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The Pen Makes a Good Sword Cover

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The Pen Makes a Good Sword

John Forsyth of the Mobile Register

Written by Lonnie A. Burnett

This book is a biography of Alabama native John Forsyth Jr. and documents his career as a southern newspaper editor during the antebellum, Civil War, and Reconstruction periods. From 1837 to 1877 Forsyth wrote about many of the most important events of the 19th century. He used his various positions as an editor, Civil War field correspondent, and Reconstruction critic at the MobileRegister to advocate on behalf of both the South and the Democratic Party.
 
In addition, Forsyth played an active role in the events taking place around him through his political career, as United States Minister to Mexico, state legislator, Confederate Peace Commissioner to the Lincoln administration, staff officer to Braxton Bragg, and twice mayor of the city of Mobile.

 

The Piracy Crusade Cover

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The Piracy Crusade

How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties

Aram Sinnreich

In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that “internet pirates killed the music industry” has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a “cybercrime” similar to identity fraud or even terrorism. In The Piracy Crusade, Aram Sinnreich critiques the notion of “piracy” as a myth perpetuated by today’s cultural cartels—the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers. Yet the most dangerous legacy of this “piracy crusade” is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy—policies that threaten to undermine the foundations of democratic society.

 Cover
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portal: Libraries and the Academy

Vol. 1 (2001) through current issue

A journal that presents research findings and provides regular coverage of issues in technology, publishing, and periodicals, portal is written by librarians for librarians. Peer-reviewed articles address subjects such as library administration, information technology, and information policy. The journal examines the role of libraries in meeting institutional missions, explores how technology affects librarianship and scholarship, and conveys this research to academic librarians in a timely manner.

The Press and Race Cover

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The Press and Race

Mississippi Journalists Confront the Movement

David R. Davies

For southern newspapers and southern readers, the social upheaval in the years following Brown v. Board of Education (1954) was, as Time put it in 1956, "the region's biggest running story since slavery." The southern press struggled with the region's accommodation of the school desegregation ruling and with black America's demand for civil rights.

The nine essays in The Press and Race illuminate the broad array of print journalists' responses to the civil rights movement in Mississippi, a state that was one of the nation's major civil rights battlegrounds. Three of the journalists covered won Pulitzer prizes for their work and one was the first woman editorial writer to earn that coveted prize.

The journalists and editors covered are Hodding Carter, Jr. (Greenville Delta Democrat-Times), J. Oliver Emmerich (McComb Enterprise-Journal), Percy Greene (Jackson Advocate), Ira B. Harkey, Jr. (Pascagoula Chronicle), George A. McLean (Tupelo Journal), Bill Minor (New Orleans Times-Picayune), Hazel Brannon Smith (Lexington Adviser), and Jimmy Ward (Jackson Daily News). Their editorial stances run the gamut from moderates such as Minor, Smith, and Carter, Jr., to openly segregationist editors such as Ward and Greene.

The Press and Race follows the press from the 1954 Brown v. Board of Education decision to 1965, when Congress passed the Voting Rights Act. Those years saw some of the most important events of the civil rights movement-the South's resistance to school desegregation throughout the 1950s and 1960s; the Freedom Rides of 1961; James Meredith's admission into the University of Mississippi in 1962; the assassination of Medgar Evers in 1963; and the events of Freedom Summer in 1964. These essays present an in-depth analysis of the editorials, articles, journalistic standards, and work of Mississippi newspaper reporters and editors as they covered this tumultuous era in American history.

While a handful of Mississippi journalists openly defended blacks and challenged the state's racial policies, others responded by redoubling their support of Mississippi's segregated society. Still others responded with a moderate defense of black Americans' legal rights, while at the same time defending the status quo of segregation.

The Press and Race reveals the outrage, emotion, and deliberation of the people who would soon be carrying out the nation's command to end segregation. The journalists discussed here were southerners and insiders in a crisis. Their writing made journalism history.

