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Isocrates II Cover

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Isocrates II

Translated by Terry L. Papillon

This is the seventh volume in the Oratory of Classical Greece. This series presents all of the surviving speeches from the late fifth and fourth centuries BC in new translations prepared by classical scholars who are at the forefront of the discipline. These translations are especially designed for the needs and interests of today’s undergraduates, Greekless scholars in other disciplines, and the general public. Classical oratory is an invaluable resource for the study of ancient Greek life and culture. The speeches offer evidence on Greek moral views, social and economic conditions, political and social ideology, law and legal procedure, and other aspects of Athenian culture that have been largely ignored: women and family life, slavery, and religion, to name just a few. The Athenian rhetorician Isocrates (436–338) was one of the leading intellectual figures of the fourth century. This volume contains his orations 4, 5, 6, 8, 12, and 14, as well as all of his letters. These are Isocrates’ political works. Three of the discourses—Panathenaicus, On the Peace, and the most famous, Panegyricus—focus on Athens, Isocrates’ home. Archidamus is written in the voice of the Spartan prince to his assembly, and Plataicus is in the voice of a citizen of Plataea asking Athens for aid, while in To Philip, Isocrates himself calls on Philip of Macedon to lead a unified Greece against Persia.

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Kallimachos

The Alexandrian Library and the Origins of Bibliography

Rudolf Blum

The famous library of Alexandria, founded around 295 BCE by Ptolemaios I, housed the greatest collection of texts in the ancient world and was a fertile site of Hellenistic scholarship. Rudolf Blum’s landmark study, originally published in German in 1977, argues that Kallimachos of Kyrene was not only the second director of the Alexandrian library but also the inventor of two essential scholarly tools still in use to this day: the library catalog and the “biobibliographical” reference work. Kallimachos expanded the library’s inventory lists into volumes called the Pinakes, which extensively described and categorized each work and became in effect a Greek national bibliography and the source and paradigm for most later bibliographic lists of Greek literature. Though the Pinakes have not survived, Blum attempts a detailed reconstruction of Kallimachos’s inventories and catalogs based on a careful analysis of surviving sources, which are presented here in full translation.

A Latin Lover in Ancient Rome Cover

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A Latin Lover in Ancient Rome

Readings in Propertius and his Genre

Over the centuries, Latin love elegy has inspired love poetry in the West from Petrarch to Pound. A Latin Lover in Ancient Rome: Readings in Propertius and His Genre offers a critical reevaluation of the Latin elegiac poet Propertius, situating him within the social and political milieu of first-century BCE Rome. W. R. Johnson’s study is centered on close readings of the poems in Propertius’ four books that emphasize both his celebration of erotic freedom as a manifestation of the sovereignty of the individual and his insistence on the value of this freedom, especially when it is threatened by autocratic ideology. Many recent titles on Propertius have tended to minimize or ignore this aspect of the poet’s work, concentrating instead on neo-formalism or Lacanian psychology. Johnson restores Propertius’ erotic creed and his politics to the core of his poetics and his career. He offers a vivid picture of the sociopolitical and erotic world of the late Roman Republic and the early years of the Empire which hatched Latin love elegy and allowed it to flourish. This study aims to redirect attention to the pleasures and energies Propertius provides that later generations of poets and readers discovered in and through him.

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Latinity and Literary Society at Rome

By W. Martin Bloomer

For centuries after the fall of the Roman empire, the ability to write and speak pure Latin was the mark of the true scholar. But although such skill was esteemed in medieval times, the language of ancient Rome was as various as the styles of slaves and masters.

Latinity and Literary Society at Rome reaches back to the early Roman empire to examine attitudes toward latinity, reviewing the contested origins of scholarly Latin in the polemical arena of Roman literature. W. Martin Bloomer shows how that literature's reflections on correct and incorrect speech functioned as part of a wider understanding of social relations and national identity in Rome.

