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The American Diary of a Japanese Girl Cover

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The American Diary of a Japanese Girl

An Annotated Edition

Edward Marx

The first American novel by a writer of Japanese ancestry, The American Diary of a Japanese Girl is a landmark of modern American fiction and Japanese American transnationalism. First published in 1902, Yone Noguchi's novel describes the turn-of-the-century adventures of Tokyo belle Miss Morning Glory in a first-person narrative that The New York Times called "perfectly ingenuous and unconventional." Initially published as an authentic journal, the Diary was later revealed to be a playful autobiographical fiction written by a man. No less than her creator, Miss Morning Glory delights in disguises, unabashedly switching gender, class, and ethnic roles. Targeting the American fantasy of Madame Butterfly, Noguchi's New Woman heroine prays for "something more decent than a marriage offer," and freely dispenses her insights on Japanese culture and American lifestyles. With the addition of perceptive critical commentary and comprehensive notes, this first annotated edition sheds new light on the creative inventiveness of an important modernist writer.

Asian American Plays for a New Generation Cover

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Asian American Plays for a New Generation

Plays for a New Generation

Edited by Josephine Lee, Don Eitel and R. A. Shiomi

Asian American plays provide an opportunity to think about how racial issues are engaged through theatrical performance physical contact, bodily labor, and fleshly desire as well as through the more standard elements of plot, setting, characterization, staging, music, and action.

Asian American Plays for a New Generation showcases seven exciting new plays that dramatize timely themes that are familiar to Asian Americans. The works variously address immigration, racism, stereotyping, identity, generational tensions, assimilation, and upward mobility as well as post-9/11 paranoia, racial isolation, and adoptee experiences.

Each of these works engages directly and actively with Asian American themes through performance to provide an important starting point for building relationships, raising political awareness, and creating active communities that can foster a sense of connection or even rally individuals to collective action.

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Asian Diaspora and East-West Modernity

by Sheng-mei Ma

Drawing from Anglo-American, Asian American, and Asian literature as well as J-horror and manga, Chinese cinema and Internet, and the Korean Wave, Sheng-mei Ma’s Asian Diaspora and East-West Modernity probes into the conjoinedness of West and East, of modernity’s illusion and nothing’s infinitude. Suspended on the stylistic tightrope between research and poetry, critical analysis and intuition, Asian Diaspora restores affect and heart to the experience of diaspora in between East and West, at-homeness and exilic attrition. Diaspora, by definition, stems as much from socioeconomic and collective displacement as it points to emotional reaction. This book thus challenges the fossilized conceptualizations in area studies, ontology, and modernism. The book's first two chapters trace the Asian pursuit of modernity into nothing, as embodied in horror film and the gaming motif in transpacific literature and film. Chapters three through eight focus on the borderlands of East and West, the edges of humanity and meaning. Ma examines how loss occasions a revisualization of Asia in children's books, how Asian diasporic passing signifies, paradoxically, both "born again" and demise of the "old" self, how East turns "yEast" or the agent of self-fashioning for Anglo-America, Asia, and Asian America, how the construct of “bugman” distinguishes modern West's and East's self-image, how the extreme human condition of "non-person" permeates the Korean Wave, and how manga artists are drawn to wartime Japan. The final two chapters interrogate the West's death-bound yet enlightening Orientalism in Anglo-American literature and China's own schizophrenic split, evidenced in the 2008 Olympic Games.

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Bamboo Among The Oaks

Contemporary Writing by Hmong Americans

Edited by Mai Neng Moua

Of an estimated twelve million ethnic Hmong in the world, more than 160,000 live in the United States today, most of them refugees of the Vietnam War and the civil war in Laos. Their numbers make them one of the largest recent immigrant groups in our nation. Today, significant Hmong populations can be found in California, Minnesota, Wisconsin, North Carolina, Michigan, and Colorado, and St. Paul boasts the largest concentration of Hmong residents of any city in the world. In this groundbreaking anthology, first- and second-generation Hmong Americans--the first to write creatively in English--share their perspectives on being Hmong in America. In stories, poetry, essays, and drama, these writers address the common challenges of immigrants adapting to a new homeland: preserving ethnic identity and traditions, assimilating to and battling with the dominant culture, negotiating generational conflicts exacerbated by the clash of cultures, and developing new identities in multiracial America. Many pieces examine Hmong history and culture and the authors' experiences as Americans. Others comment on issues significant to the community: the role of women in a traditionally patriarchal culture, the effects of violence and abuse, the stories of Hmong military action in Laos during the Vietnam War. These writers don't pretend to provide a single story of the Hmong; instead, a multitude of voices emerge, some wrapped up in the past, others looking toward the future, where the notion of "Hmong American" continues to evolve. In her introduction, editor Mai Neng Moua describes her bewilderment when she realized that anthologies of Asian American literature rarely contained even one selection by a Hmong American. In 1994, she launched a Hmong literary journal, Paj Ntaub Voice, and in the first issue asked her readers "Where are the Hmong American voices?" Now this collection--containing selections from the journal as well as new submissions--offers a chorus of voices from a vibrant and creative community of Hmong American writers from across the United States.

