Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Media Lessons from Hurricane Katrina and the Deepwater Horizon Disaster
Along the Gulf Coast, history is often referenced as pre-Katrina or post-Katrina. However, the natural disaster that appalled the world in 2005 has been joined by another catastrophe, this one man-made--the greatest environmental and maritime accident of all time, the Deepwater Horizon Oil Spill. In less than five years, the Gulf Coast has experienced two colossal disasters, very different, yet very similar. And these two equally complex crises have resulted in a steep learning curve for all, but especially the journalists covering these enduring stories.
In Oil and Water, the authors explore the media-fed experiences, the visuals and narratives associated with both disasters. Katrina journalists have reluctantly had to transform into oil spill journalists. The authors look at this process of growth from the viewpoints not only of the journalists, but also of the public and of the scientific community. Through a detailed analysis of the journalists' content, the authors tackle significant questions. This book assesses the quality of journalism and the effects that quality may have on the public. The authors argue that regardless of the type of journalism involved or the immensity of the events covered, successful reportage still depends on the fundamentals of journalism and the importance of following these tenets consistently in a crisis atmosphere, especially when confronted with enduring crises that are just years apart.
Of Books and Bookstores
Jean-Luc Nancy's On the Commerce of Thinking concerns the particular communication of thoughts that takes place by means of the business of writing, producing, and selling books. His reflection is born out of his relation to the bookstore, in the first place his neighborhood one, but beyond that any such perfumery, rotisserie, patisserie,as he calls them, dispensaries of scents and flavors through which something like a fragrance or bouquet of the book is divined, presumed, sensed.On the Commerce of Thinking is thus not only something of a semiology of the specific cultural practice that begins with the unique character of the writer's voice and culminates in a customer crossing the bookstore threshold, package under arm, on the way home to a comfortable chair, but also an understated yet persuasive plea in favor of an endangered species. In evoking the peddler who, in times past, plied the streets with books and pamphlets literally hanging off him, Nancy emphasizes the sensuality of this commerce and reminds us that this form of consumerism is like no other, one that ends in an experience-reading-that is the beginning of a limitless dispersion, metamorphosis, and dissemination of ideas. Making, selling, and buying books has all the elements of the exchange economy that Marx analyzed--from commodification to fetishism--yet each book retains throughout an absolute and unique value, that of its subject. With reading, it gets repeatedly reprinted and rebound. For Nancy, the book thus functions only if it remains at the same time open and shut, like some Moebius strip. Closed, it represents the Idea and takes its place in a canon by means of its monumental form and the title and author's name displayed on its spine. But it also opens itself to us, indeed consents to being shaken to its core, in being read each time anew.
Unnamed Sources and the Battle for Journalism
Matt Carlson confronts the promise and perils of unnamed sources in this exhaustive analysis of controversial episodes in American journalism during the George W. Bush administration, from prewar reporting mistakes at the New York Times and Washington Post to the Valerie Plame leak case and Dan Rather's lawsuit against CBS News._x000B_ _x000B_Weaving a narrative thread that stretches from the uncritical post-9/11 era to the spectacle of the Scooter Libby trial, Carlson examines a tense period in American history through the lens of journalism. Revealing new insights about high-profile cases involving confidential sources, he highlights contextual and structural features of the era, including pressure from the right, scrutiny from new media and citizen journalists, and the struggles of traditional media to survive amid increased competition and decreased resources.
Racial Issues, Press, and Progaganda in the Cold War
The Woman and the Myth
Based on his own extensive personal interviews with the writer, Santo L. Aricò provides the definitive biography of Oriana Fallaci, a popular and flamboyant Italian journalist, war correspondent, and novelist who, in the public imagination, approaches mythical proportions and who, with every work she produces, creates and re-creates that myth.
Newspaper Women and the Making of Modern Public Space
Newspaper women were part of a wave of women seeking new, independent, urban lives, but they struggled to obtain the newspaper work of their dreams. Although some female journalists embraced more adventurous reporting, including stunt work and undercover assignments, many were relegated to the women's page. However, these intrepid female journalists made the women's page their own. Fahs reveals how their writings--including celebrity interviews, witty sketches of urban life, celebrations of being bachelor girls, advice columns, and a campaign in support of suffrage--had far-reaching implications for the creation of new, modern public spaces for American women at the turn of the century. As observers and actors in a new drama of independent urban life, newspaper women used the simultaneously liberating and exploitative nature of their work, Fahs argues, to demonstrate the power of a public voice, both individually and collectively.
American War Correspondents, 1898-1975
Addressing the ever-changing, overlapping trajectories of war and journalism, this introduction to the history and culture of modern American war correspondence considers a wealth of original archival material. In powerful analyses of letters, diaries, journals, television news archives, and secondary literature related to the United States' major military conflicts of the twentieth century, Mary S. Mander highlights the intricate relationship of the postmodern nation-state to the free press and to the public._x000B__x000B_Pen and Sword: American War Correspondents, 1898-1975 situates war correspondence within the larger framework of the history of the printing press to make perceptive new points about the nature of journalism and censorship, the institution of the press as a source of organized dissent, and the relationship between the press and the military. Fostering a deeper understanding of the occupational culture of war correspondents who have accompanied soldiers into battle, Pen and Sword prompts new ways of thinking about contemporary military conflicts and the future of journalism.
John Forsyth of the Mobile Register
How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties
In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that “internet pirates killed the music industry” has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a “cybercrime” similar to identity fraud or even terrorism. In The Piracy Crusade, Aram Sinnreich critiques the notion of “piracy” as a myth perpetuated by today’s cultural cartels—the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers. Yet the most dangerous legacy of this “piracy crusade” is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy—policies that threaten to undermine the foundations of democratic society.