Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Authors Speak on the Literary Marketplace
Producing Canadian Literature: Authors Speak on the Literary Marketplace brings to light the relationship between writers in Canada and the marketplace within which their work circulates. Through a series of conversations with both established and younger writers from across the country, Kit Dobson and Smaro Kamboureli investigate how writers perceive their relationship to the cultural economy—and what that economy means for their creative processes.
The interviews in Producing Canadian Literature focus, in particular, on how writers interact with the cultural institutions and bodies that surround them. Conversations pursue the impacts of arts funding on writers; show how agents, editors, and publishers affect writers’ works; examine the process of actually selling a book, both in Canada and abroad; and contemplate what literary awards mean to writers. Dialogues with Christian Bök, George Elliott Clarke, Daniel Heath Justice, Larissa Lai, Stephen Henighan, Erín Moure, Ashok Mathur, Lee Maracle, Jane Urquhart, and Aritha van Herk testify to the broad range of experience that writers in Canada have when it comes to the conditions in which their work is produced.
Original in its desire to directly explore the specific circumstances in which writers work—and how those conditions affect their writing itself—Producing Canadian Literature will be of interest to scholars, students, aspiring writers, and readers who have followed these authors and want to know more about how their books come into being.
Robert Horton and Federal Propaganda, 1938-1948
Though historians have largely overlooked Robert Horton, his public relations campaigns remain fixed in popular memory of the home front during World War II. Utilizing all media—including the nascent technology of television—to rally civilian support, Horton’s work ranged from educational documentary shorts like Pots to Planes, which depicted the transformation of aluminum household items into aircraft, to posters employing scare tactics, such as a German soldier with large eyes staring forward with the tagline “He’s Watching You.” Iconic and calculated, Horton’s campaigns raise important questions about the role of public relations in government agencies. When are promotional campaigns acceptable? Does war necessitate persuasive communication? What separates information from propaganda? Promoting the War Effort traces the career of Horton—the first book-length study to do so—and delves into the controversies surrounding federal public relations. A former reporter, Horton headed the public relations department for the U.S. Maritime Commission from 1938 to 1940. Then—until Pearl Harbor in December 1941—he directed the Division of Information (DOI) in the Executive Office of the President, where he played key roles in promoting the New Deal, President Franklin D. Roosevelt’s unprecedented third-term reelection campaign, and the prewar arms-production effort. After Pearl Harbor, Horton’s DOI encouraged support for the war, primarily focusing on raising civilian and workforce morale. But the DOI under Horton assumed a different wartime tone than its World War I predecessor, the Committee on Public Information. Rather than whipping up prowar hysteria, Horton focused on developing campaigns for more practical purposes, such as conservation and production. In mid-1942, Roosevelt merged the Division and several other agencies into the Office of War Information. Horton stayed in government, working as the PR director for several agencies. He retired in mid-1946, during the postwar demobilization. Promoting the War Effort recovers this influential figure in American politics and contributes to the ongoing public debate about government public relations during a time when questions about how facts are disseminated—and spun—are of greater relevance than ever before.
Behind the Prize for Public Service Journalism
The Overland Monthly and the Writing of the Modern American West
Founded in 1868, the Overland Monthly was a San Francisco–based literary magazine whose mix of humor, pathos, and romantic nostalgia for a lost frontier was an immediate sensation on the East Coast. Due in part to a regional desire to attract settlers and financial investment, the essays and short fiction published in the Overland Monthly often portrayed the American West as a civilized evolution of, and not a savage regression from, eastern bourgeois modernity and democracy.
Stories about the American West have for centuries been integral to the way we imagine freedom, the individual, and the possibility for alternate political realities. Reading for Liberalism examines the shifting literary and narrative construction of liberal selfhood in California in the late nineteenth century through case studies of a number of western American writers who wrote for the Overland Monthly, including Noah Brooks, Ina Coolbrith, Bret Harte, Jack London, John Muir, and Frank Norris, among others. Reading for Liberalism argues that Harte, the magazine’s founding editor, and the other members of the Overland group critiqued and reimagined the often invisible fabric of American freedom. Reading for Liberalism uncovers and examines in the text of the Overland Monthly the relationship between wilderness, literature, race, and the production of individual freedom in late nineteenth-century California.
Metropolitan Journalism in the Digital Age
Breaking down the walls of the traditional newsroom, Rebuilding the News traces the evolution of news reporting as it moves from print to online. As the business models of newspapers have collapsed, author C. W. Anderson chronicles how bloggers, citizen journalists, and social networks are implicated in the massive changes confronting journalism.
