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The Psychological Hazards of Covering War
As journalists in Iraq and other hot spots around the world continue to face harrowing dangers and personal threats, neuropsychiatrist Anthony Feinstein offers a timely and important exploration into the psychological damage of those who, armed only with pen, tape recorder, or camera, bear witness to horror. Based on a series of recent studies investigating the emotional impact of war on the profession, Journalists under Fire breaks new ground in the study of trauma-related disorders. Feinstein opens with an overview of the life-threatening hazards war reporters face—abductions, mock executions, the deaths of close colleagues—and discusses their psychological consequences: post-traumatic stress disorder, depression, deterioration of personal relationships, and substance abuse. In recounting the experiences of reporters who encounter trauma on the job, Feinstein observes that few adequate support systems are in place for them. He tells the stories of media veterans who have "seen it all," only to find themselves and their employers blindsided by psychological aftershocks. The book explores the biological and psychological factors that motivate journalists to take extraordinary risks. Feinstein looks into the psyches of freelancers who wade into war zones with little or no financial backing; he examines the different stresses encountered by women working in a historically male-dominated profession; and he probes the effects of the September 11 attacks on reporters who thought they had sworn off conflict reporting. His interviews with many of this generation's greatest reporters, photographers, and videographers often reveal extraordinary resilience in the face of adversity. Journalists under Fire is a look behind the public persona of war journalists at a time when the profession faces unprecedented risk. Plucking common threads from disparate stories, Feinstein weaves a narrative that is as fascinating to read as it is sobering to contemplate. What emerges are unique insights into lives lived dangerously.
How "Objectivity" Came to Define American Journalism
If American journalism were a religion, as it has been called, then its supreme deity would be "objectivity." The high priests of the profession worship the concept, while the iconoclasts of advocacy journalism, new journalism, and cyberjournalism consider objectivity a golden calf. Meanwhile, a groundswell of tabloids and talk shows and the increasing infringement of market concerns make a renewed discussion of the validity, possibility, and aim of objectivity a crucial pursuit.
Despite its position as the orbital sun of journalistic ethics, objectivity--until now--has had no historian. David T. Z. Mindich reaches back to the nineteenth century to recover the lost history and meaning of this central tenet of American journalism. His book draws on high profile cases, showing the degree to which journalism and its evolving commitment to objectivity altered-and in some cases limited--the public's understanding of events and issues. Mindich devotes each chapter to a particular component of this ethic-detachment, nonpartisanship, the inverted pyramid style, facticity, and balance. Through this combination of history and cultural criticism, Mindich provides a profound meditation on the structure, promise, and limits of objectivity in the age of cybermedia.
Réfléchir à la pratique journalistique à l’heure du numérique et de ses défis : tel était le but du colloque soulignant le centième anniversaire du Devoir, tenu le 11 mars 2010 à l’Université du Québec à Montréal (UQAM). La direction du quotidien, de même que trois de ses journalistes, ont été invités à se prononcer sur la quête de sens du monde médiatique en cette ère de grand bouleversement provoqué par l’évolution rapide des nouvelles technologies. On ne compte plus les ouvrages portant sur ce sujet, mais ceux donnant directement la parole à des « ouvriers de l’information », confrontés tous les jours à cette problématique dans la salle de rédaction, sont peu nombreux sur les rayons. Les observations de ces professionnels jetteront un éclairage différent sur la crise que traversent les médias et sur l’avenir du journalisme au moment où fusent tous les scénarios d’un monde sans journalistes.
The Life and Career of Jim Murray
Part crusader, part comedian, Jim Murray was a once-in-a-generation literary talent who just happened to ply his trade on newsprint, right near the box scores and race results. During his lifetime, Murray rose through the ranks of journalism, from hard-bitten 1940s crime reporter, to national Hollywood correspondent, to the top sports columnist in the United States. In Last King of the Sports Page: The Life and Career of Jim Murray, Ted Geltner chronicles Jim Murray’s experiences with twentieth-century American sports, culture, and journalism.
American Crime Narrative in the Neoconservative Turn
Since the mid-1960s, the war on crime has reshaped public attitudes about state authority, criminal behavior, and the responsibilities of citizenship. But how have American writers grappled with these changes? What happens when a journalist approaches the workings of organized crime not through its legendary Godfathers but through a workaday, low-level figure who informs on his mob? Why is it that interrogation scenes have become so central to prime-time police dramas of late? What is behind writers’ recent fascination with “cold case” homicides, with private security, or with prisons? In Learning to Live with Crime, Christopher P. Wilson examines this war on crime and how it has made its way into cultural representation and public consciousness. Under the sway of neoconservative approaches to criminal justice and public safety, Americans have been urged to see crime as an inevitable risk of modern living and to accept ever more aggressive approaches to policing, private security, and punishment. The idea has been not simply to fight crime but to manage its risks; to inculcate personal vigilance in citizens; and to incorporate criminals’ knowledge through informants and intelligence gathering. At its most scandalous, this study suggests, contemporary law enforcement has even come to mimic crime’s own operations.
Vol. 54 (2005) through current issue
Library Trends, issued quarterly and edited by Boyd Rayward and Alistair Black, explores critical trends in professional librarianship, including practical applications, thorough analyses, and literature reviews. Both practicing librarians and educators use Library Trends as an essential tool in their professional development and continuing education. Each issue is devoted to a single aspect of professional activity or interest. In-depth, thoughtful articles explore important facets of the issue topic. Every year, Library Trends provides breadth, covering a wide variety of themes, from special libraries to emerging technologies. An invaluable resource to practicing librarians and educators, the journal is an important tool that is utilized for professional development and continuing education.
The founder of the Feminist Press and one of the first proponents of women’s studies presents a living history of the growth of feminism, especially in academia. Howe began her career teaching at major universities around the U.S. She went on to chair the Modern Language Association and bring women to the forefront in that organization. Next she founded the Feminist Press, which has been publishing feminist writing for more than four decades, and helped organize an international women’s studies network. From her summers in Mississippi where she created a freedom school in the dangerous days of the civil rights movement to her friendships with iconic writers like Marilyn French, Tillie Olsen, and Grace Paley, Howe documents a lifetime of activism.
Journalistic Traditions and Transnational Influences
At the end of the nineteenth century, several countries were developing journalistic traditions similar to what we identify today as literary reportage or literary journalism. Yet throughout most of the twentieth century, in particular after World War I, that tradition was overshadowed and even marginalized by the general perception among democratic states that journalism ought to be either “objective,” as in the American tradition, or “polemical,” as in the European. Nonetheless, literary journalism would survive and, at times, even thrive. How and why is a story that is unique to each nation. Though largely considered an Anglo-American phenomenon today, literary journalism has had a long and complex international history, one built on a combination of traditions and influences that are sometimes quite specific to a nation and at other times come from the blending of cultures across borders. These essays examine this phenomenon from various international perspectives, documenting literary journalism’s rich and diverse heritage and describing its development within a global context. In addition to the editors, contributors include David Abrahamson, Peiqin Chen, Clazina Dingemanse, William Dow, Rutger de Graaf, John Hartsock, Nikki Hessell, Maria Lassila-Merisalo, Edvaldo Pereira Lima, Willa McDonald, Jenny McKay, Sonja Merljak Zdovc, Sonia Parratt, Norman Sims, Isabel Soares,and Soenke Zehle.