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Kim Dower’s poems are sensual and rhapsodic journeys through emotional landscapes sweeping everyday life. Playful, intelligent, funny, edgy, engaging—sometimes biting, ironic and dark, sometimes dreamy and surreal, full of poignancy and arresting metaphors, the daily, simple occurrences in Air Kissing On Mars startle and provoke, while stirring up the fairy dust and turbulent weight of memory; evoking the possibilities and gorgeous chaos of life. Open and inviting, these poems draw the reader into a world seen upside down, inside out, a sideways bird reporting on a universe filled with mystery and passion. Joan Didion meets Tinkerbell, Kim Dower’s poems are as whimsical and light as they are rich and intense. Simultaneously humorous and profound these passionate and personal poems, relatable to all, are drenched with vivid imagery, and sparkle with surprise. Lost languages, disappearing mailboxes, locomotives pummeling through dreams, taxi drivers thrown by the earth’s rotation, shadows in closets, vanishing carrots, men who exfoliate—all manner of haunting evocations come together in this opus of shining and startling wisdom.
The Literary Magazine of a Progressive Canal Town (1849-1850), Complete and Annotated
The Akron offering is the republication of a full year of a literary magazine produced in Akron, Ohio from 1849 to 1850. The book provides a primary look into a progressive canal town on the verge of being transformed by the railroad wave that is sweeping the nation.Also, during this period, woman's rights conventions are taking place across the country refected by the Sojourner Truth speech on High Street in Akron. The vast amount of material in this edition is available for the first time.
Balises pour le XXIe siècle
La mort d’Alain Robbe-Grillet, en 2008, est à l’origine du colloque international Alain Robbe-Grillet : balises pour le XXIe siècle, tenu à l’Université d’Ottawa en juin 2009 et dont cet ouvrage constitue les Actes. Cette réunion avait pour objectifs de faire le point sur Robbe-Grillet et son œuvre, tant littéraire que cinématographique, désormais achevé, de la remettre en perspective avec les auteurs qui ont précédé l’écrivain, qui ont été ses contemporains ou avec les romanciers d’aujourd’hui, de marquer un bilan d’étape de la recherche et de lancer des pistes de réflexion pour l’avenir. L’ensemble est complété par de nombreux témoignages d’écrivains actuels et comporte plusieurs documents inédits.
New and Selected Poems
The State of Texas has honored Texas Poets Laureate for seventy-three years, but much of their work has gone unpublished and unrecognized. In a significant step toward recognizing the achievements of the Texas Poets Laureate, TCU Press will publish a series of the work of the Poets Laureate, with a volume dedicated to each poet. The series begins with the 2005 and 2006 Texas Poets Laureate, Alan Birkelbach and Red Steagall, and will continue through the next five appointments. These beautiful volumes collect the finest work of each individual poet. While a single volume may stand alone as a valuable selection of a poet’s work, the series as a whole will draw their different voices together into a singular poetic expression of Texas. Alan Birkelbach writes of the Texas landscape and its people with conversational ease, a touch that makes his vividness of description shimmer through each poem’s lines, etching them into the reader’s memory. He balances the ordinary and the phenomenal, the factual and the suppositional, the temporal and the eternal, in poems remarkable for their depth of insight. As Billy Bob Hill writes in his introduction to the volume, “Birkelbach can disguise a mosaic of word music in plain sight hidden in conversational English.”
Comics as Performance, Fiction as Scalpel
Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose.In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works--Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea, and Lost Girls. The study also highlights Moore's lesser-known output, such as Halo Jones, Skizz, and Big Numbers, and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.
British comics writer Alan Moore (b. 1953) has a reputation for equal parts brilliance and eccentricity. Living hermit-like in the same Midlands town for his entire life, he supposedly refuses contact with the outside world while creating his strange, dense comics, fiction, and performance art. While Moore did declare himself a wizard on his fortieth birthday and claims to have communed with extradimensional beings, reticence and seclusion have never been among his eccentricities. On the contrary, for long stretches of his career Moore seemed to be willing to chat with all comers: fanzines, industry magazines, other artists, newspapers, magazines, and personal websites. Well over one hundred interviews in the past thirty years serve as testimony to Moore's willingness to be engaged in productive conversation.
Alan Moore: Conversations includes ten substantial interviews, beginning with Moore's first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major works, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentlemen, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers.
While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader's enjoyment and understanding of Moore's work.
Abject Materials and the Technologies of Colonialism
The Alchemy of Empire unravels the non-European origins of Enlightenment science. Focusing on the abject materials of empire-building, this study traces the genealogies of substances like mud, mortar, ice, and paper, as well as forms of knowledge like inoculation. Showing how East India Company employees deployed the paradigm of alchemy in order to make sense of the new worlds they confronted, Rajani Sudan argues that the Enlightenment was born largely out of Europe's (and Britain's) sense of insecurity and inferiority in the early modern world. Plumbing the depths of the imperial archive, Sudan uncovers the history of the British Enlightenment in the literary artifacts of the long eighteenth century, from the correspondence of the East India Company and the papers of the Royal Society to the poetry of Alexander Pope and the novels of Jane Austen.
Alcools, first published in 1913 and one of the few indispensable books of twentieth- century poetry, provides a key to the century's history and consciousness. Champion of "cubism", Guillaume Apollinaire (1880-1918) fashions in verse the sonic equivalent of what Picasso accomplishes in his cubist works: simultaneity. Apollinaire has been so influential that without him there would have been no New York School of poetry and no Beat Movement. This new translation reveals his complex, beautiful, and wholly contemporary poetry. Printed with the original French on facing pages, this is the only version of this seminal work of French Modernism currently available in the United States.