Through a combination of local newsroom fieldwork, social-network analysis, and online archival research, Rebuilding the News places the current shifts in news production in socio-historical context. Focusing on the Philadelphia Inquirer, the Philadelphia Daily News, Anderson presents a gripping case study of how these papers have struggled to adapt to emerging economic, social, and technological realities.
As he explores the organizational, networked culture of journalism, Anderson lays bare questions about the future of news-oriented media and its evolving relationship with “the public” in the digital age.
Histories of the Book in Indian Country, 1663-1880
In 1663, the Puritan missionary John Eliot, with the help of a Nipmuck convert the English called John Printer, produced the first Bible printed in North America; it was printed not in English but in Algonquian, making it one of the first books printed in a Native language. Thus, the trajectory of printing history in North America is intimately tied to the indigenous cultures of this continent--even if it took another one hundred years before Samson Occom became the first Native American to publish his own book in 1772. In this ambitious and multidisciplinary work, Round examines the relationship between Native Americans and the printed book over a 200-year span, arguing persuasively for the essential role of the book and of print culture in Indian lives from the sixteenth century through the Removal Period to the rise of U.S. assimilation policies in the late nineteenth century. Merging the methods of book history and Native American studies, Round shows how books became a central point of contestation between Europeans eager to assimilate Native Americans and Native people themselves, who quickly recognized the power of print to stake out claims for cultural and political sovereignty. Round showcases the varied ways that Native peoples produced and/or utilized printed texts over time, addressing such issues as the role of white missionaries and Christian texts in the dissemination of print culture in Indian Country, the establishment of “national” publishing houses by tribes, the production and consumption of bilingual texts, the role of copyright in establishing Native intellectual sovereignty (and the sometimes corrosive effects of reprinting thereon), and the role of illustrations.
An essential reference for journalists, activists, and students, this book presents scientifically accurate and accessible overviews of 24 of the most important issues in the nuclear realm, including: • health effects • nuclear safety and engineering • TMI and Chernobyl • nuclear medicine • food irradiation • transport of nuclear materials • spent fuel • nuclear weapons • global warming. Each “brief” is based on interviews with named scientists, engineers, or administrators in a nuclear specialty, and each has been reviewed by a team of independent experts. The objective is not to make a case for or against nuclear-related technologies, but rather to provide definitive background information. (The approach is based on that of The Reporter’s Environmental Handbook, published in 1988, which won a special award for journalism from the Sigma Delta Chi Society of professional journalists.) Other features of the book include: • a glossary of hundreds of terms • an introduction to risk assessment, environmental and economic impacts, and public perceptions • an article by an experienced reporter with recommendations about how to cover nuclear issues • quick guides to the history of nuclear power in the United States, important federal legislation and regulations, nuclear position statements, and key organizations • print and electronic resources.
The Playwright in Peace and War
One of the nation's first film critics, an acclaimed speechwriter on his own and for President Franklin D. Roosevelt, a propagandist during World War II, and a leading producer on Broadway, Robert E. Sherwood scripted some of the most popular plays and films of his day, including Waterloo Bridge, The Best Years of Our Lives, Idiot's Delight, Abe Lincoln in Illinois, and Rebecca. His work brought him four Pulitzer Prizes and an Oscar. In his personal life, however, he was driven by a deep conviction that war was a societal evil that must be eradicated and human rights a moral responsibility that all governments should protect. At times, his belief in pacifism and his commitment to defending freedom and justice came into conflict with each other, causing frustration and emotional trauma which found their way into his writings and actions. In this book, Harriet Hyman Alonso unravels Sherwood's inner struggle and portrays his political journey. Relying largely on his letters, diaries, plays, films, essays, and biography of Roosevelt and Harry Hopkins, she traces Sherwood's obsession with the world of politics and its effects on his life and art, from his experience as a soldier in World War I to the Cold War. She also describes his participation in the Algonquin Round Table, his friendships and working relationships with such notables as Alfred Lunt, Lynn Fontanne, Edna Ferber, Spencer Tracy, Harry Hopkins, and Franklin D. Roosevelt, his two marriages and uneasy relationship with his daughter, and his leadership role in the Broadway community. Alonso brings together history, theater and film studies, and peace studies in this interdisciplinary political biography. In the process, she illuminates major currents in U.S. foreign policy, society, and culture from 1896 to 1955—the years of the remarkable life of Robert E. Sherwood.