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Growing up in Los Angeles in the 1970s and 1980s, roughly half of Furman’s high school basketball teammates lived in the largely Anglo, and increasingly Jewish, San Fernando Valley, while the other half were African Americans bused in from the inner city. Los Angeles was embroiled in efforts to desegregate its public school district, one of the largest and most segregated in the country. Tensions came to a head as the state implemented its forced busing plan, a radical desegregation program that was hotly contested among Los Angeles residents—particularly among Valley residents—and at all levels of the courts, including the U.S. Supreme Court. In My Los Angeles in Black and (Almost) White, the high school’s basketball team serves as the entry point for a trenchant exploration of the judicial, legislative, and neighborhood battles over school desegregation that gripped the city in the aftermath of Brown v. Board of Education and that continue to plague our "post-racial" nation.
Of Books and Bookstores
Jean-Luc Nancy's On the Commerce of Thinking concerns the particular communication of thoughts that takes place by means of the business of writing, producing, and selling books. His reflection is born out of his relation to the bookstore, in the first place his neighborhood one, but beyond that any such perfumery, rotisserie, patisserie,as he calls them, dispensaries of scents and flavors through which something like a fragrance or bouquet of the book is divined, presumed, sensed.On the Commerce of Thinking is thus not only something of a semiology of the specific cultural practice that begins with the unique character of the writer's voice and culminates in a customer crossing the bookstore threshold, package under arm, on the way home to a comfortable chair, but also an understated yet persuasive plea in favor of an endangered species. In evoking the peddler who, in times past, plied the streets with books and pamphlets literally hanging off him, Nancy emphasizes the sensuality of this commerce and reminds us that this form of consumerism is like no other, one that ends in an experience-reading-that is the beginning of a limitless dispersion, metamorphosis, and dissemination of ideas. Making, selling, and buying books has all the elements of the exchange economy that Marx analyzed--from commodification to fetishism--yet each book retains throughout an absolute and unique value, that of its subject. With reading, it gets repeatedly reprinted and rebound. For Nancy, the book thus functions only if it remains at the same time open and shut, like some Moebius strip. Closed, it represents the Idea and takes its place in a canon by means of its monumental form and the title and author's name displayed on its spine. But it also opens itself to us, indeed consents to being shaken to its core, in being read each time anew.
The Woman and the Myth
Based on his own extensive personal interviews with the writer, Santo L. Aricò provides the definitive biography of Oriana Fallaci, a popular and flamboyant Italian journalist, war correspondent, and novelist who, in the public imagination, approaches mythical proportions and who, with every work she produces, creates and re-creates that myth.
A Journalist's Memories of Exile and Apartheid
A child of a Jewish family fleeing Nazi-Germany and settling in apartheid South Africa in the 1930s, Ruth Weissí journalistic career starts in Johannesburg of the 1950s. In 1968 banned from her home country, and then also from Rhodesia for her critical investigative journalism, she starts reporting from Lusaka, London and Cologne on virtually all issues which affect the newly independent African countries. Peasants and national leaders in southern Africa ñ Ruth Weiss met them all, travelling through Africa at a time when it was neither usual for a woman to do so, nor to report for economic media as she did. Her writing gained her the friendship of diverse and interesting people. In this book she offers us glimpses into some of her many long-nurtured friendships, with Kenneth Kaunda or Nadine Gordimer and many others. Her life-long quest for tolerance and understanding of different cultures shines through the many personalized stories which her astute eye and pen reveals in this book. As she put it, one never sheds the cultural vest donned at birth, but this should never stop one learning about and accepting other cultures.
John Forsyth of the Mobile Register
Reading Rituals and Book Culture in Early New England
We conventionally understand the book as a vessel for words, a place where the reader goes to have a private experience with written language. But readers' relationships with books are much more complex. In The Pilgrim and the Bee, Matthew P. Brown examines book culture and the rituals of reading in early New England, ranging across almanacs, commonplace books, wonder tales, funeral elegies, sermon notes, conversion relations, and missionary tracts. What emerges is a new understanding of the book at once as a material good, existing within the economies of buying, selling, giving, and receiving; as an object of reverence and a medium for the performance of reading; and as an organizational system for word, sound, and image.
The product of extensive archival research, The Pilgrim and the Bee brings together the disciplines of book studies and performance theory to reconsider the literary history of early America. Brown focuses on the reader's body, carefully studying reading practices during the first three generations of English settlement, with particular emphasis on the way such practices operated in the social rituals of the Massachusetts Bay Colony. Understanding Puritanism as a style of piety predicated on access to texts, he describes a canon of texts (devotional "steady sellers") that, with the Bible, served as conduct literature for pious readers. These devotional manuals were reprinted and read frequently and helped to shape the social identities of gender, race, class, faith, and age. To Brown, seventeenth-century devotional readers are both pilgrims, treating texts as continuous narratives of redemptive journeying, and bees, treating texts as flowers or hives, as spatial objects where information is extracted and deposited discontinuously.
Illustration and Literary Culture in Early America
Illustrations played a key role in American literary culture despite the fact there was little demand for books by American writers. Indeed, most of the illustrated books bought, sold, and shared by Americans were either imported British works or reprinted versions of those imported editions. As a result, in addition to embellishing books, illustrations provided readers with crucial information about the country’s status as a former colony.
Through an examination of readers’ portrait-collecting habits, writers’ employment of ekphrasis, printers’ efforts to secure American-made illustrations for periodicals, and engravers’ reproductions of British book illustrations, Walsh uncovers in late eighteenth-century America a dynamic but forgotten visual culture that was inextricably tied to the printing industry and to the early US literary imagination.
The Letters of George Faulkner
Here for the first time are gathered together the extant letters of George Faulkner, Irish printer in eighteenth-century Dublin. These firsthand accounts give an unprecedented view of Anglo-Irish social and political events, as well as a view of an Anglo-Irish printer-publisher at work.
Faulkner discusses a wide range of subjects, including theatrical events, attacks on political enemies (he himself was often the subject of political attack), and London parties with Lord Chesterfield, Tobias Smollet, and Samuel Johnson.
In his interesting sketch of the Irish printer, Robert E. Ward has included excerpts from Faulkner's Dublin Journal which show the ambiguity in Irish life -- violence, on the one hand, and, on the other, light-hearted entertainment. Other articles from his newspaper show Faulkner's attempts to steer a neutral course between English and Irish politics.
Authors Speak on the Literary Marketplace
Producing Canadian Literature: Authors Speak on the Literary Marketplace brings to light the relationship between writers in Canada and the marketplace within which their work circulates. Through a series of conversations with both established and younger writers from across the country, Kit Dobson and Smaro Kamboureli investigate how writers perceive their relationship to the cultural economy—and what that economy means for their creative processes.
The interviews in Producing Canadian Literature focus, in particular, on how writers interact with the cultural institutions and bodies that surround them. Conversations pursue the impacts of arts funding on writers; show how agents, editors, and publishers affect writers’ works; examine the process of actually selling a book, both in Canada and abroad; and contemplate what literary awards mean to writers. Dialogues with Christian Bök, George Elliott Clarke, Daniel Heath Justice, Larissa Lai, Stephen Henighan, Erín Moure, Ashok Mathur, Lee Maracle, Jane Urquhart, and Aritha van Herk testify to the broad range of experience that writers in Canada have when it comes to the conditions in which their work is produced.
Original in its desire to directly explore the specific circumstances in which writers work—and how those conditions affect their writing itself—Producing Canadian Literature will be of interest to scholars, students, aspiring writers, and readers who have followed these authors and want to know more about how their books come into being.