of Curly Seckler
With his trademark mandolin style and unequaled tenor harmonies, Curly Seckler has carved out a seventy-seven-year career in bluegrass and country music. His foundational work in Flatt and Scruggs's Foggy Mountain Boys secured him a place in bluegrass history, while his role in The Nashville Grass made him an essential part of the music's triumphant 1970s revival. Written in close collaboration with Mr. Seckler and those who know him, Foggy Mountain Troubadour is the first full-length biography of an American original. Penny Parsons follows a journey from North Carolina schoolhouses to the Grand Ole Opry stage and the Bluegrass Hall of Fame, from boarding houses to radio studios and traveling five to a car on two-lane roads to make the next show. Throughout, she captures the warm humor, hard choices, and vivid details of a brilliant artist's life as he crisscrosses a nation and a century making music.
Moving with the Giants of Jazz, Swing, and Rhythm and Blues
Detailing the career of Joe Evans, Follow Your Heart chronicles the career of Joe Evans, an alto saxophonist who between 1939 and 1965 performed with some of America's greatest musicians, including Louis Armstrong, Cab Calloway, Charlie Parker, Jay McShann, Andy Kirk, Billie Holiday, Bill "Bojangles" Robinson, Lionel Hampton, and Ivory Joe Hunter. Evans warmly recounts his wide range of experience in the music industry and comments on popular New York City venues used for shaping and producing black music, such as the Apollo Theater, the Savoy, Minton's Playhouse, and the Rhythm Club. Revealing Evans as a master storyteller, Follow Your Heart describes his stints as a music executive, entrepreneur, and musician. Evans offers invaluable insight into race relations within the industry and the development of African American music and society from the 1920s to 1970s.
This award-winning book, now available in paperback, is the first solid appraisal of the legendary career of the eminent Hungarian-born conductor Fritz Reiner (1888-1963). Personally enigmatic and often described as difficult to work with, he was nevertheless renowned for the dynamic galvanization of the orchestras he led, a nearly unrivaled technical ability, and high professional standards. Reiner's influence in the United States began in the early 1920s and lasted until his death. Reiner was also deeply committed to serious music in American life, especially through the promotion of new scores. In Fritz Reiner, Maestro and Martinet, Kenneth Morgan paints a very real portrait of a man who was both his own worst enemy and one of the true titans of his profession.
Writings in Music Theory
One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited, and revised by the self-described "composer/theorist." Selections focus on his fundamental concerns--"what the ear hears"--and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition.
An Intimate Portrait
George Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make a place for himself--no family of his own and no real home in music._x000B__x000B_He and his siblings received little love from their mother and no direction from their father. The closest George came to domesticity was his longtime affair with fellow composer Kay Swift. But she remained married to another man while he went endlessly from woman to woman. Only in the final hours of his life did he realize how much he needed her. Fatally ill, unprotected by (and perhaps estranged from) his older brother Ira, he was exiled by Ira's hard-edged wife Leonore from the house that she and the brothers shared, and he died horribly and alone at the age of thirty-eight._x000B__x000B_Nor did Gershwin find a satisfying musical harbor. For years his genius could be expressed only in the ephemeral world of show business, as his brilliance as a composer of large-scale works went unrecognized by highbrow music critics. When he resolved this quandary with his opera Porgy and Bess, critics were unable to understand or validate it. Decades would pass before his most ambitious composition was universally regarded as one of music's lasting treasures and before his stature as a great composer became secure._x000B__x000B_In this book, Walter Rimler makes use of fresh sources, including newly discovered letters by Kay Swift as well as correspondence between and interviews with intimates of Ira and Leonore Gershwin. It is written with spirited prose and contains more than two dozen photographs.
A Life of Music
This book is the first full biography of George Szell, one of the greatest orchestra and opera conductors of the twentieth century. From child prodigy pianist and composer to world-renowned conductor, Szell's career spanned seven decades, and he led most of the great orchestras and opera companies of the world. A protege of composer-conductor Richard Strauss at the Berlin State Opera, his crowning achievement was his twenty-four-year tenure as musical director of the Cleveland Orchestra. Under Szell's baton, the orchestra developed into one of the world's greatest ensembles, recording extensively and touring triumphantly in the United States, Europe, the Soviet Union, South Korea, and Japan._x000B__x000B_Michael Charry, a conductor who worked with Szell and interviewed him, his family, and his associates, constructs a lively and balanced portrait of Szell's life and work, detailing his personal and musical qualities, his recordings and broadcast concerts, his approach to the great works of the orchestral repertoire, and his famous orchestrational changes and interpretation of the symphonies of Robert Schumann. The book also lists his conducting repertoire and includes a comprehensive discography of Szell's recorded performances.
The Life and Music of the Pride of New England
In many ways, this is the story of the birth of the American style in classical music. George Whitefield Chadwick (1854-1931) was one of the most significant and influential American composers at the turn of the twentieth century and a leading light of the Boston cultural scene. Bill F. Faucett offers a detailed exploration of Chadwick's life and art utilizing archival material only recently made available. These crucial primary sources, including letters, diaries, and memoirs, enable a deeper and more nuanced understanding of Chadwick's music and aesthetic perspective, and provide a clearer lens through which to view his life, career, and times. The book traces Chadwick's story from his earliest musical education to his surging career in Boston's nascent musical culture of the 1880s, to his fruitful middle years, and finally to his later life and towering legacy. In addition to bringing newfound appreciation of Chadwick's life, Faucett's book offers penetrating examinations of his major compositions and a vivid re-creation of Boston's rich and influential musical and cultural scene.
This book will appeal to a broad audience of music lovers, scholars, and anyone interested in nineteenth-century American music and the Boston cultural scene.
An Army Bandsman in World War II
"Frank Mathias was a teenager in a small town when the draft swept him into the army and then halfway around the world to the jungles of the South Pacific. He served in the huge invasion force in the Battle of Manila, the deadliest single battle of the Pacific War. As an army musician attached to the 37th Infantry Division, Mathias saw the war from the bottom of the heap, where young privates lived and died. In his best selling book The GI Generation, Mathias tells of growing up in small-town America between the wars. In GI Jive he recalls the gritty experience of combat as well as the music and the homefront pleasures the GIs fought to preserve."
Arthur Judson and American Arts Management
This biography charts the career and legacy of the pioneering American music manager Arthur Judson (1881 - 1975), who rose to prominence in Philadelphia and New York at the beginning of the twentieth century. A violinist by training, Judson became manager of the Philadelphia Orchestra in 1915 under the iconic conductor Leopold Stokowski. Within a few years, Judson also took on management of the New York Philharmonic as well as several individual artists and most of the important conductors working in America. In addition to his colorful career behind the scenes at two preeminent American orchestras, Judson founded a nationwide network of local managers and later became involved in the relatively unexplored medium of radio, working first with WEAF in New York City and then later forming his own national radio network in 1927. Providing valuable insight into the workings of these orchestras and the formative years of arts management, The Great Orchestrator: Arthur Judson and American Arts Management is a valuable portrait of one of the most powerful managers in American musical history.
The musical voice of Texas presents itself as vast and diverse as the Lone Star State’s landscape. According to Casey Monahan, “To travel Texas with music as your guide is a year-round opportunity to experience first-hand this amazing cultural force….Texas music offers a vibrant and enjoyable experience through which to understand and enjoy Texas culture.”