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This pocket-sized paperback is one of the twenty-two titles published for 2015 Hong Kong International Poetry Nights. The theme of IPHHK2015 is “Poetry and Conflict”. 21 international poets from 18 different places are invited to participate in recitations, symposia and sharing sessions of the Poetry Nights. A recitation focusing on 10 local Hong Kong poets, “Hong Kong Cantonese Poetry Night” is included. This collection seeks to make accessible the best of contemporary international poetry with outstanding translations.
Banishment in Law, Literature, and Cult
For over three hundred years during the Heian period (794–1185), execution was customarily abolished in favor of banishment. During the same period, exile emerged widely as a concern within literature and legend, in poetry and diaries, and in the cultic imagination, as expressed in oracles and revelations. While exile was thus one sanction available to the state, it was also something more: a powerful trope through which members of court society imagined the banishment of gods and heavenly beings, of legendary and literary characters, and of historical figures, some transformed into spirits.
This compelling and well-researched volume is the first in English to explore the rich resonance of exile in the cultural life of the Japanese court. Rejecting the notion that such narratives merely reflect a timeless literary archetype, Jonathan Stockdale shows instead that in every case exile emerged from particular historical circumstances—moments in which elites in the capital sought to reveal and to re-imagine their world and the circulation of power within it. By exploring the relationship of banishment to the structures of inclusion and exclusion upon which Heian court society rested, Stockdale moves beyond the historiographical discussion of “center and margin” to offer instead a theory of exile itself.
Stockdale’s arguments are situated in astute and careful readings of Heian sources. His analysis of a literary narrative, the Tale of the Bamboo Cutter, for example, shows how Kaguyahime’s exile from the “Capital of the Moon” to earth implicitly portrays the world of the Heian court as a polluted periphery. His exploration of one of the most well-known historical instances of banishment, that of Sugawara Michizane, illustrates how the political sanction of exile could be met with a religious rejoinder through which an exiled noble is reinstated in divine form, first as a vengeful spirit and then as a deity worshipped at the highest levels of court society.
Imagining Exile in Heian Japan is a model of interdisciplinary scholarship that will appeal to anyone interested in the interwoven connections of early and classical Japan.
Emplotment and Colonialism
Translation, Exoticism, and the Long Nineteenth Century
At the heart of every colonial encounter lies an act of translation. Once dismissed as a derivative process, the new cultural turn in translation studies has opened the field to dynamic considerations of the contexts that shape translations and that, in turn, reveal translation’s truer function as a locus of power. In Imperial Babel, Padma Rangarajan explores translation’s complex role in shaping literary and political relationships between India and Britain._x000B__x000B_Unlike other readings that cast colonial translation as primarily a tool for oppression, Rangarajan argues that translation changed both colonizer and colonized and undermined colonial hegemony as much as it abetted it. Imperial Babel explores the diverse political and cultural consequences of a variety of texts, from eighteenth-century oriental tales to mystic poetry of the fin de siècle and from translation proper to its ethnological, mythographic, and religious variants._x000B__x000B_Searching for translation’s trace enables a broader, more complex understanding of intellectual exchange in imperial culture as well as a more nuanced awareness of the dialectical relationship between colonial policy and nineteenth-century literature. Rangarajan argues that while bearing witness to the violence that underwrites translation in colonial spaces, we should also remain open to the irresolution of translation, its unfixed nature, and its ability to transform both languages in which it works._x000B_
Ise monogatari is one of classical Japan’s most important texts. It influenced other literary court romances like The Tale of Genji and inspired artists, playwrights, and poets throughout Japanese history and to the present day.
In a series of 125 loosely connected episodes, the Ise tells the story of a famous lover, Captain Ariwara no Narihira (825–880), and his romantic encounters with women throughout Japan. Each episode centers on an exchange of love poems designed to demonstrate wit, sensitivity, and "courtliness."
Joshua Mostow and Royall Tyler present a fresh, contemporary translation of this classic work, together with a substantial commentary for each episode. The commentary explores how the text has been read in the past and identifies not only the point of each episode, but also the full range of historical interpretations, many of which shaped the use of the Ise in later literary and visual arts. The book includes reproductions from a version of the 1608 Saga-bon printed edition of the Ise, the volume that established Ise iconography for the entire Edo period (1600–1868).
Short Stories by Leung Ping-kwan
In this kaleidoscope of stories, translated from the Chinese, P.K. Leung, one of Hong Kong's most celebrated literary figures, presents his personal vision of the city, evoking in his inimitable voice the local and international dimensions of this extraordinary place, capturing its poignant ambivalence as a postcolonial territory on the fringe of China.
The Antiestablishment Art of Terayama Shuji
Current Debates on Aesthetics and Interpretation
Japanese Hermeneutics provides a forum for the most current international debates on the role played by interpretative models in the articulation of cultural discourses on Japan. It presents the thinking of esteemed Western philosophers, aestheticians, and art and literary historians, and introduces to English-reading audiences some of Japan's most distinguished scholars, whose work has received limited or no exposure in the United States.
In the first part, "Hermeneutics and Japan," contributors examine the difficulties inherent in articulating "otherness" without falling into the trap of essentialization and while relying on Western epistemology for explanation and interpretation. In the second part, "Japan's Aesthetic Hermeneutics," they explore the role of aesthetics in shaping discourses on art and nature in Japan. The essays in the final section of the book, "Japan's Literary Hermeneutics," rethink the notion of "Japanese literature" in light of recent findings on the ideological implications of canon formations and transformations within Japan's prominent literary circles.
Contributors: Amagasaki Akira, Haga Toru, Hamashita Masahiro, Inaga Shigemi, Kambayashi Tsunemichi, Thomas LaMarre, John C. Maraldo, Michael F. Marra, Mark Meli, Ohashi Ryosuke, Otabe Tanehisa, Graham Parkes, J. Thomas Rimer, Sasaki Ken'ichi, Haruo Shirane, Suzuki Sadami, Stefan Tanaka, Gianni Vattimo.
Word, Image, and City in Early Chinese Newspapers, 1870-1910
Joining the Global Public examines early Chinese-language newspapers and analyzes their impact on China’s modernization. Exploring a range of media such as regular dailies, illustrated weeklies, and entertainment papers, contributors look at factors that influenced the nature of these publications, including foreign models, foreign managers, and a first generation of Chinese journalists, editorialists, and “newspainters.” With analyses demonstrating how the growth of popular media would enable China to join the global public, contributors also examine the impact of inserting an alien medium—a newspaper—into a Chinese universe and note the spread of new attitudes and values as entertainment papers filled the space of a newly created urban leisure. A superb and pioneering documentation of late nineteenth- and early twentieth-century Chinese-language media, Joining the Global Public serves as an introduction to this important yet little-studied part of China’s modernization.
Vol. 1 (2014) through current issue
The Journal of Chinese Literature and Culture publishes research on premodern Chinese literature and all aspects of the broader literary culture. It also explores the influence of traditional literature and culture in modern and contemporary China. Jointly sponsored by Peking University and the University of Illinois, the journal is committed to an international editorial vision and to in-depth exchange and collaboration among scholars in China, the U.S., and around the world.