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Journalism in Authoritarian Post-Soviet Central Asia
Interviews with Maverick American Publishers
Patrick Tataw Obenson, alias Ako-Aya, the rabid critic, social crusader and witty journalist, all rolled up in one, was indeed a popular and widely admired pioneer in daring journalism and social commentary in Cameroon. Little wonder that when he died, he left behind countless painful hearts and many questions on the lips of his admirers. As a man of the people, the fallen hero of Cameroon's Fleet Street shared his experiences, be they good or bad, with his readers. He was a virile critic even of the sordid things in which he himself secretly indulged. Obenson's mind was open, and through his popular newspaper column - Ako-Aya - he exposed society and social action in all their dimensions. He had an axe to grind with all perpetrators of social vices, especially those of them that infringed on the rights of the common man. He gave them a good fight, using his newspaper as his only weapon - a weapon which could not be neutralized even by the most affluent nor the most coercive leadership. And he did so with nerve and valour and venom. Only Tataw Obenson could spit out really scathing pieces of satire, aimed directly at the highest governing authorities of his society. Only Obenson could make allusions even to his own apparently ugly self. Only he could be liberal and honest enough to confess how he boarded a taxi and later bolted without paying the driver. Only Obenson was able to foresee his imminent demise from the face of the earth and literarily wrote his own epitaphÖ
The Work of NBC's Stockton Helffrich
In America's First Network TV Censor, Robert Pondillo uses the records of Stockton Helffrich, the first manager of the NBC censorship department, to look at significant subjects of early censorship and how Helffrich used censorship to promote positive changes in the early days of television in the 1940s and 1950s.
Public Loss, Lessons Learned from The People vs. O.J. Simpson
Doris E. Fleischman, Ruth Hale, and Jane Grant
Anonymous in Their Own Names recounts the lives of three women who, while working as their husbands' uncredited professional partners, had a profound and enduring impact on the media in the first half of the twentieth century. With her husband, Edward L. Bernays, Doris E. Fleischman helped found and form the field of public relations. Ruth Hale helped her husband, Heywood Broun, become one of the most popular and influential newspaper columnists of the 1920s and 1930s. In 1925 Jane Grant and her husband, Harold Ross, started the New Yorker magazine.
Yet these women's achievements have been invisible to countless authors who have written about their husbands. This invisibility is especially ironic given that all three were feminists who kept their birth names when they married as a sign of their equality with their husbands, then battled the government and societal norms to retain their names. Hale and Grant so believed in this cause that in 1921 they founded the Lucy Stone League to help other women keep their names, and Grant and Fleischman revived the league in 1950. This was the same year Grant and her second husband, William Harris, founded White Flower Farm, pioneering at that time and today one of the country's most celebrated commercial nurseries.
Despite strikingly different personalities, the three women were friends and lived in overlapping, immensely stimulating New York City circles. Susan Henry explores their pivotal roles in their husbands' extraordinary success and much more, including their problematic marriages and their strategies for overcoming barriers that thwarted many of their contemporaries.
