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Into the Fray

How NBC's Washington Documentary Unit Reinvented the News

TOM MASCARO

2012 James W. Tankard Book Award WinnerFrom 1961 to 1989, a committed group of documentary journalists from the National Broadcasting Company (NBC) reported the stories of America’s overseas conflicts. Stuart Schulberg supplied film evidence to prosecute Nazi war criminals and established documentary units in postwar Berlin and Paris. NBC newsman David Brinkley created the template for prime-time news in 1961 and bore the scars to prove it. In 1964 Ted Yates and Bob Rogers produced a documentary warning of the pitfalls in Vietnam. Yates was later shot and killed in Jerusalem on the first day of the Six-Day War while producing a documentary for NBC News.In Into the Fray, Tom Mascaro vividly recounts the characters and experiences that helped create a unique, colorful documentary film crew based at the Washington bureau of NBC News. From the Kennedy era through the Reagan years, the journalists covered wars, rebellions, the Central Intelligence Agency, covert actions, the Pentagon, military preparedness, and world and American cultures. They braved conflicts and crises to tell the stories that Americans needed to see and hear, and in the process they changed the face of journalism. Mascaro also looks at the social changes in and around the unit itself, including the struggles and triumphs of women and African Americans in the field of television documentary.Into the Fray is the story of adventure, loyalty to reason, and life and death in the service of broadcast journalism.

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Irvin S. Cobb

The Rise and Fall of an American Humorist

William E. Ellis

"Humor is merely tragedy standing on its head with its pants torn." -- Irvin S. Cobb

Born and raised in Paducah, Kentucky, humorist Irvin S. Cobb (1876--1944) rose from humble beginnings to become one of the early twentieth century's most celebrated writers. As a staff reporter for the New York World and Saturday Evening Post, he became one of the highest-paid journalists in the United States. He also wrote short stories for noted magazines, published books, and penned scripts for the stage and screen.

In Irvin S. Cobb: The Rise and Fall of a Southern Humorist, historian William E. Ellis examines the life of this significant writer. Though a consummate wordsmith and a talented observer of the comical in everyday life, Cobb was a product of the Reconstruction era and the Jim Crow South. As a party to the endemic racism of his time, he often bemoaned the North's harsh treatment of the South and stereotyped African Americans in his writings. Marred by racist undertones, Cobb's work has largely slipped into obscurity.

Nevertheless, Ellis argues that Cobb's life and works are worthy of more detailed study, citing his wide-ranging contributions to media culture and his coverage of some of the biggest stories of his day, including on-the-ground reporting during World War I. A valuable resource for students of journalism, American humor, and popular culture, this illuminating biography explores Cobb's life and his influence on early twentieth-century letters.

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James J. Kilpatrick

Salesman for Segregation

William P. Hustwit

James J. Kilpatrick was a nationally known television personality, journalist, and columnist whose conservative voice rang out loudly and widely through the twentieth century. As editor of the ###Richmond News Leader#, writer for the ###National Review#, debater in the "Point Counterpoint" portion of CBS's ###60 Minutes#, and supporter of conservative political candidates like Barry Goldwater, Kilpatrick had many platforms for his race-based brand of southern conservatism. In ###James J. Kilpatrick: Salesman for Segregation#, William Hustwit delivers a comprehensive study of Kilpatrick's importance to the civil rights era and explores how his protracted resistance to both desegregation and egalitarianism culminated in an enduring form of conservatism that revealed a nation's unease with racial change. Relying on archival sources, including Kilpatrick's personal papers, Hustwit provides an invaluable look at what Gunnar Myrdal called the race problem in the "white mind" at the intersection of the postwar conservative and civil rights movements. Growing out of a painful family history and strongly conservative political cultures, Kilpatrick's personal values and self-interested opportunism contributed to America's ongoing struggles with race and reform. William P. Hustwit is visiting assistant professor of history at the University of Mississippi.

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John Bartlow Martin

A Voice for the Underdog

Ray E. Boomhower

During the 1940s and 1950s, one name, John Bartlow Martin, dominated the pages of the "big slicks," the Saturday Evening Post, LIFE, Harper’s, Look, and Collier’s. A former reporter for the Indianapolis Times, Martin was one of a handful of freelance writers able to survive solely on this writing. Over a career that spanned nearly fifty years, his peers lauded him as "the best living reporter," the "ablest crime reporter in America," and "one of America’s premier seekers of fact." His deep and abiding concern for the working class, perhaps a result of his upbringing, set him apart from other reporters. Martin was a key speechwriter and adviser to the presidential campaigns of many prominent Democrats from 1950 into the 1970s, including those of Adlai Stevenson, John F. Kennedy, Lyndon B. Johnson, Robert F. Kennedy, Hubert Humphrey, and George McGovern. He served as U.S. ambassador to the Dominican Republic during the Kennedy administration and earned a small measure of fame when FCC Chairman Newton Minow introduced his description of television as "a vast wasteland" into the nation’s vocabulary.