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Birds of Paradise Lost

Andrew Lam

The thirteen stories in Birds of Paradise Lost shimmer with humor and pathos as they chronicle the anguish and joy and bravery of America's newest Americans, the troubled lives of those who fled Vietnam and remade themselves in the San Francisco Bay Area. The past--memories of war and its aftermath, of murder, arrest, re-education camps and new economic zones, of escape and shipwreck and atrocity--is ever present in these wise and compassionate stories.

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Brothers under a Same Sky

Gary Pak

Nam Kun and Nam Ki Han, brothers born on a Wahiawa sugar plantation, could not have been more different. Pragmatic and stubborn, Nam Kun dutifully supported his family but refused to become “one Christian fanatic” like his widowed mother and youngest sibling, Nam Ki. When Nam Ki is drafted into the army at the start of the Korean War, he tells Nam Kun that as a Christian he cannot kill. “You gotta do it,” Nam Kun replies, thinking the war will make a man of this “mama’s boy.”

Nam Ki finds refuge from the chaos and brutality of life as a soldier in his love for a young Korean woman, a Christian. He returns after the war to search for her and discovers she has become a prostitute. With his sense of reality shattered, Nam Ki must choose between his faith and all that he has witnessed in war-torn Korea. Brothers under a Same Sky explores the social and psychological turmoil experienced by Korean Americans during and after the war but, more important, it examines the individual’s decision to keep—or betray—a fundamental belief in human goodness. Set amid the social and political disruptions and forced separations that have characterized the history of modern Korea, this is the story of a struggle toward healing, unity, and perhaps a reconciliation between love and hatred.

Gary Pak is professor of English at the University of Hawai`i. His books include Children of a Fireland, A Ricepaper Airplane, and The Watcher of Waipuna and Other Stories.

But Still Like Air Cover

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But Still Like Air

In this pathbreaking volume, Velina Hasu Houston gathers together eleven plays that speak in the "hybridized, unique American voices of Asian descent -- and often dissent." These writers resist the bigotry that attempts to target them solely as people of color as well as the homogenizing tendencies of a multiculturalism that fails to recognize the varied make-up of Asian America. Anthologized for the first time, these plays testify to the rich complexity of Asian American experience while they also demonstrate the different styles and thematic concerns of the individual playwrights.

What are Asian American plays about? Family conflicts, sexuality, social upheaval, betrayal ... the stuff of all drama. Whether the characters are a middle-aged Taiwanese woman who is married to an Irish American and who dreams of opening a Chinese restaurant, a Chinese American female bond trader trying to survive a corporate takeover, or an ABC (American Born Chinese) gay man whose lover has AIDS, their Asian-ness is only a part of their story.

As a playwright, Houston is keenly aware of the rigid formulas that often exclude writers of color and women women writers from mainstream theater. But Still, Like air, I'll Rise brings forth vibrant new work that challenges producers and audiences to broaden their expectations, to attend to the unfamiliar voices that expresses the universal and particular vision of Asian American playwrights.

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Chang and Eng Reconnected

The Original Siamese Twins in American Culture

Cynthia Wu

Conjoined twins Chang and Eng Bunker have fascinated the world since the nineteenth century. In her captivating book, Chang and Eng Reconnected, Cynthia Wu traces the “Original Siamese Twins” through the terrain of American culture, showing how their inseparability underscored tensions between individuality and collectivity in the American popular imagination. 

Using letters, medical documents and exhibits, literature, art, film, and family lore, Wu provides a trans-historical analysis that presents the Bunkers as both a material presence and as metaphor. She also shows how the twins figure in representations of race, disability, and science in fictional narratives about nation building.

As astute entrepreneurs, the twins managed their own lives; nonetheless, as Chang and Eng Reconnected shows, American culture has always viewed them through the multiple lenses of difference.

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Constructing the Enemy

Empathy/Antipathy in U.S. Literature and Law

Rajini Srikanth

In her engaging book, Constructing the Enemy, Rajini Srikanth probes the concept of empathy, attempting to understand its different types and how it is—or isn't—generated and maintained in specific circumstances.

Using literary texts to illuminate issues of power and discussions of law, Srikanth focuses on two case studies— the internment of Japanese citizens and Japanese Americans in World War II, after the bombing of Pearl Harbor, and the detainment of Muslim Americans and individuals from various nations in the U.S. prison at Guantanamo Bay.

Through primary documents and interviews that reveal why and how lawyers become involved in defending those who have been designated “enemies,” Srikanth explores the complex conditions under which engaged citizenship emerges. Constructing the Enemy probes the seductive promise of legal discourse and analyzes the emergence and manifestation of empathy in lawyers and other concerned citizens and the wider consequences of this empathy on the institutions that regulate our lives.

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Cosmopolitan Publics

Anglophone Print Culture in Semi-Colonial Shanghai

Shuang Shen

Cosmopolitan Publics focuses on China's "cosmopolitans"-Western-educated intellectuals who returned to Shanghai in the late 1920s to publish in English and who, ultimately, became both cultural translators and citizens of the wider world. Shuang Shen highlights their work providing readers with a broader understanding of the role and function of cultural mixing, translation, and multilingualism in China's cultural modernity. Shen's encompassing study revisits and presents the experience of Chinese modernity as far more heterogeneous, emergent, and transnational than it has been characterized until now.

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