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Authors Speak on the Literary Marketplace
Producing Canadian Literature: Authors Speak on the Literary Marketplace brings to light the relationship between writers in Canada and the marketplace within which their work circulates. Through a series of conversations with both established and younger writers from across the country, Kit Dobson and Smaro Kamboureli investigate how writers perceive their relationship to the cultural economy—and what that economy means for their creative processes.
The interviews in Producing Canadian Literature focus, in particular, on how writers interact with the cultural institutions and bodies that surround them. Conversations pursue the impacts of arts funding on writers; show how agents, editors, and publishers affect writers’ works; examine the process of actually selling a book, both in Canada and abroad; and contemplate what literary awards mean to writers. Dialogues with Christian Bök, George Elliott Clarke, Daniel Heath Justice, Larissa Lai, Stephen Henighan, Erín Moure, Ashok Mathur, Lee Maracle, Jane Urquhart, and Aritha van Herk testify to the broad range of experience that writers in Canada have when it comes to the conditions in which their work is produced.
Original in its desire to directly explore the specific circumstances in which writers work—and how those conditions affect their writing itself—Producing Canadian Literature will be of interest to scholars, students, aspiring writers, and readers who have followed these authors and want to know more about how their books come into being.
Histories of the Book in Indian Country, 1663-1880
In 1663, the Puritan missionary John Eliot, with the help of a Nipmuck convert the English called John Printer, produced the first Bible printed in North America; it was printed not in English but in Algonquian, making it one of the first books printed in a Native language. Thus, the trajectory of printing history in North America is intimately tied to the indigenous cultures of this continent--even if it took another one hundred years before Samson Occom became the first Native American to publish his own book in 1772. In this ambitious and multidisciplinary work, Round examines the relationship between Native Americans and the printed book over a 200-year span, arguing persuasively for the essential role of the book and of print culture in Indian lives from the sixteenth century through the Removal Period to the rise of U.S. assimilation policies in the late nineteenth century. Merging the methods of book history and Native American studies, Round shows how books became a central point of contestation between Europeans eager to assimilate Native Americans and Native people themselves, who quickly recognized the power of print to stake out claims for cultural and political sovereignty. Round showcases the varied ways that Native peoples produced and/or utilized printed texts over time, addressing such issues as the role of white missionaries and Christian texts in the dissemination of print culture in Indian Country, the establishment of “national” publishing houses by tribes, the production and consumption of bilingual texts, the role of copyright in establishing Native intellectual sovereignty (and the sometimes corrosive effects of reprinting thereon), and the role of illustrations.
The Playwright in Peace and War
One of the nation's first film critics, an acclaimed speechwriter on his own and for President Franklin D. Roosevelt, a propagandist during World War II, and a leading producer on Broadway, Robert E. Sherwood scripted some of the most popular plays and films of his day, including Waterloo Bridge, The Best Years of Our Lives, Idiot's Delight, Abe Lincoln in Illinois, and Rebecca. His work brought him four Pulitzer Prizes and an Oscar. In his personal life, however, he was driven by a deep conviction that war was a societal evil that must be eradicated and human rights a moral responsibility that all governments should protect. At times, his belief in pacifism and his commitment to defending freedom and justice came into conflict with each other, causing frustration and emotional trauma which found their way into his writings and actions. In this book, Harriet Hyman Alonso unravels Sherwood's inner struggle and portrays his political journey. Relying largely on his letters, diaries, plays, films, essays, and biography of Roosevelt and Harry Hopkins, she traces Sherwood's obsession with the world of politics and its effects on his life and art, from his experience as a soldier in World War I to the Cold War. She also describes his participation in the Algonquin Round Table, his friendships and working relationships with such notables as Alfred Lunt, Lynn Fontanne, Edna Ferber, Spencer Tracy, Harry Hopkins, and Franklin D. Roosevelt, his two marriages and uneasy relationship with his daughter, and his leadership role in the Broadway community. Alonso brings together history, theater and film studies, and peace studies in this interdisciplinary political biography. In the process, she illuminates major currents in U.S. foreign policy, society, and culture from 1896 to 1955—the years of the remarkable life of Robert E. Sherwood.