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Journal of Scholarly Publishing

Vol. 35 (2003) through current issue

The Journal of Scholarly Publishing addresses the age-old problems in publishing as well as the new challenges resulting from changes in technology and funding. Some articles suggest ways to get effectively published in books and journals, while others address such topics as editorial and publishing policy, computer applications, electronic publishing, effective marketing and business management. In serving the wide-ranging interests of the international academic publishing community, Journal of Scholarly Publishing provides a balanced look at the issues and concerns - from solutions to the everyday problems to commentary on the philosophical questions at large.

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Last King of the Sports Page

The Life and Career of Jim Murray

Ted Geltner

Part crusader, part comedian, Jim Murray was a once-in-a-generation literary talent who just happened to ply his trade on newsprint, right near the box scores and race results. During his lifetime, Murray rose through the ranks of journalism, from hard-bitten 1940s crime reporter, to national Hollywood correspondent, to the top sports columnist in the United States. In Last King of the Sports Page: The Life and Career of Jim Murray, Ted Geltner chronicles Jim Murray’s experiences with twentieth-century American sports, culture, and journalism.  

 

At the peak of his influence, Murray was published in more than 200 newspapers. From 1961 to 1998, Murray penned more than 10,000 columns from his home base at the Los Angeles Times. His offbeat humor and unique insight made his column a must-read for millions of sports fans. He was named Sportswriter of the Year an astounding fourteen times, and his legacy was cemented when he became one of only four writers to receive the prestigious Pulitzer Prize for coverage of sports. Geltner now gives readers a first look at Murray’s personal archives and dozens of fresh interviews with sports and journalism personalities, including Arnold Palmer, Mario Andretti, Kareem Abdul-Jabbar, Yogi Berra, Frank Deford, Rick Reilly, Dan Jenkins, Roy Firestone, and many more.  

 

Throughout his life, Murray chronicled seminal events and figures in American culture and history, and this biography details his encounters with major figures such as William Randolph Hearst, Henry Luce, Marilyn Monroe, Marlon Brando, John Wayne, Mickey Mantle, Muhammad Ali, and Tiger Woods. Charming and affecting moments in Murray’s career illustrate the sportswriter’s knack for being in on the big story. Richard Nixon, running for vice president on the Eisenhower ticket in 1952, revealed to Murray the contents of the “Checkers” speech so it could make the Time magazine press deadline. Media mogul Henry Luce handpicked Murray to lead a team that would develop Sports Illustrated for Time/Life in 1953, and when terrorists stormed the Olympic village at the 1972 Munich games, Murray was one of the first journalists to report from the scene. The words of sports journalist Roy Firestone emphasize the influence and importance of Jim Murray on journalism today: “I’ll say without question, I think Jim Murray was every bit as important of a sports writer—forget sport writer—every bit as important a writer to newspapers, as Mark Twain was to literature.” Readers will be entertained and awed by the stories, interviews, and papers of Jim Murray in Last King of the Sports Page

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Licensing Loyalty

Printers, Patrons, and the State in Early Modern France

Jane McLeod

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A Life in Motion

Florence Howe

The founder of the Feminist Press and one of the first proponents of women’s studies presents a living history of the growth of feminism, especially in academia. Howe began her career teaching at major universities around the U.S. She went on to chair the Modern Language Association and bring women to the forefront in that organization. Next she founded the Feminist Press, which has been publishing feminist writing for more than four decades, and helped organize an international women’s studies network. From her summers in Mississippi where she created a freedom school in the dangerous days of the civil rights movement to her friendships with iconic writers like Marilyn French, Tillie Olsen, and Grace Paley, Howe documents a lifetime of activism.

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Lydia Bailey

A Checklist of Her Imprints

By Karen Nipps

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Making Feminist Media

Third-Wave Magazines on the Cusp of the Digital Age

Elizabeth Groeneveld

Making Feminist Media provides new ways of thinking about the vibrant media and craft cultures generated by Riot Grrrl and feminism’s third wave. It focuses on a cluster of feminist publications—including BUST, Bitch, HUES, Venus Zine, and Rockrgrl—that began as zines in the 1990s. By tracking their successes and failures, this book provides insight into the politics of feminism’s recent past.

Making Feminist Media brings together interviews with magazine editors, research from zine archives, and analysis of the advertising, articles, editorials, and letters to the editor found in third-wave feminist magazines. It situates these publications within the long history of feminist publishing in the United States and Canada and argues that third-wave feminist magazines share important continuities and breaks with their historical forerunners. These publishing lineages challenge the still-dominant—and hotly contested— wave metaphor categorization of feminist culture.

The stories, struggles, and strategies of these magazines not only represent contemporary feminism, they create and shape feminist cultures. The publications provide a feminist counter-public sphere in which the competing interests of editors, writers, readers, and advertisers can interact. Making Feminist Media argues that reading feminist magazines is far more than the consumption of information or entertainment: it is a profoundly intimate and political activity that shapes how readers understand themselves and each other as feminist thinkers.

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