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Fela: Kalakuta Notes is an evocative account of Fela Kuti—the Afrobeat superstar who took African music into the arena of direct action. With his antiestablishment songs, he dedicated himself to Pan-Africanism and the down-trodden Nigerian masses, or “sufferheads.” In the 1970s, the British/Ghanaian musician and author John Collins met and worked with Fela in Ghana and Nigeria. Kalakuta Notes includes a diary that Collins kept in 1977 when he acted in Fela’s autobiographical film, Black President. The book offers revealing interviews with Fela by the author, as well as with band members, friends, and colleagues.
For the second edition, Collins has expanded the original introduction by providing needed context for popular music in Africa in the 1960s and the influences on the artist’s music and politics. In a new concluding chapter, Collins reflects on the legacy of Fela: the spread of Afrobeat, Fela’s musical children, Fela’s Shrine and Kalakuta House, and the annual Felabration. As the dust settles over Fela’s fiery, creative, and controversial career, his Afrobeat groove and political message live on in Kalakuta Notes. Features a new foreword by Banning Eyre, an up-to-date discography by Ronnie Graham, a timeline, historical photographs, and snapshots by the author.
Women Performers, Composers, and Impresarios from the Baroque to the Present
Representing a historical cross-section of performance and training in Western music since the seventeenth century, Five Lives in Music brings to light the private and performance lives of five remarkable women musicians and composers: Duchess Sophie-Elisabeth of Braunschweig-Lueneburg, Elisabeth-Claude Jacquet de la Guerre, Josephine Lang, Maria Bach, and Ann Schein. Elegantly guiding readers through the Thirty Years War in central Europe, elite courts in Germany, urban salons in Paris, Nazi control of Germany and Austria, and American musical life today, as well as personal experiences of marriage, motherhood, and widowhood, Cecelia Hopkins Porter provides valuable insight about the culture in which each woman was active. Throughout the lively and focused portraits of these five women, Porter finds common threads, both personal and contextual, that extend to a larger discussion of the lives and careers of female composers and performers throughout centuries of music history.
Moving with the Giants of Jazz, Swing, and Rhythm and Blues
Detailing the career of Joe Evans, Follow Your Heart chronicles the career of Joe Evans, an alto saxophonist who between 1939 and 1965 performed with some of America's greatest musicians, including Louis Armstrong, Cab Calloway, Charlie Parker, Jay McShann, Andy Kirk, Billie Holiday, Bill "Bojangles" Robinson, Lionel Hampton, and Ivory Joe Hunter. Evans warmly recounts his wide range of experience in the music industry and comments on popular New York City venues used for shaping and producing black music, such as the Apollo Theater, the Savoy, Minton's Playhouse, and the Rhythm Club. Revealing Evans as a master storyteller, Follow Your Heart describes his stints as a music executive, entrepreneur, and musician. Evans offers invaluable insight into race relations within the industry and the development of African American music and society from the 1920s to 1970s.
This award-winning book, now available in paperback, is the first solid appraisal of the legendary career of the eminent Hungarian-born conductor Fritz Reiner (1888-1963). Personally enigmatic and often described as difficult to work with, he was nevertheless renowned for the dynamic galvanization of the orchestras he led, a nearly unrivaled technical ability, and high professional standards. Reiner's influence in the United States began in the early 1920s and lasted until his death. Reiner was also deeply committed to serious music in American life, especially through the promotion of new scores. In Fritz Reiner, Maestro and Martinet, Kenneth Morgan paints a very real portrait of a man who was both his own worst enemy and one of the true titans of his profession.
An Intimate Portrait
George Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make a place for himself--no family of his own and no real home in music._x000B__x000B_He and his siblings received little love from their mother and no direction from their father. The closest George came to domesticity was his longtime affair with fellow composer Kay Swift. But she remained married to another man while he went endlessly from woman to woman. Only in the final hours of his life did he realize how much he needed her. Fatally ill, unprotected by (and perhaps estranged from) his older brother Ira, he was exiled by Ira's hard-edged wife Leonore from the house that she and the brothers shared, and he died horribly and alone at the age of thirty-eight._x000B__x000B_Nor did Gershwin find a satisfying musical harbor. For years his genius could be expressed only in the ephemeral world of show business, as his brilliance as a composer of large-scale works went unrecognized by highbrow music critics. When he resolved this quandary with his opera Porgy and Bess, critics were unable to understand or validate it. Decades would pass before his most ambitious composition was universally regarded as one of music's lasting treasures and before his stature as a great composer became secure._x000B__x000B_In this book, Walter Rimler makes use of fresh sources, including newly discovered letters by Kay Swift as well as correspondence between and interviews with intimates of Ira and Leonore Gershwin. It is written with spirited prose and contains more than two dozen photographs.
