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Literature > Russian and East European Literature

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Russia's Rome Cover

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Russia's Rome

Imperial Visions, Messianic Dreams, 1890–1940

Judith E. Kalb

A wide-ranging study of empire, religious prophecy, and nationalism in literature, Russia’s Rome: Imperial Visions, Messianic Dreams, 1890–1940 provides the first examination of Russia’s self-identification with Rome during a period that encompassed the revolutions of 1905 and 1917 and the rise of the Soviet state. Analyzing Rome-related texts by six writers—Dmitrii Merezhkovskii, Valerii Briusov, Aleksandr Blok, Viacheslav Ivanov, Mikhail Kuzmin, and Mikhail Bulgakov—Judith E. Kalb argues that the myth of Russia as the “Third Rome” was resurrected to create a Rome-based discourse of Russian national identity that endured even as the empire of the tsars declined and fell and a new state replaced it.
            Russia generally finds itself beyond the purview of studies concerned with the ongoing potency of the classical world in modern society. Slavists, for their part, have only recently begun to note the influence of classical civilization not only during Russia’s neo-classical eighteenth century but also during its modernist period. With its interdisciplinary scope, Russia’s Rome fills a gap in both Russian studies and scholarship on the classical tradition, providing valuable material for scholars of Russian culture and history, classicists, and readers interested in the classical heritage.

The Sacrificed Body Cover

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The Sacrificed Body

Balkan Community Building and the Fear of Freedom

by Tatjana Aleksic

Examines the themes of sacrifice and violence for the sake of community, nation, and ideology by taking up the Balkan legend of the immurement of a live female body into an architectural edifice that cannot stand without a human sacrifice. The sacrificed body becomes a metaphor for acts of violence in the course of the region’s many ethno-religious conflicts in the 20th century, as Aleksic demonstrates how this sacrificial economy functions in a range of cultural and literary texts. The theoretical framework encompasses sociological analyses, feminist theory, human rights reports, and other sources documenting the destruction of individual subjectivities by the purported necessity of nationalist projects.

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Searching for Cioran

Ilinca Zarifopol-Johnston. Edited by Kenneth R. Johnston; Foreword by Matei Calinescu

Ilinca Zarifopol-Johnston's critical biography of the Romanian-born French philosopher E. M. Cioran focuses on his crucial formative years as a mystical revolutionary attracted to right-wing nationalist politics in interwar Romania, his writings of this period, and his self-imposed exile to France in 1937. This move led to his transformation into one of the most famous French moralists of the 20th century. As an enthusiast of the anti-rationalist philosophies widely popular in Europe during the first decades of the 20th century, Cioran became an advocate of the fascistic Iron Guard. In her quest to understand how Cioran and other brilliant young intellectuals could have been attracted to such passionate national revival movements, Zarifopol-Johnston, herself a Romanian emigré, sought out the aging philosopher in Paris in the early 1990s and retraced his steps from his home village of Rasinari and youthful years in Sibiu, through his student years in Bucharest and Berlin, to his early residence in France. Her portrait of Cioran is complemented by an engaging autobiographical account of her rediscovery of her own Romanian past.

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Sergei Dovlatov and His Narrative Masks

Young, Jekaterina

This book provides an introduction to Sergei Dovlatov (1941 90) that is closely attentive to the details of his life and work, their place in the history of Soviet society and literature, and of émigré culture during this turbulent period. A journalist, newspaper editor, and prose writer, Dovlatov is most highly regarded for his short stories, which draw heavily on his experiences in Russia before 1979, when he was forced out of the country. During compulsory military service, before becoming a journalist, he worked briefly as a prison camp guard —an experience that gave him a unique perspective on the operations of the Soviet state. After moving to New York, Dovlatov published works (in the New Yorker and elsewhere) that earned him considerable renown in America and back in Russia. Young’s book presents a valuable critical overview of the prose of a late twentieth century master within the context of the prevailing Russian and larger literary culture.