The Evolution of a Southern Reporter
From a gullible cub reporter with the Daily Herald in Biloxi and Gulfport, to the pugnacious Pulitzer Prize winner at the Atlanta Constitution, to the peerless beat reporter for the Los Angeles Times covering civil rights in the South, Jack Nelson (1929-2009) was dedicated to exposing injustice and corruption wherever he found it. Whether it was the gruesome conditions at a twelve-thousand-bed mental hospital in Georgia or the cruelties of Jim Crow inequity, Nelson proved himself to be one of those rare reporters whose work affected and improved thousands of lives.His memories about difficult circumstances, contentious people, and calamitous events provide a unique window into some of the most momentous periods in southern and U.S. history. Wherever he landed, Nelson found the corruption others missed or disregarded. He found it in lawless Biloxi; he found it in buttoned-up corporate Atlanta; he found it in the college town of Athens, Georgia. Nelson turned his investigations of illegal gambling, liquor sales, prostitution, shakedowns, and corrupt cops into such a trademark that honest mayors and military commanders called on him to expose miscreants in their midst.Once he realized that segregation was another form of corruption, he became a premier reporter of the civil rights movement and its cast of characters, including Martin Luther King Jr., Stokely Carmichael, Alabama's Sheriff Jim Clarke, George Wallace, and others. He was, through his steely commitment to journalism, a chronicler of great events, a witness to news, a shaper and reshaper of viewpoints, and indeed one of the most important journalists of the twentieth century.
Seymour Hersh has been the most important, famous, and controversial journalist in the United States for the last forty years. From his exposé of the My Lai massacre in 1969 to his revelations about torture at Abu Ghraib prison in 2004, Hersh has consistently captured the public imagination, spurred policymakers to reform, and drawn the ire of presidents.
From the streets of Chicago to the newsrooms of the most powerful newspapers and magazines in the United States, Seymour Hersh tells the story of this Pulitzer Prize–winning journalist and author. Robert Miraldi scrutinizes the scandals and national figures that have drawn Hersh’s attention, from My Lai to Watergate, from John F. Kennedy to Henry Kissinger.
This first-ever biography captures a stunningly successful career of important exposés and outstanding accomplishments from a man whose unpredictable and quirky personality has turned him into an icon of American life and the unrivaled “scoop artist” of American journalism.
A Reporter's Account of the Civil Rights Movement
Within a few years of its first issue in 1951, Jet, a pocket-size magazine, became the "bible" for news of the civil rights movement. It was said, only half-jokingly, "If it wasn't in Jet, it didn't happen." Writing for the magazine and its glossy, big sister Ebony, for fifty-three years, longer than any other journalist, Washington bureau chief Simeon Booker was on the front lines of virtually every major event of the revolution that transformed America.Rather than tracking the freedom struggle from the usually cited ignition points, Shocking the Conscience begins with a massive voting rights rally in the Mississippi Delta town of Mound Bayou in 1955. It's the first rally since the Supreme Court's Brown decision struck fear in the hearts of segregationists across the former Confederacy. It was also Booker's first assignment in the Deep South, and before the next run of the weekly magazine, the killings would begin. Booker vowed that lynchings would no longer be ignored beyond the black press. Jet was reaching into households across America, and he was determined to cover the next murder like none before. He had only a few weeks to wait. A small item on the AP wire reported that a Chicago boy vacationing in Mississippi was missing. Booker was on it, and stayed on it, through one of the most infamous murder trials in U.S. history. His coverage of Emmett Till's death lit a fire that would galvanize the movement, while a succession of U.S. presidents wished it would go away. This is the story of the century that changed everything about journalism, politics, and more in America, as only Simeon Booker, the dean of the black press, could tell it.
A Guide for Writers, Students, and Scholars
America's Original Personal Finance Columnist
Sylvia Porter (1913–1991) was the nation’s first personal finance columnist and one of the most admired women of the twentieth century. In Sylvia Porter: America’s Original Personal Finance Columnist, Lucht traces Porter’s professional trajectory, identifying her career strategies and exploring the role of gender in her creation of a once-unique, now-ubiquitous form of journalism. A pioneer for both male and female journalists, Porter established a genre of newspaper writing that would last into the twenty-first century while carving a space for women in what had been an almost exclusively male field.