David R. Davies is chair of the department of journalism at the University of Southern Mississippi in Hattiesburg. A former reporter for the Arkansas Gazette, he has been published in American Journalism, the Chicago Tribune, and the Journal of Mississippi History.

Producing Canadian Literature Cover

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Producing Canadian Literature

Authors Speak on the Literary Marketplace

Producing Canadian Literature: Authors Speak on the Literary Marketplace brings to light the relationship between writers in Canada and the marketplace within which their work circulates. Through a series of conversations with both established and younger writers from across the country, Kit Dobson and Smaro Kamboureli investigate how writers perceive their relationship to the cultural economy—and what that economy means for their creative processes.

The interviews in Producing Canadian Literature focus, in particular, on how writers interact with the cultural institutions and bodies that surround them. Conversations pursue the impacts of arts funding on writers; show how agents, editors, and publishers affect writers’ works; examine the process of actually selling a book, both in Canada and abroad; and contemplate what literary awards mean to writers. Dialogues with Christian Bök, George Elliott Clarke, Daniel Heath Justice, Larissa Lai, Stephen Henighan, Erín Moure, Ashok Mathur, Lee Maracle, Jane Urquhart, and Aritha van Herk testify to the broad range of experience that writers in Canada have when it comes to the conditions in which their work is produced.

Original in its desire to directly explore the specific circumstances in which writers work—and how those conditions affect their writing itself—Producing Canadian Literature will be of interest to scholars, students, aspiring writers, and readers who have followed these authors and want to know more about how their books come into being.

Promoting the War Effort Cover

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Promoting the War Effort

Robert Horton and Federal Propaganda, 1938-1948

Mordecai Lee

Though historians have largely overlooked Robert Horton, his public relations campaigns remain fixed in popular memory of the home front during World War II. Utilizing all media—including the nascent technology of television—to rally civilian support, Horton’s work ranged from educational documentary shorts like Pots to Planes, which depicted the transformation of aluminum household items into aircraft, to posters employing scare tactics, such as a German soldier with large eyes staring forward with the tagline “He’s Watching You.” Iconic and calculated, Horton’s campaigns raise important questions about the role of public relations in government agencies. When are promotional campaigns acceptable? Does war necessitate persuasive communication? What separates information from propaganda? Promoting the War Effort traces the career of Horton—the first book-length study to do so—and delves into the controversies surrounding federal public relations. A former reporter, Horton headed the public relations department for the U.S. Maritime Commission from 1938 to 1940. Then—until Pearl Harbor in December 1941—he directed the Division of Information (DOI) in the Executive Office of the President, where he played key roles in promoting the New Deal, President Franklin D. Roosevelt’s unprecedented third-term reelection campaign, and the prewar arms-production effort. After Pearl Harbor, Horton’s DOI encouraged support for the war, primarily focusing on raising civilian and workforce morale. But the DOI under Horton assumed a different wartime tone than its World War I predecessor, the Committee on Public Information. Rather than whipping up prowar hysteria, Horton focused on developing campaigns for more practical purposes, such as conservation and production. In mid-1942, Roosevelt merged the Division and several other agencies into the Office of War Information. Horton stayed in government, working as the PR director for several agencies. He retired in mid-1946, during the postwar demobilization. Promoting the War Effort recovers this influential figure in American politics and contributes to the ongoing public debate about government public relations during a time when questions about how facts are disseminated—and spun—are of greater relevance than ever before.

Pulitzer's Gold Cover

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Pulitzer's Gold

Behind the Prize for Public Service Journalism

Roy J. Harris, Jr.

No journalism awards are awaited with as much anticipation as the Pulitzer Prizes. Andamong those Pulitzers, none is more revered than the Joseph Pulitzer Gold Medal.
 