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Silence and the Rest

Verbal Skepticism in Russian Poetry

Sofya Khagi

Sofya Khagi identifies a counter-tradition in Russian literature consisting of a philosophical and theological doubt in the efficacy of the word. Focusing on Mandelstam, Brodsky, and Kirbirov, Khagi offers an interpretation that illuminates new layers of meaning and ethical force in their work

Singing the Self Cover

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Singing the Self

Guitar Poetry, Community, and Identity in the Post-Stalin Period

Rachel S. Platonov

This book is a study of a Soviet cultural phenomenon of the 1960s and 70s known as guitar poetry – songs accompanied by guitar and considered poetry in much the same way as those of, for example, Bob Dylan. Platonov’s is the most comprehensive book in English to date to analyze guitar poetry, which has rarely received scholarly attention outside of Russia.

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Slavic Sins of the Flesh

Food, Sex, and Carnal Appetite in Nineteenth-Century Russian Fiction

Ronald D. LeBlanc

A pathbreaking “gastrocritical” approach to the poetics of Dostoevsky, Tolstoy, and their contemporaries This remarkable work by Ronald D. LeBlanc is the first study to appraise the representation of food and sexuality in the nineteenth-century Russian novel. Meticulously researched and elegantly and accessibly written, Slavic Sins of the Flesh sheds new light on classic literary creations as it examines how authors Nikolay Gogol, Ivan Goncharov, Grigorii Kvitka-Osnovyanenko, Fyodor Dostoevsky, and Lev Tolstoy used eating in their works as a trope for male sexual desire. The treatment of carnal desire in these renowned works of fiction stimulated a generation of young writers to challenge Russian culture’s anti-eroticism, supreme spirituality, and utter disregard for the life of the body, so firmly rooted in centuries of ideological domination by the Orthodox Church.

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The Stony Dance

Unity and Gesture in Andrey Bely's Petersburg

Langen, Timothy

Widely considered the greatest Russian modernist novel, Andrei Bely's Petersburg has until now eluded the critical attention that a book of its caliber merits. In The Stony Dance, Timothy Langen offers readers a study of Bely's masterpiece unparalleled in its comprehensiveness, clarity, and inclusion of detail a critical study that is at the same time a meditation on the nature of literary art.

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Taboo Pushkin

Topics, Texts, Interpretations

Edited by Alyssa Dinega Gillespie

Since his death in 1837, Alexander Pushkin—often called the “father of Russian literature”—has become a timeless embodiment of Russian national identity, adopted for diverse ideological purposes and reinvented anew as a cultural icon in each historical era (tsarist, Soviet, and post-Soviet). His elevation to mythic status, however, has led to the celebration of some of his writings and the shunning of others. Throughout the history of Pushkin studies, certain topics, texts, and interpretations have remained officially off-limits in Russia—taboos as prevalent in today’s Russia as ever before.
    The essays in this bold and authoritative volume use new approaches, overlooked archival materials, and fresh interpretations to investigate aspects of Pushkin’s biography and artistic legacy that have previously been suppressed or neglected. Taken together, the contributors strive to create a more fully realized Pushkin and demonstrate how potent a challenge the unofficial, taboo, alternative Pushkin has proven to be across the centuries for the Russian literary and political establishments.

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The Time of the Goats

Luan Starova; Translated by Christina E. Kramer

It’s the late 1940s in Skopje, Yugoslavia, in the critical year leading to Tito’s break with Stalin. Pushed to leave mountain villages to become the new proletariat in urban factories, a flood of peasants crowds into Skopje—and with them, all of their goats. Suffering from hunger, Skopje’s citizens welcome the newcomers. But municipal leaders are faced with a dilemma when the central government issues an order calling for the slaughter of the country’s goat population. With food so scarce, will they hide the outlawed animals? Or will they comply with the edict and endure the bite of hunger?
    The Time of the Goats is the second novel in Luan Starova’s acclaimed multivolume Balkan saga. It follows the main characters from My Father’s Books and the tragicomic events of their lives in Skopje as the narrator’s intellectual father and the head goatherd become friends. As local officials clumsily carry out absurd policies, Starova conveys the bonds of understanding and mutual support that form in Skopje’s poorest neighborhoods. At once historical and allegorical, folkloric and fantastic, The Time of the Goats draws lyrically on Starova’s own childhood.

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