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Jongleuresque Performance on the Early Spanish Stage
Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic).
Spanish Responses to Contemporary Moroccan Immigration
The Return of the Moor examines the anxiety over symbolic and literal boundaries permeating the Spanish reception of these immigrants through an interdisciplinary analysis of social, fictional and performative texts. It argues that Moroccans constitute a “problem” to Spaniards not because of their cultural differences, as many claim, but because they are not different enough.
Vol. 46 (2012) through current issue
The Revista de Estudios HispÃ¡nicos an internationally recognized, peer-reviewed journal that publishes original manuscripts in all areas of Hispanic literatures, cultures, and film, including essays on theoretical and interdisciplinary topics.
Vol. 60 (2007) through current issue
Founded in 1934 as BoletÃn del Instituto de las EspaÃ±as at Columbia University, Revista HispÃ¡nica Moderna has been regarded since as one of the most distinguished international venues for academic research in Spanish. RHM is a semiannual peer-reviewed journal committed to the dissemination of outstanding scholarship on Hispanic and Luso-Brazilian literary and cultural studies. It publishes essays and book reviews in Spanish, English, or Portuguese on the full spectrum of Hispanic and Luso-Brazilian cultural production in Europe, Latin America, and the United States, and in all historical periods, from the Middle Ages to the present.
Vol. 47 (2006) through current issue
Romance Notes, a journal that accepts articles on any literary, cultural, or linguistic topic dealing with Romance studies, appears three times a year Articles, or ânotesâ as they are called, can be written in any Romance language and in English and should not exceed 3,000 words. Romance Notes was founded in 1959 by Professor U. T. Holmes, Jr., and is now led by Professor Monica Rector. It has more than fifty annual volumes published as of 2012.
Literature, Science, and Spanish Modernity since 1868
Signs of Science: Literature, Science, and Spanish Modernity since 1868 traces how Spanish culture represented scientific activity from the mid-nineteenth century onward. The book combines the global perspective afforded by historical narrative with detailed rhetorical analyses of images of science in specific literary and scientific texts. As literary criticism it seeks to illuminate similarities and differences in how science and scientists are pictured; as cultural history it follows the course of a centuries-long dialogue about Spain and science.
Sofía Casanova, a Spanish Writer in the European Fin de Siècle
This is the first in-depth analysis of the works of the Galician-Spanish expatriate writer Sofía Casanova (1861-1958), a transnational poet, novelist, journalist, playwright, campaigner, translator, historian and intellectual, and one of the first Spanish women to support herself as a professional writer. Casanova, born in Galicia in rural northwest Spain, married a Pole and spent over seventy years traveling between Spain and Poland. A challenging writer and thinker who witnessed the First World War, the Russian Revolution and the rise of Franco at first hand, moved in the highest political and intellectual circles on both sides of Europe and blazed a trail as one of Spain's first female foreign correspondents, her remarkable achievements were gradually sidelined at home in increasingly reactionary Spain until, by the time of her death, she was remembered only as a perfectly patriotic wife and mother and icon of Francoist femininity. This study addresses the scandalous disappearance of Casanova and her female contemporaries from accounts of the emergence of the modern Spanish nation. Arguing that women's perceived silence during this critical period in the formation of modern Iberian identities has significant repercussions even today, it takes her works as a case study for modeling a radical rethinking of the way we teach and research the crucial years around the turn of the twentieth century. The first study of Casanova's radical and compelling, but now forgotten, early narrative, it explores the Galician, Polish and Spanish context of her work, arguing that her transnational career demonstrates the inadequacies of existing models of national literary history. At the same time, recognizing Casanova's innovative and strategic use of literary genres and techniques traditionally denominated as "feminine" (and therefore excluded from discussions of "serious" national literature), it provides a model for re-evaluating the vast cultural store of popular and sentimental literature as a key part of the debates about the transition to modernity, in Spain and beyond.