Bloomer's investigation begins with questions about the sociology of Latin literature—what interests were served by the creation of high style and how literary stylization constituted a system of social decorum—and goes on to offer readings of selected texts. Through studies of works ranging from Varro's De lingua latina to the verse fables of Augustine's freeman Phaedrus to the Annals of Tacitus, Bloomer examines conflicting claims to style not simply to set true Latin against vulgarism but also to ask who is excluding whom, why, and by what means.

These texts exemplify the ways Roman literature employs representations of, and reflections on, proper and improper language to mirror the interests of specific groups who wished to maintain or establish their place in Roman society. They show how writers sought to influence the fundamental social issue of who had the power to confer legitimacy of speech and how their works used claims of linguistic propriety to reinforce the definition of "Romanness."

Through Bloomer's study latinity emerges as a contested field of identity and social polemic heretofore unrecognized in classical scholarship. With its fresh interpretations of major and minor texts, Latinity and Literary Society at Rome is a literary history that significantly advances our understanding of the place of language in ancient Rome.

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The Law of Ancient Athens

David Phillips

The Law of Ancient Athens contains the principal literary and epigraphical sources, in English, for Athenian law in the Archaic and Classical periods, from the first known historical trial (late seventh century) to the fall of the democracy in 322 BCE. This accessible and important volume is designed for teachers, students, and general readers interested in the ancient Greek world, the history of law, and the history of democracy, an Athenian invention during this period. Offering a comprehensive treatment of Athenian law, it assumes no prior knowledge of the subject and is organized in user-friendly fashion, progressing from the person to the family to property and obligations to the gods and to the state. David D. Phillips has translated all sources into English, and he has added significant introductory and explanatory material. Topics covered in the book include homicide and wounding; theft; marriage, children, and inheritance; citizenship; contracts and commerce; impiety; treason and other offenses against the state; and sexual offenses including rape and prostitution. The volume’s unique feature is its presentation of the actual primary sources for Athenian laws, with many key or disputed terms rendered in transliterated Greek. The translated sources, together with the topical introductions, notes, and references, will facilitate both research in the field and the teaching of increasingly popular courses on Athenian law and law in the ancient world.

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Learned Girls and Male Persuasion

Gender and Reading in Roman Love Elegy

Sharon Lynn James

This study transforms our understanding of Roman love elegy, an important and complex corpus of poetry that flourished in the late first century b.c.e. Sharon L. James reads key poems by Propertius, Tibullus, and Ovid for the first time from the perspective of the woman to whom they are addressed—the docta puella, or learned girl, the poet's beloved. By interpreting the poetry not, as has always been done, from the stance of the elite male writers—as plaint and confession—but rather from the viewpoint of the women—thus as persuasion and attempted manipulation—James reveals strategies and substance that no one has listened for before.

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Libanius the Sophist

Rhetoric, Reality, and Religion in the Fourth Century

by Raffaella Cribiore

Libanius of Antioch was a rhetorician of rare skill and eloquence. So renowned was he in the fourth century that his school of rhetoric in Roman Syria became among the most prestigious in the Eastern Empire. In this book, Raffaella Cribiore draws on her unique knowledge of the entire body of Libanius’s vast literary output—including 64 orations, 1,544 letters, and exercises for his students—to offer the fullest intellectual portrait yet of this remarkable figure whom John Chrystostom called “the sophist of the city."

Libanius (314–ca. 393) lived at a time when Christianity was celebrating its triumph but paganism tried to resist. Although himself a pagan, Libanius cultivated friendships within Antioch’s Christian community and taught leaders of the Church including Chrysostom and Basil of Caesarea. Cribiore calls him a “gray pagan” who did not share the fanaticism of the Emperor Julian. Cribiore considers the role that a major intellectual of Libanius’s caliber played in this religiously diverse society and culture. When he wrote a letter or delivered an oration, who was he addressing and what did he hope to accomplish? One thing that stands out in Libanius’s speeches is the startling amount of invective against his enemies. How common was character assassination of this sort? What was the subtext to these speeches and how would they have been received? Adapted from the Townsend Lectures that Cribiore delivered at Cornell University in 2010, this book brilliantly restores Libanius to his rightful place in the rich and culturally complex world of Late Antiquity.