A Life of Music
This book is the first full biography of George Szell, one of the greatest orchestra and opera conductors of the twentieth century. From child prodigy pianist and composer to world-renowned conductor, Szell's career spanned seven decades, and he led most of the great orchestras and opera companies of the world. A protege of composer-conductor Richard Strauss at the Berlin State Opera, his crowning achievement was his twenty-four-year tenure as musical director of the Cleveland Orchestra. Under Szell's baton, the orchestra developed into one of the world's greatest ensembles, recording extensively and touring triumphantly in the United States, Europe, the Soviet Union, South Korea, and Japan._x000B__x000B_Michael Charry, a conductor who worked with Szell and interviewed him, his family, and his associates, constructs a lively and balanced portrait of Szell's life and work, detailing his personal and musical qualities, his recordings and broadcast concerts, his approach to the great works of the orchestral repertoire, and his famous orchestrational changes and interpretation of the symphonies of Robert Schumann. The book also lists his conducting repertoire and includes a comprehensive discography of Szell's recorded performances.
The Life and Music of the Pride of New England
In many ways, this is the story of the birth of the American style in classical music. George Whitefield Chadwick (1854-1931) was one of the most significant and influential American composers at the turn of the twentieth century and a leading light of the Boston cultural scene. Bill F. Faucett offers a detailed exploration of Chadwick's life and art utilizing archival material only recently made available. These crucial primary sources, including letters, diaries, and memoirs, enable a deeper and more nuanced understanding of Chadwick's music and aesthetic perspective, and provide a clearer lens through which to view his life, career, and times. The book traces Chadwick's story from his earliest musical education to his surging career in Boston's nascent musical culture of the 1880s, to his fruitful middle years, and finally to his later life and towering legacy. In addition to bringing newfound appreciation of Chadwick's life, Faucett's book offers penetrating examinations of his major compositions and a vivid re-creation of Boston's rich and influential musical and cultural scene.
This book will appeal to a broad audience of music lovers, scholars, and anyone interested in nineteenth-century American music and the Boston cultural scene.
Arthur Judson and American Arts Management
This biography charts the career and legacy of the pioneering American music manager Arthur Judson (1881 - 1975), who rose to prominence in Philadelphia and New York at the beginning of the twentieth century. A violinist by training, Judson became manager of the Philadelphia Orchestra in 1915 under the iconic conductor Leopold Stokowski. Within a few years, Judson also took on management of the New York Philharmonic as well as several individual artists and most of the important conductors working in America. In addition to his colorful career behind the scenes at two preeminent American orchestras, Judson founded a nationwide network of local managers and later became involved in the relatively unexplored medium of radio, working first with WEAF in New York City and then later forming his own national radio network in 1927. Providing valuable insight into the workings of these orchestras and the formative years of arts management, The Great Orchestrator: Arthur Judson and American Arts Management is a valuable portrait of one of the most powerful managers in American musical history.
George Jones, Billy Sherrill, and the Pretty-Much Totally True Story of the Making of the Greatest Country Record of All Time
When George Jones recorded "He Stopped Loving Her Today" more than thirty years ago, he was a walking disaster. Twin addictions to drugs and alcohol had him drinking Jim Beam by the case and snorting cocaine as long as he was awake. Before it was over, Jones would be bankrupt, homeless, and an unwilling patient at an Alabama mental institution. In the midst of all this chaos, legendary producer Billy Sherrill-the man who discovered Tammy Wynette and cowrote "Stand by Your Man"-would somehow coax the performance of a lifetime out of the mercurial Jones. The result was a country masterpiece.
He Stopped Loving Her Today, the story behind the making of the song often voted the best country song ever by both critics and fans, offers an overview of country music's origins and a search for the music's elusive Holy Grail: authenticity. The schizoid bottom line-even though country music is undeniably a branch of the make believe world of show biz, to fans and scholars alike, authenticity remains the ultimate measure of the music's power.
A Grand Opera for the Twenty-first Century
Jake Heggie and Gene Scheer’s grand opera Moby-Dick was a stunning success in the world premiere production by the Dallas Opera in 2010. Robert K. Wallace attended the final performance of the Dallas production and has written this book so readers can experience the process by which this contemporary masterpiece was created and performed on stage. Interviews with the creative team and draft revisions of the libretto and score show the opera in the process of being born. Interviews with the principal singers and the production staff follow the five-week rehearsal period into the world premiere production, each step of the way illustrated by more than two hundred color photographs by Karen Almond. Opera fans, lovers of Moby-Dick, and students of American and global culture will welcome this book as highly readable and visually enthralling account of the creation of a remarkable new opera that does full justice to its celebrated literary source. Just as Heggie and Scheer’s opera is enjoyed by operagoers with no direct knowledge of Moby-Dick, so will this book be enjoyed by opera fans unaware of Melville and by Melville fans unaware of opera.