The Life of Southern Journalist Cornelia Battle Lewis, 1893–1956
A longtime columnist for the Raleigh News and Observer, Cornelia Battle Lewis earned a national reputation in the 1920s and 1930s for her courageous advocacy on behalf of women’s rights, African Americans, children, and labor unions. Late in her life, however, after fighting mental illness, Lewis reversed many of her stances and railed against the liberalism she had spent her life advancing. In Battling Nell, Alexander S. Leidholdt tells the compelling and ultimately tragic life story of this groundbreaking journalist against the backdrop of the turbulent post-Reconstruction Jim Crow South and speculates about the cause of her extraordinary transformation. The daughter of North Carolina’s most prominent public health official, Lewis grew up in Raleigh, but her experiences at Smith College in Massachusetts, and later in France during World War I, led her to question the prevailing racial attitudes and gender roles of her native region. In 1920, Lewis began her storied career with the News and Observer. Inspired by H. L. Mencken’s scathing criticism of the South, she soon established herself as the region’s leading female liberal journalist. Her column, “Incidentally,” attacked the Ku Klux Klan, lobbied against the exploitation of mill workers, defended strikers during the notorious communist-organized Gastonia labor violence, mocked religious fundamentalists who fought the teaching of evolution, and decried lynch law. A suffragist and a feminist who saw women’s rights as inextricably linked to human rights, Lewis ran for state legislature in 1928 and was one of the first women in North Carolina to be admitted to the bar. In the 1930s, however, Lewis faced repeated institutionalizations for a debilitating bout of mental illness and sought treatment from Christian Science practitioners, spiritualists, and psychotherapists. As she aged, her views grew increasingly reactionary, and she insisted that she had served as a communist dupe during the Gastonia strike and trials, that communists had infiltrated the University of North Carolina, and that many of her former progressive allies had ties to communism. Finally, many of her opinions completely reversed, and in the wake of the 1954 Brown v. Board decision, she served as an influential spokesperson for the South’s massive resistance to public school desegregation. She continued to espouse these conservative beliefs until her death in 1956. In his detailed retelling of Lewis’s fascinating life, Leidholdt chronicles the turbulent history of North Carolina from the 1920s through the 1950s, as industrialization and racial integration began to tear at the region’s conservative fabric. He vividly explains the background and ramifications of Lewis’s many controversial stances and explores the possible reasons for her ideological about-face. Through the extraordinary story of “Battling Nell,” Leidholdt reveals how the complex issues of gender, labor, and race intertwined to influence the convulsive events that shaped the course of early twentieth-century southern history.
The Story of the Outsider and Loujon Press
In 1960, Jon Edgar and Louise "Gypsy Lou" Webb founded Loujon Press on Royal Street in New Orleans's French Quarter. The small publishing house quickly became a giant. Heralded by the Village Voice and the New York Times as one of the best of its day, the Outsider, the press's literary review, featured, among others, Charles Bukowski, Allen Ginsberg, Lawrence Ferlinghetti, Robert Creeley, Denise Levertov, and Walter Lowenfels. Loujon published books by Henry Miller and two early poetry collections by Bukowski. Bohemian New Orleans traces the development of this courageous imprint and examines its place within the small press revolution of the 1960s. Drawing on correspondence from many who were published in the Outsider, back issues of the Outsider, contemporary reviews, promotional materials, and interviews, Jeff Weddle shows how the press's mandarin insistence on production quality and its eclectic editorial taste made its work nonpareil among peers in the underground. Throughout, Bohemian New Orleans reveals the messy, complex, and vagabond spirit of a lost literary age. Jeff Weddle is assistant professor of library and information studies at the University of Alabama. His work has appeared in Publishing History and Beat Scene. Learn about Director Wayne Ewing's documentary film "The Outsiders of New Orleans: Loujon Press" and watch a trailer at http://www.loujonpress.com/
Books would seem to be one thing, and rough business another—except that the life of Tullio Pironti has brought both together. This mover and shaker in Italian arts and publishing began as a scuffling street kid in Naples, then enjoyed a boxing career that included two trips to the nationals, and only after that entered the book business. Yet in the decades that followed, he ended up working with the likes of the Nobel Prize-winner Naguib Mahfuz and the Maestro of Italian film, Federico Fellini. Not surprisingly, then, Pironti’s memoir won wide attention in his home country, with more than 100 notices. Before anything else, the young Pironti had to survive a war. His memoir begins with a refugee experience, as he and his family are driven out of their homes in downtown Naples by the American bombing of 1942-43. Then after the liberation, Pironti must make his way with his wits and his fists, amid a colorful array of Neapolitan street figures. His recollections of youth provide rare insight into coming of age in a culture so ancient, so full of secrets. Anyone who wants to know the real Italy, and what it’s been through over the last half-century, will find Books & Rough Business a source of endless fascination. On top of that, this autobiography offers the timeless pleasures of watching a wily player work his way from next to nothing to great success, overcoming just about every kind of adversity along the way.