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The Life of Saint Katherine of Alexandria

John Capgrave

The fifteenth-century scholar and Augustinian friar John Capgrave took as his subject the virgin martyr Katherine of Alexandria, who was an anomalous cultural icon, a scholar, and a sovereign whose story unsettled traditional gender stereotypes yet was widely popular throughout Western Europe. Capgrave’s Life of Saint Katherine of Alexandria (ca. 1445) stands out among the hundreds of surviving vernacular and Latin narrations about the saint by its intricate plotting, its moral complexity, its obtrusive Chaucerian narrator, and its attention to psychology, history, and theology. The Life of Saint Katherine is a bold literary experiment that transforms the genre of the saint’s life by infusing it with conventions and techniques more often associated with chronicles, mystery plays, fabliaux, and romances. In Capgrave’s hands, Katherine emerges as a sensitive and studious young woman torn between social responsibilities and personal desires. Her story unfolds in a vividly realized world of political turmoil and religious repression that, as Capgrave’s readers were bound to suspect, had everything to do with the England they inhabited and its recent past. Winstead’s translation—the first into idiomatic modern English—brings to life Capgrave’s sharply drawn characters, compelling plot, and complex, unsettling moral. Its promotion of an informed, intellectualized Christianity during a period known for censorship and repression illuminates the struggle over the definition of orthodoxy that was excited by the perceived threat of Lollard heresy during the fifteenth century. This volume also includes an appendix with passages of Capgrave's original Middle English and literal translations into modern English, providing a valuable tool for teachers and students.

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Literature and Identity in the Golden Ass of Apuleius

Literature and Identity in TheGolden Ass of Apuleius is the first English translation of a work published in 2007 as Le Metamorfosi di Apuleio: Letteratura e identità, by Luca Graverini. The second-century CE novel The Golden Ass, or Metamorphoses, has proven to be both captivating and highly entertaining to the modern reader, but the text also presents the critic with a vast array of interpretive possibilities. In fact, there is little consensus among scholars on the fundamental significance of Apuleius’ novel: is it simply a form of narrative entertainment, or does it represent some sort of religious or philosophical propaganda? Can it be interpreted as a satire of fatuous belief in otherworldly powers, or is it an utterly aporetic text? Graverini begins by setting The Golden Ass in its ancient literary context. Apuleius’ playful defiance of generic conventions represents a substantial literary innovation, but he is also taking part in a tradition of narrative and satirical literature that typically featured experimentation with genre. The interplay of generic elements found in The Golden Ass reflects the complexity of the author’s cultural identity: Apuleius was a Roman North African who had traveled widely throughout the Mediterranean and enjoyed an extensive education in both Greek and Latin. Graverini concludes with a study of the complex interaction of these three dimensions of Apuleius’ identity (African, Roman, and Greek), and investigates what the narrative can tell us about the culture of its readership. These cultural interactions affirm that The Golden Ass aims to delight its readers as well as to exhort them to religion and philosophy. Ben Lee’s superb new translation will make Graverini's groundbreaking study available to a much wider scholarly readership.

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Lucretius on Death and Anxiety

Poetry and Philosophy in DE RERUM NATURA

Charles Segal

In a fresh interpretation of Lucretius's On the Nature of Things, Charles Segal reveals this great poetical account of Epicurean philosophy as an important and profound document for the history of Western attitudes toward death. He shows that this poem, aimed at promoting spiritual tranquillity, confronts two anxieties about death not addressed in Epicurus's abstract treatment--the fear of the process of dying and the fear of nothingness. Lucretius, Segal argues, deals more specifically with the body in dying because he draws on the Roman concern with corporeality as well as on the rich traditions of epic and tragic poetry on mortality.

Segal explains how Lucretius's sensitivity to the vulnerability of the body's boundaries connects the deaths of individuals with the deaths of worlds, thereby placing human death into the poem's larger context of creative and destructive energies in the universe. The controversial ending of the poem, which describes the plague at Athens, is thus the natural culmination of a theme developed over the course of the work.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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