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Literature > Russian and East European Literature

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Results 51-60 of 146

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The Imperative of Reliability Cover

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The Imperative of Reliability

Russian Prose on the Eve of the Novel, 1820s-1850s

The Imperative of Reliability examines the development of nineteenth-century Russian prose and the remarkably swift emergence of the Russian novel. Victoria Somoff identifies an unprecedented situation in the production and perception of the utterance that came to define nascent novelistic fictionality both in European and Russian prose, where the utterance itself—whether an oral story or a “found” manuscript—became the object of representation within the compositional format of the frame narrative. This circumstance generated a narrative perspective from which both the events and their representation appeared as concomitant in time and space: the events did not precede their narration but rather occurred and developed along with and within the narration itself. Somoff establishes this story-discourse convergence as a major factor in enabling the transition from shorter forms of Russian prose to the full-fledged realist novel.

 

The Imperial Sublime Cover

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The Imperial Sublime

A Russian Poetics of Empire

Harsha Ram

The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.

Imre Kertész and Holocaust Literature Cover

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Imre Kertész and Holocaust Literature

Edited by Louise O. Vasvári and Steven Totosy de Zepetnek

Imre Kertész and Holocaust Literature, the first English language volume on the work of the 2002 Nobel Laureate in Literature contains papers by scholars in Canada, Croatia, France, Germany, Hungary, New Zealand, and the USA, as well as historical papers about the background of the Holocaust in Hungary

Isaac Babel and the Self-Invention of Odessan Modernism Cover

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Isaac Babel and the Self-Invention of Odessan Modernism

Rebecca Jane Stanton

In what marks an exciting new critical direction, Rebecca Stanton contends that the city of Odessa—as a canonical literary image and as a kaleidoscopic cultural milieu—shaped the narrative strategies developed by Isaac Babel and his contemporaries of the Revolutionary generation. Modeling themselves on the tricksters and rogues of Odessa lore, Babel and his fellow Odessans Val­entin Kataev and Yury Olesha manipulated their literary personae through complex, playful, and often subversive negotiations of the boundary between autobiography and fiction. In so doing, they cannily took up a place prepared for them in the Russian canon and fostered modes of storytelling that both reflected and resisted the aesthetics of Socialist Realism. Stanton concludes with a rereading of Babel’s “autobiographical” stories and examines their leg­acy in post-Thaw works by Kataev, Olesha, and Konstantin Paustovsky.

Jews and Ukrainians in Russia's Literary Borderlands Cover

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Jews and Ukrainians in Russia's Literary Borderlands

From the Shtetl Fair to the Petersburg Bookshop

Amelia M. Glaser

Studies of Eastern European literature have largely confined themselves to a single language, culture, or nationality. In this highly original book, Glaser shows how writers working in Russian, Ukrainian, and Yiddish during much of the nineteenth century and the early part of the twentieth century were in intense conversation with one another. The marketplace was both the literal locale at which members of these different societies and cultures interacted with one another and a rich subject for representation in their art. It is commonplace to note the influence of Gogol on Russian literature, but Glaser shows him to have been a profound influence on Ukrainian and Yiddish literature as well. And she shows how Gogol must be understood not only within the context of his adopted city of St. Petersburg but also that of his native Ukraine. As Ukrainian and Yiddish literatures developed over this period, they were shaped by their geographical and cultural position on the margins of the Russian Empire. As distinctive as these writers may seem from one another, they are further illuminated by an appreciation of their common relationship to Russia. Glaser’s book paints a far more complicated portrait than scholars have traditionally allowed of Jewish (particularly Yiddish) literature in the context of Eastern European and Russian culture.

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Kingdom of Insignificance

The Traumatic, the Quotidian, and the Queer in the Life-Writing of Miron Bialoszewski

Joanna Nizynska

Joanna Niżyńska has written the first scholarly book in English on Miron Białoszewski (1922 – 1983), a major figure in twentieth-century Polish literature.

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Kundera and Modernity

by Liisa Steinby

While a large amount of scholarship about Milan Kundera's work exists, in Liisa Steinby's opinion his work has not been studied within the context of (European) modernity as a sociohistorical and a cultural concept. Of course, he is considered to be a modernist writer (some call him even a postmodernist), but what the broader concept of modernity intellectually, historically, socially, and culturally means for him and how this is expressed in his texts has not been thoroughly examined. Steinby's book fills this vacuum by analyzing Kundera's novels from the viewpoint of his understanding of the existential problems in the culture of modernity. In addition, his relation to those modernist novelists from the first half of the twentieth century who are most important for him is scrutinized in detail. Steinby’s Kundera and Modernity is intended for students of modernism in literary and (comparative) cultural studies, as well as those interested in European and Central European studies. Key Points: • Offers new insights into the work of the popular modern writer Milan Kundera. • Expands the reader’s understanding of the meaning of the concept of “modernity.” • Widens the literature available in English about Central European culture. Quote: “This work is superb. By examining the works and traditions that Kundera claims to have influenced him, Steinby demonstrates how Kundera’s misreading of previous novelists as well as his own desire to be taken out of the Czech or Central European context has informed his own work. This book is the result of many years of painstaking research.” Craig Cravens, Indiana University

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Lermontov's Narratives of Heroism

Golstein, Vladimir

This is the first study of Russian writer Mikhail Lermontov (1814 41) that attempts to integrate the in depth interpretations of all his major texts including his famous A Hero of Our Time, the novel that laid the foundation for the Russian psychological novel. Lermontov's explorations of the virtues and limitations of heroic, self reliant conduct have subsequently become obscured or misread. This new book focuses upon the peculiar, disturbing, and arguably most central feature of Russian culture: its suspicion of and hostility toward individual achievement and self assertion. The analysis and interpretation of Lermontov's texts enables Golstein to address broader cultural issues by exploring the reasons behind the persistent misreading of Lermontov's major works and by investigating the cultural attitudes that shaped Russia's reaction to the challenges of modernity.

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Limits to Interpretation

The Meanings of Anna Karenina

Vladimir E. Alexandrov

Vladimir E. Alexandrov advocates a broad revision of the academic study of literature and proposes an adaptive, text-specific reading methodology that is designed to minimize the circularity of interpretation inherent in the act of reading. He illustrates this method on the example of Tolstoy’s classic novel via a detailed "map" of the different possible readings that the novel can support.  Anna Karenina emerges as deeply conflicted, polyvalent, and quite unlike what one finds in other critical studies.

The Look of Russian Literature Cover

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The Look of Russian Literature

Avant-Garde Visual Experiments, 1900-1930

Gerald Janecek

Gerald Janecek describes the experiments in visual, literature conducted from 1900 to 1930, the heyday of the Russian Avant Garde. Focusing on an aspect of Russian literary history that has previously been almost ignored, he shows how Russian writers of this period tried unusual methods to make their texts visually interesting or expressive. The book includes 183 illustrations, most from rare publications and many reproduced for the first time. The author discusses such figures as the Symbolist Andrey Bely, the Futurists Aleksey Kruchonykh, Vasili Kamensky, and Vladimir Mayakovsky, and the post-Futurist Ilya Zdanevich, and their use of devices ranging from unorthodox layouts and florid typography to roughly done lithographed or handmade books.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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