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In an age before radio and television, E. W. Scrippss ownership of twenty-one newspapers, a major news wire service, and a prominent news syndication service represented the first truly national media organization in the United States. In The Scripps Newspapers Go to War, 1914-18, Dale Zacher details the scope, organization, and character of the mighty Scripps empire during World War I to reveal how_x000B_the pressures of the market, government censorship, propaganda,_x000B_and progressivism transformed news coverage during wartime._x000B__x000B_This volume presents the first systematic look at the daily operations of any major newspaper operation during World War I and provides fascinating accounts of how the papers struggled with competition, their patriotic duties, and internal editorial dissent. The book also engages questions about American neutrality and the newspapers relationship with President Woodrow Wilson, the move to join the war, and the fallout from the disillusionment of actually experiencing war. Ultimately, Zacher shows how the progressive spirit and political independence at the Scripps newspapers came under attack and was forever changed by this crucial period in American history.
Celebrity, Controversy, and a Student Journalism Revolution
During the last decade or so, college newspaper sex columns and campus sex magazines have revolutionized student journalism and helped define a new sexual generation. Sex and the University explores the celebrity status that student sex columnists and magazine editors have received, the controversies they have caused, and the sexual generation and student journalism revolution they represent. Complete with a "sexicon" of slang, this book also dives into the columns and magazines themselves, sharing for the first time what modern students are saying about their sex and love lives, in their own words.
A Guide for Writers, Students, and Scholars
A Brief History of the Prisoners’ Digest International
The final book in the groundbreaking Voices from the Underground series, Stop the Presses! I Want to Get Off!, is the inspiring, frenetic, funny, sad, always-cash-starved story of Joe Grant, founder and publisher of Prisoners’ Digest International, the most important prisoners’ rights underground newspaper of the Vietnam era. From Grant’s military days in pre-Revolutionary Cuba during the Korean War, to his time as publisher of a pro-union newspaper in Cedar Rapids and his eventual imprisonment in Leavenworth, Kansas, Grant’s personal history is a testament to the power of courage under duress. One of the more notorious federal penitentiaries in the nation, Leavenworth inspired Grant to found PDI in an effort to bring hope to prisoners and their families nationwide.
The Life and Times of George McLean, a Most Peculiar Newspaper Publisher
In 1924, George McLean, an Ole Miss sophomore and the spoiled son of a judge, attended a YMCA student mission conference whose free-thinking organizers aimed to change the world. They changed George McLean's.
But not instantly. As vividly recounted in the first biography of this significant figure in Southern history, Tupelo Man: The Life and Times of a Most Peculiar Newspaper Publisher, McLean drifted through schools and jobs, always questioning authority, always searching for a way to put his restless vision into practical use. In the Depression's depths, he was fired from a teaching job at what is now Rhodes College in Memphis, Tennessee, over his socialist ideas and labor organizing work.
By 1934 he decided he had enough of working for others and that he would go into business for himself. In dirt-poor Northeast Mississippi, the Tupelo Journal was for sale, and McLean used his wife's money to buy what he called "a bankrupt newspaper from a bankrupt bank." As he struggled to keep the paper going, his Christian socialism evolved into a Christian capitalism that transformed the region. He didn't want a bigger slice of the pie for himself, he said; he wanted a bigger pie for all.
But McLean (1904-1983) was far from a saint. He prayed about his temper, with little result. He was distant and aloof toward his two children--adopted through a notorious Memphis baby selling operation. His wife, whom he deeply loved in his prickly way, left him once and threatened to leave again. "I don't know why I was born with this chip on my shoulder," he told her. Tupelo Man looks at this far-from-ordinary publisher in an intimate way that offers a fascinating story and insight into our own lives and times.
Analyse intégrée dans un contexte analogique et numérique
Les documents produits ou reçus par les organisations, qu’ils soient sous forme analogique ou numérique, sont placés dans des dossiers. Ce premier niveau de classement sert généralement de base à la classification, d’où l’importance de le gérer avec soin. C’est dans cet esprit que le présent ouvrage, faisant suite à la Typologie des documents des organisations, propose une analyse détaillée des principaux dossiers de gestion d'une organisation, soit : • les dossiers constitutifs • les dossiers de réunion • les dossiers de direction • les dossiers des relations de travail • les dossiers des ressources humaines • les dossiers des communications • les dossiers des ressources financières • les dossiers juridiques • les dossiers des ressources mobilières et immobilières Les auteures définissent le contexte de création de ceux-ci, justifie leur rôle, analyse leur contenu, propose des métadonnées et indique le temps à allouer à leur conservation. L'étudiant en archivistique, l'archiviste et le gestionnaire de documents y trouveront un outil indispensable de traitement de l'information.
This collection seeks to define the emerging field of "ubiquitous learning," an educational paradigm made possible in part by the omnipresence of digital media, supporting new modes of knowledge creation, communication, and access. As new media empower practically anyone to produce and disseminate knowledge, learning can now occur at any time and any place. The essays in this volume present key concepts, contextual factors, and current practices in this new field._x000B__x000B_Contributors are Simon J. Appleford, Patrick Berry, Jack Brighton, Bertram C. Bruce, Amber Buck, Nicholas C. Burbules, Orville Vernon Burton, Timothy Cash, Bill Cope, Alan Craig, Elizabeth M. Delacruz, Lisa Bouillion Diaz, Steve Downey, Guy Garnett, Steven E. Gump, Gail E. Hawisher, Caroline Haythornthwaite, Cory Holding, Wenhao David Huang, Eric Jakobsson, Tristan E. Johnson, Mary Kalantzis, Samuel Kamin, Karrie G. Karahalios, Joycelyn Landrum-Brown, Hannah Lee, Faye L. Lesht, Maria Lovett, Cheryl McFadden, Robert E. McGrath, James D. Myers, Christa Olson, James Onderdonk, Michael A. Peters, Evangeline S. Pianfetti, Paul Prior, Fazal Rizvi, Mei-Li Shih, Janine Solberg, Joseph Squier, Kona Taylor, Sharon Tettegah, Michael Twidale, Edee Norman Wiziecki, and Hanna Zhong.