Pulitzer’s Gold is the first book to trace the ninety-year history of the coveted Pulitzer Prize for Public Service, awarded annually to a newspaper rather than to individuals, in the form of that Gold Medal. Exploring this service-journalism legacy, Roy Harris recalls dozens of “stories behind the stories,” often allowing the journalists involved to share their own accounts. Harris takes his Gold Medal saga through two world wars, the Great Depression, the civil rights struggle, and the Vietnam era before bringing public-service journalism into a twenty-first century that includes 9/11, a Catholic Church scandal, and corporate exposés. Pulitzer’s Gold offers a new way of looking at journalism history and practice and a new lens through which to view America’s own story.

Reading for Liberalism Cover

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Reading for Liberalism

The Overland Monthly and the Writing of the Modern American West

Stephen J. Mexal

Founded in 1868, the Overland Monthly was a San Francisco–based literary magazine whose mix of humor, pathos, and romantic nostalgia for a lost frontier was an immediate sensation on the East Coast. Due in part to a regional desire to attract settlers and financial investment, the essays and short fiction published in the Overland Monthly often portrayed the American West as a civilized evolution of, and not a savage regression from, eastern bourgeois modernity and democracy.

Stories about the American West have for centuries been integral to the way we imagine freedom, the individual, and the possibility for alternate political realities. Reading for Liberalism examines the shifting literary and narrative construction of liberal selfhood in California in the late nineteenth century through case studies of a number of western American writers who wrote for the Overland Monthly, including Noah Brooks, Ina Coolbrith, Bret Harte, Jack London, John Muir, and Frank Norris, among others. Reading for Liberalism argues that Harte, the magazine’s founding editor, and the other members of the Overland group critiqued and reimagined the often invisible fabric of American freedom. Reading for Liberalism uncovers and examines in the text of the Overland Monthly the relationship between wilderness, literature, race, and the production of individual freedom in late nineteenth-century California. 

Rebuilding the News Cover

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Rebuilding the News

Metropolitan Journalism in the Digital Age

Breaking down the walls of the traditional newsroom, Rebuilding the News traces the evolution of news reporting as it moves from print to online. As the business models of newspapers have collapsed, author C. W. Anderson chronicles how bloggers, citizen journalists, and social networks are implicated in the massive changes confronting journalism.

Through a combination of local newsroom fieldwork, social-network analysis, and online archival research, Rebuilding the News places the current shifts in news production in socio-historical context. Focusing on the Philadelphia Inquirer, the Philadelphia  Daily News, Anderson presents a gripping case study of how these papers have struggled to adapt to emerging economic, social, and technological realities.

As he explores the organizational, networked culture of journalism, Anderson lays bare questions about the future of news-oriented media and its evolving relationship with “the public” in the digital age.

Religion and the Culture of Print in Modern America Cover

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Religion and the Culture of Print in Modern America

Edited by Charles L. Cohen and Paul S. Boyer

Mingling God and Mammon, piety and polemics, and prescriptions for this world and the next, modern Americans have created a culture of print that is vibrantly religious. From America’s beginnings, the printed word has played a central role in articulating, propagating, defending, critiquing, and sometimes attacking religious belief. In the last two centuries the United States has become both the leading producer and consumer of print and one of the most identifiably religious nations on earth. Print in every form has helped religious groups come to grips with modernity as they construct their identities. In turn, publishers have profited by swelling their lists with spiritual advice books and scriptures formatted so as to attract every conceivable niche market.
            Religion and the Culture of Print in Modern America explores how a variety of print media—religious tracts, newsletters, cartoons, pamphlets, self-help books, mass-market paperbacks, and editions of the Bible from the King James Version to contemporary “Bible-zines”—have shaped and been shaped by experiences of faith since the Civil War. Edited by Charles L. Cohen and Paul S. Boyer, whose comprehensive historical essays provide a broad overview to the topic, this book is the first on the history of religious print culture in modern America and a well-timed entry into the increasingly prominent contemporary debate over the role of religion in American public life.
 
Best Books for General Audiences, selected by the American Association of School Librarians, and Best Books for Regional Special Interests, selected by the Public Library Association
 

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