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Short Stories by Leung Ping-kwan
In this kaleidoscope of stories, translated from the Chinese, P.K. Leung, one of Hong Kong's most celebrated literary figures, presents his personal vision of the city, evoking in his inimitable voice the local and international dimensions of this extraordinary place, capturing its poignant ambivalence as a postcolonial territory on the fringe of China.
The Antiestablishment Art of Terayama Shuji
Current Debates on Aesthetics and Interpretation
Japanese Hermeneutics provides a forum for the most current international debates on the role played by interpretative models in the articulation of cultural discourses on Japan. It presents the thinking of esteemed Western philosophers, aestheticians, and art and literary historians, and introduces to English-reading audiences some of Japan's most distinguished scholars, whose work has received limited or no exposure in the United States.
In the first part, "Hermeneutics and Japan," contributors examine the difficulties inherent in articulating "otherness" without falling into the trap of essentialization and while relying on Western epistemology for explanation and interpretation. In the second part, "Japan's Aesthetic Hermeneutics," they explore the role of aesthetics in shaping discourses on art and nature in Japan. The essays in the final section of the book, "Japan's Literary Hermeneutics," rethink the notion of "Japanese literature" in light of recent findings on the ideological implications of canon formations and transformations within Japan's prominent literary circles.
Contributors: Amagasaki Akira, Haga Toru, Hamashita Masahiro, Inaga Shigemi, Kambayashi Tsunemichi, Thomas LaMarre, John C. Maraldo, Michael F. Marra, Mark Meli, Ohashi Ryosuke, Otabe Tanehisa, Graham Parkes, J. Thomas Rimer, Sasaki Ken'ichi, Haruo Shirane, Suzuki Sadami, Stefan Tanaka, Gianni Vattimo.
Word, Image, and City in Early Chinese Newspapers, 1870-1910
Joining the Global Public examines early Chinese-language newspapers and analyzes their impact on China’s modernization. Exploring a range of media such as regular dailies, illustrated weeklies, and entertainment papers, contributors look at factors that influenced the nature of these publications, including foreign models, foreign managers, and a first generation of Chinese journalists, editorialists, and “newspainters.” With analyses demonstrating how the growth of popular media would enable China to join the global public, contributors also examine the impact of inserting an alien medium—a newspaper—into a Chinese universe and note the spread of new attitudes and values as entertainment papers filled the space of a newly created urban leisure. A superb and pioneering documentation of late nineteenth- and early twentieth-century Chinese-language media, Joining the Global Public serves as an introduction to this important yet little-studied part of China’s modernization.
Vol. 1 (2014) through current issue
The Journal of Chinese Literature and Culture publishes research on premodern Chinese literature and all aspects of the broader literary culture. It also explores the influence of traditional literature and culture in modern and contemporary China. Jointly sponsored by Peking University and the University of Illinois, the journal is committed to an international editorial vision and to in-depth exchange and collaboration among scholars in China, the U.S., and around the world.
Nature in Hindi Poetry and Criticism, 1885-1925
Explores the transformation of Hindi poetry as it reflects a changing society during the period from 1885-1925. Kama’s Flowers documents the transformation of Hindi poetry during the crucial period of 1885-1925. As Hindi was becoming a national language and Indian nationalism was emerging, Hindi authors articulated a North Indian version of modernity by revisioning Nature. While their writing has previously been seen as an imitation of European Romanticism, Valerie Ritter shows its unique and particular function in North India. Description of the natural world recalled traditional poetics, particularly erotic and devotional poetics, but was now used to address socio-political concerns, as authors created literature to advocate for a “national character” and to address a growing audience of female readers. Examining Hindi classics, translations from English poetry, literary criticism, and little-known popular works, Ritter combines translations with fresh literary analysis to show the pivotal role of nature in how modernity was understood. Bringing a new body of literature to English-language readers, Kama’s Flowers also reveals the origins of an influential visual culture that resonates today in Bollywood cinema.
The author traces the development of the theme of Krishna as butter thief from its earliest appearance in literature and art until the present. He focuses on the dramas (ras lilas) of Krishna's native Braj and on the Sur Sagar, a collection of verse attributed to the sixteenth-century poet Sur Das that is as familiar to Hindi speakers as Mother Goose is to us.
Originally published in 1983.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This first book-length study in Chinese or any Western language of personal letters and letter-writing in premodern China focuses on the earliest period (ca. 3rd-6th cent. CE) with a sizeable body of surviving correspondence. Along with the translation and analysis of many representative letters, Antje Richter explores the material culture of letter writing (writing supports and utensils, envelopes and seals, the transportation of finished letters) and letter-writing conventions (vocabulary, textual patterns, topicality, creativity).
The Ludic in Japanese Culture
Play is one of the most powerful cultural forces in contemporary Japan and in other late modern societies. In this notable contribution to our understanding of play, Michal Daliot-Bul explores the intricate and dynamic transformations of culture and play (asobi) in Japan. Spanning Japan’s premodern period to the twenty-first century, the extent and expressions of play described in this book become thought-provoking lenses through which to view Japanese social dynamics and cultural complexities. As she approaches the post-industrialized 1970s in Japan, Daliot-Bul’s narrative also explores urban consumer culture as a system for organizing daily life, the tension between institutional and contemporary popular cultures, the production of new gender identities, and the cultural construction of urban space. Daliot-Bul argues that the cultural meaning of play and its influence on sociocultural life are not inherent properties of a fixed, universal behavior called play but rather are conditioned by changing cultural contexts and competing social ideologies.