Whatever Happened to the Washington Reporters, 19782012, is the first book to comprehensively examine career patterns in American journalism.
In 1978 Brookings Senior Fellow Stephen Hess surveyed 450 journalists who were covering national government for U.S. commercial news organizations. His study became the award-winning The Washington Reporters (Brookings, 1981), the first volume in his Newswork series. Now, a generation later, Hess and his team from Brookings and the George Washington University have tracked down 90 percent of the original group, interviewing 283, some as far afield as France, England, Italy, and Australia.
What happened to the reporters within their organizations? Did they change jobs? Move from reporter to editor or producer? Jump from one type of medium to another from print to TV? Did they remain in Washington or go somewhere else? Which ones left journalism? Why? Where did they go?
A few of them have become quite famous, including television correspondents Ted Koppel, Sam Donaldson, Brit Hume, Carole Simpson, Judy Woodruff, and Marvin Kalb; some have become editors or publishers of the New York Times, Wall Street Journal, Chicago Tribune, Miami Herald, or Baltimore Sun; some have had substantial careers outside of journalism. Most, however, did not become household names.
The book is designed as a series of self-contained essays, each concentrating on one characteristic, such as age, gender, or place of employment, including newspapers, television networks, wire services, and niche publications. The reporters speak for themselves. When all of these lively portraits are analyzed one by one the results are surprisingly different from what journalists and sociologists in 1978 had predicted.
Praise for other books in the Newswork series:
International News and Foreign Correspondents
"It is not much in vogue to speak of things like the public trust, but thankfully Stephen Hess is old fashioned. He reminds us in this valuable and provocative book that journalism is a public trust, providing the basic information on which citizens in a democracy vote, or tune out." Ken Auletta, The New Yorker
"Regardless of one's view of American news media, one cannot help but be influenced by the information Stephen Hess puts forth in International News and Foreign Correspondents. After reading this book, it is not likely one will scan the newspaper or watch television news in the same way again." International Affairs Review
"Readers of all backgrounds will find this a provocative text." The Harvard International Journal of Press/Politics
Live from Capitol Hill
"Hess is a treasure a Washington insider with a sharp sense of the important, the interesting, and the mythological. This book is essential reading for Hill practitioners, journalists, and scholars of Congress and the media." Steven S. Smith, Washington University
The Washington Reporters "A meticulously researched piece of anthropology that represents the first major look at the men and women who cover the government since Leo C. Rosten's classic 1937 book." Newsweek
Reimagining Journalism and Civic Life in the Post-Newspaper Age
In The Wired City, Dan Kennedy tells the story of the New Haven Independent, a nonprofit community website in Connecticut that is at the leading edge of reinventing local journalism. Through close attention to city government, schools, and neighborhoods, and through an ongoing conversation with its readers, the Independent’s small staff of journalists has created a promising model of how to provide members of the public with the information they need in a self-governing society. Although the Independent is the principal subject of The Wired City, Kennedy examines a number of other online news projects as well, including nonprofit organizations such as Voice of San Diego and the Connecticut Mirror and for-profit ventures such as the Batavian, Baristanet, and CT News Junkie. Where legacy media such as major city newspapers are cutting back on coverage, entrepreneurs are now moving in to fill at least some of the vacuum. The Wired City includes the perspectives of journalists, activists, and civic leaders who are actively re-envisioning how journalism can be meaningful in a hyperconnected age of abundant news sources. Kennedy provides deeper context by analyzing the decline of the newspaper industry in recent years and, in the case of those sites choosing such a path, the uneasy relationship between nonprofit status and the First Amendment. At a time of pessimism over the future of journalism, The Wired City offers hope. What Kennedy documents is not the death of journalism but rather the uncertain and sometimes painful early stages of rebirth.
Black Journalists, White Media
Winner of the National Press Club Prize for Media Criticism.
Companion website: http://www.nyupress.nyu.edu/authors/veil.html
Thirty years ago, the Kerner Commission Report made national headlines by exposing the consistently biased coverage afforded African Americans in the mainstream media. While the report acted as a much ballyhooed wake-up call, the problems it identified have stubbornly persisted, despite the infusion of black and other racial minority journalists into the newsroom.
In Within the Veil, Pamela Newkirk unmasks the ways in which race continues to influence reportage, both overtly and covertly. Newkirk charts a series of race-related conflicts at news organizations across the country, illustrating how African American journalists have influenced and been denied influence to the content, presentation, and very nature of news.
Through anecdotes culled from interviews with over 100 broadcast and print journalists, Newkirk exposes the trials and triumphs of African American journalists as they struggle in pursuit of more equitable coverage of racial minorities. She illuminates the agonizing dilemmas they face when writing stories critical of blacks, stories which force them to choose between journalistic integrity, their own advancement, and the almost certain enmity of the black community.
Within the Veil is a gripping front-line report on the continuing battle to integrate America's newsrooms and news coverage.