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Bernard le Bovier de Fontenelle Nouveaux Dialogues des Morts

Donald Schier

Bernard le Bovier de Fontenelle's (1657-1757) Dialogues were written when he was only twenty-five and published in full in 1683. Donald Schier provides an introduction and notes to what was de Fontenelle's first major work, but the text is based on a 1758 edition of Dialogues.

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Bonaventure des Périers's Novel Pastimes and Merry Tales

Bonaventure des Périers. translated by Raymond C. La Charité and Virginia A. La Charité

The Nouvelles Récréations et Joyeaux Devis of Bonaventure des Périers are here translated for the first time into modern English. The translators have been successful in retaining the vitality of this important French Renaissance satirist, turning his colloquial sixteenth-century French into equally colloquial and lively American. The translation of the 129 tales is prefaced by a biographical study of des Périers both as man and artist, and a critical bibliography is also included.

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A Brief Description of Middle French Syntax

Rosalyn Gardner

This descriptive study of the sentence structure of the French language from 1300 to 1515 bridges the gap between Lucien Foulet's Petite syntaxe de l'ancien francais and Haase's Syntaxe francais du XVIIeme siecle.

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Brutal Intimacy

Analyzing Contemporary French Cinema

Tim Palmer

Brutal Intimacy is the first book to explore the fascinating films of contemporary France, ranging from mainstream genre spectaculars to arthouse experiments, and from wildly popular hits to films that deliberately alienate the viewer. Twenty-first-century France is a major source of international cinema—diverse and dynamic, embattled yet prosperous—a national cinema offering something for everyone. Tim Palmer investigates France’s growing population of women filmmakers, its buoyant vanguard of first-time filmmakers, the rise of the controversial cinema du corps, and France’s cinema icons: auteurs like Olivier Assayas, Claire Denis, Bruno Dumont, Gaspar Noé, and stars such as Vincent Cassel and Jean Dujardin. Analyzing dozens of breakthrough films, Brutal Intimacy situates infamous titles alongside many yet to be studied in the English language. Drawing on interviews and the testimony of leading film artists, Brutal Intimacy promises to be an influential treatment of French cinema today, its evolving rivalry with Hollywood, and its ambitious pursuits of audiences in Europe, North America, and around the world.

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Character and Meaning in the Novels of Victor Hugo

by Isabel Roche

While Victor Hugo's lasting appeal as a novelist can in large part be attributed to the unforgettable characters that he created, character has been paradoxically the most criticized and least understood element of his fiction. Character and Meaning in the Novels of Victor Hugo provides readers with a deeper understanding of the complexities and nuances that characterize both Hugo's novel writing and the nineteenth-century French novel, and will thus appeal to the specialist and non-specialist alike.

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Charles Nodier

His Life and Works

Sarah Fore Bell

This is a critical bibliography of the Nodier studies and editions of his works that have appeared since 1923. Part I presents a chronological bibliography of studies on Nodier and annotates each. Part II comprises a tentative list of the republications of works by Nodier, indicating those of special interest.

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Chiricú Journal: Latina/o Literatures, Arts, and Cultures

Vol. 1 (2016) through current issue

Chiricú Journal: Latina/o Literatures, Arts, and Cultures is a peer-reviewed humanities journal that provides a critical as well as creative space for Latina/o scholarship and cultural expression. Conceived as a venue for fiction, poetry, art, and criticism, Chiricú Journal highlights transnational flows of language and culture in the Americas, and accepts submissions in English, Spanish, or Portuguese. Published in the fall and spring, each issue features peer-reviewed academic articles, critical essays, scholarly reviews of books and films, and creative works, including prose fiction, poetry, and visual arts.

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Cinema in an Age of Terror

North Africa, Victimization, and Colonial History

Michael F. O'Riley

Cinema in an Age of Terror looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O’Riley reveals how the centrality of victimization in certain cinematic representations of colonial history can help us understand how the desire to occupy the victim’s position is a dangerous and blinding drive that frequently plays into the vision of terrorism. Films such as The Battle of Algiers, Days of Glory, Caché, and recent works by Maghrebien filmmakers all exemplify, in different ways, how this focus on victimization can become a problematic perspective—one in fact seeking to occupy ideological territory. Their return of colonial history to our contemporary context, although frequently problematic, enables us to see how victimization is very much about territory—cultural, spatial, and ideological—and how resistance to new forms of imperialist warfare and terror today must be located outside these haunting images from colonial history. Although such images of victimization ultimately only return as spectacular acts that draw our attention away from the cyclical contest over territory that they embody, those images nonetheless have the last word. Michael F. O’Riley is an associate professor of French and Italian at Colorado College. He is the author of Francophone Culture and the Postcolonial Fascination with Ethnic Crimes and Colonial Aura and Postcolonial Haunting and Victimization: Assia Djebar’s New Novels.

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Cinepoetry

Imaginary Cinemas in French Poetry

Christophe Wall-Romana

Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarm? and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

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