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Egon Erwin Kisch (1885-1948) is widely regarded as one of the most outstanding journalists of the twentieth century. He is also credited with virtually defining reportage as a form of literary art in which accuracy of observation and fidelity to facts combine with creative narrative.
The Life of Owen Payne White
A muckraking newspaperman who was once nationally known as a historian of the West, Owen Payne White (1879–1946) brought local history to center stage, intrigued readers nationally with tales of the Old West, and spotlighted corruption in high and low places. This long-overdue biography restores this overlooked writer to the forefront of western history and journalism.
White spent his early writing career as a newspaper columnist until his history of El Paso, Out of the Desert: The Historical Romance of El Paso, catapulted him into the major leagues of journalism when the publisher brought it to the attention of the New York Times and the American Mercury. White moved to New York and went on to publish eight books on the Old West, an autobiography, and dozens of articles as a staff editor at Collier’s. He uncovered hypocrisy, heroism, and crime, earning national recognition as well as death threats and a million-dollar lawsuit. His knowledge of Mexico also allowed him to follow leads south of the border, where he covered the aftermath of the Mexican Revolution. Through it all, White never lost his sardonic wit, his scrupulous directness, or his intellectual and political independence.
English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book & Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological parameters of Pollard and Redgraves famous Short-Title Catalogue (1475-1640), beginning with William Caxton, Englands first printer, and ending with John Milton, the English languages most eloquent defender of the freedom of the press. William Shakespeare earns his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on English printing in the period between Caxton and Milton.
The New Art Examiner was the only successful art magazine ever to come out of Chicago. It had nearly a three-decade long run, and since its founding in 1974 by Jane Addams Allen and Derek Guthrie, no art periodical published in the Windy City has lasted longer or has achieved the critical mass of readers and admirers that it did. The Essential New Art Examiner gathers the most memorable and celebrated articles from this seminal publication. First a newspaper, then a magazine, the New Art Examiner succeeded unlike no other periodical of its time. Before the word “blog” was ever spoken, it was the source of news and information for Chicago-area artists. And as its reputation grew, the New Art Examiner gained a national audience and exercised influence far beyond the Midwest. As one critic put it, “it fought beyond its weight class.” The articles in The Essential New Art Examiner are organized chronologically. Each section of thebook begins with a new essay by the original editor of the pieces therein that reconsiders the era and larger issues at play in the art world when they were first published. The result is a fascinating portrait of the individuals who ran the New Art Examiner and an inside look at the artistic trendsand aesthetic agendas that guided it. Derek Guthrie and Jane Addams Allen, for instance, had their own renegade style. James Yood never shied away from a good fight. And Ann Wiens was heralded for embracing technologies and design. The story of the New Art Examiner is the story of a constantly evolving publication, shaped by talented editors and the times in which it was printed. Now, more than three decades after the journal’s founding, The Essential New Art Examiner brings together the best examples of this groundbreaking publication: great editing, great writing, a feisty staff who changed and adapted as circumstances dictated—a publication that rolled with the times and the art of the times. With passion, insight, and editorial brilliance, the staff of the New Art Examiner turned a local magazine into a national institution.
Timeless Lessons for Today's Politics
Moral Stances in Human Dialogue
Journalism and Power in the Making of Peronist Argentina, 1930–1955
The rise of Juan Perón to power in Argentina in the 1940s is one of the most studied subjects in Argentine history. But no book before this has examined the role the Peronists’ struggle with the major commercial newspaper media played in the movement’s evolution, or what the resulting transformation of this industry meant for the normative and practical redefinition of the relationships among state, press, and public. In The Fourth Enemy, James Cane traces the violent confrontations, backroom deals, and legal actions that allowed Juan Domingo Perón to convert Latin America’s most vibrant commercial newspaper industry into the region’s largest state-dominated media empire. An interdisciplinary study drawing from labor history, communication studies, and the history of ideas, this book shows how decades-old conflicts within the newspaper industry helped shape not just the social crises from which Peronism emerged, but the very nature of the Peronist experiment as well.
Foreign Reporting and the Challenge of New Technology
Ever since the invention of the telegraph, journalists have sought to remove the barriers of time and space. Today, we readily accept that reporters can jet quickly to a distant location and broadcast instantly from a satellite-connected, video-enabled cell phone hanging from their belts. But now that live news coverage is possible from virtually anywhere, is foreign correspondence better? And what are the implications of recent changes in journalistic technology for policy makers and their constituents? In From Pigeons to News Portals, edited by David D. Perlmutter and John Maxwell Hamilton, scholars and journalists survey, probe, and demystify the new foreign correspondence that has emerged from rapidly changing media technology. These distinguished authors challenge long-held beliefs about foreign news coverage, not the least of which is whether, in our interconnected world, such a thing as "foreign news" even exists anymore. Essays explore the ways people have used new media technology--from satellites and cell phones to the Internet--to affect content, delivery modes, and amount and style of coverage. They examine the ways in which speedy reporting conflicts with in-depth reporting, the pros and cons of "parachute" journalism, the declining dominance of mainstream media as a source of foreign news, and the implications of this new foreign correspondence for foreign policy. Entertainment media such as film, television, and video gaming form worldwide opinions about America, often in negative ways. Meanwhile, live reporting abroad is both a blessing and curse for foreign policy makers. Because foreign news is so vital to effective policy making and citizenship, we imperil our future by failing to understand the changes technology brings and how we can wrest the best practice out of those changes. This provocative volume offers valuable insights and analyses to help us better understand the evolving state of foreign news.
Teen Girls, Mass Media, and Moral Panic in the United States, 1905-2010
From the days of the penny press to the contemporary world of social media, journalistic accounts of teen girls in trouble have been a mainstay of the U.S. news media. Often the stories represent these girls as either victims or whores (and sometimes both), using journalistic storytelling devices and news-gathering practices that question girls’ ability to perform femininity properly, especially as they act in public recreational space. These media accounts of supposed misbehavior can lead to moral panics that then further silence the voices of teenagers and young women. In From the Dance Hall to Facebook, Shayla Thiel-Stern takes a close look at several historical snapshots, including working-class girls in dance halls of the early 1900s; girls’ track and field teams in the 1920s to 1940s; Elvis Presley fans in the mid-1950s; punk rockers in the late 1970s and early 1980s; and girls using the Internet in the early twenty-first century. In each case, issues of gender, socioeconomic status, and race are explored within their historical context. The book argues that by marginalizing and stereotyping teen girls over the past century, mass media have perpetuated a pattern of gendered crisis that ultimately limits the cultural and political power of the young women it covers.