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Provocative yet sober, Digital Critical Editions examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and methods of textual scholarship.Using the experiences of philologists, text critics, text encoders, scientific editors, and media analysts, Digital Critical Editions ranges from philology in ancient Alexandria to the vision of user-supported online critical editing, from peer-directed texts distributed to a few to community-edited products shaped by the many. The authors discuss the production and accessibility of documents, the emergence of tools used in scholarly work, new editing regimes, and how the readers' expectations evolve as they navigate digital texts. The goal: exploring questions such as, What kind of text is produced? Why is it produced in this particular way?Digital Critical Editions provides digital editors, researchers, readers, and technological actors with insights for addressing disruptions that arise from the clash of traditional and digital cultures, while also offering a practical roadmap for processing traditional texts and collections with today's state-of-the-art editing and research techniques thus addressing readers' new emerging reading habits.
V-E Day, Censorship, and the Associated Press
On May 7, 1945, Associated Press reporter Ed Kennedy became the most famous—or infamous—American correspondent of World War II. On that day in France, General Alfred Jodl signed the official documents as the Germans surrendered to the Allies. Army officials allowed a select number of reporters, including Kennedy, to witness this historic moment—but then instructed the journalists that the story was under military embargo. In a courageous but costly move, Kennedy defied the military embargo and broke the news of the Allied victory. His scoop generated instant controversy. Rival news organizations angrily protested, and the AP fired him several months after the war ended. In this absorbing and previously unpublished personal account, Kennedy recounts his career as a newspaperman from his early days as a stringer in Paris to the aftermath of his dismissal from the AP. During his time as a foreign correspondent, he covered the Spanish Civil War, the rise of Mussolini in Italy, unrest in Greece, and ethnic feuding in the Balkans. During World War II, he reported from Greece, Italy, North Africa, and the Middle East before heading back to France to cover its liberation and the German surrender negotiations. His decision to break the news of V-E Day made him front-page headlines in the New York Times. In his narrative, Kennedy emerges both as a reporter with an eye for a good story and an unwavering foe of censorship. This edition includes an introduction by Tom Curley and John Maxwell Hamilton, as well as a prologue and epilogue by Kennedy’s daughter, Julia Kennedy Cochran. Their work draws upon newly available records held in the Associated Press Corporate Archives.
Egon Erwin Kisch (1885-1948) is widely regarded as one of the most outstanding journalists of the twentieth century. He is also credited with virtually defining reportage as a form of literary art in which accuracy of observation and fidelity to facts combine with creative narrative.
English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book & Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological parameters of Pollard and Redgraves famous Short-Title Catalogue (1475-1640), beginning with William Caxton, Englands first printer, and ending with John Milton, the English languages most eloquent defender of the freedom of the press. William Shakespeare earns his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on English printing in the period between Caxton and Milton.
Generoso Pope Jr. and the National Enquirer
They’re hard to miss at grocery stores and newsstands in America—the colorful, heavily illustrated tabloid newspapers with headlines promising shocking, unlikely, and sometimes impossible stories within. Although the papers are now ubiquitous, the supermarket tabloid’s origin can be traced to one man: Generoso Pope Jr., an eccentric, domineering chain-smoker who died of a heart attack at age sixty-one. In The Godfather of Tabloid, Jack Vitek explores the life and remarkable career of Pope and the founding of the most famous tabloid of all— the National Enquirer. Upon graduating from MIT, Pope worked briefly for the CIA until he purchased the New York Enquirer with dubious financial help from mob boss Frank Costello. Working tirelessly and cultivating a mix of American journalists (some of whom, surprisingly, were Pulitzer prize winners) and buccaneering Brits from Fleet Street who would do anything to get a story, Pope changed the name, format, and content of the modest weekly newspaper until it resembled nothing America had ever seen before. At its height, the National Enquirer boasted a circulation of more than five million, equivalent to the numbers of the Hearst newspaper empire. Pope measured the success of his paper by the mail it received from readers, and eventually the volume of reader feedback was such that the post office assigned the Enquirer offices their own zip code. Pope was skeptical about including too much celebrity coverage in the tabloid because he thought it wouldn’t hold people’s interest, and he shied away from political stories or stances. He wanted the paper to reflect the middlebrow tastes of America and connect with the widest possible readership. Pope was a man of contradictions: he would fire someone for merely disagreeing with him in a meeting (once firing an one editor in the middle of his birthday party), and yet he spent upwards of a million dollars a year to bring the world’s tallest Christmas tree to the Enquirer offices in Lantana, Florida, for the enjoyment of the local citizens. Driven, tyrannical, and ruthless in his pursuit of creating an empire, Pope changed the look and content of supermarket tabloid media, and the industry still bears his stamp. Grounded in interviews with many of Pope’s supporters, detractors, and associates, The Godfather of Tabloid is the first comprehensive biography of the man who created a genre and changed the world of publishing forever.
My Life and Pastimes
With I Alone Have Escaped to Tell You, Ralph McInerny—distinguished scholar, mystery writer, editor, publisher, and family man—delivers a thoroughly engaging memoir. In the course of his recollections, McInerny describes his childhood in Minnesota; his grammar school and seminary education, with his decision to leave the path toward ordination; his marriage to his beloved Connie and their active family life and travels; and his life as a fiction writer. We learn of his career as a Catholic professor of philosophy at Notre Dame, his views on the Catholic Church, his experiences as an editor and publisher of Catholic magazines and reviews, his involvement with the International Catholic University, and his thoughts on other Catholic writers. Part homage to his academic home for the last half century and part appreciation of the many significant friendships he has fostered over his life, McInerny's reminiscences beautifully convey his lively interest in the world and his gift for friendship and collegiality.
Quality Publishing in the West
Born and raised on the windswept prairies of northwest Wyoming, Alan Swallow (1915–1966) nurtured a passion for literature and poetry at an early age. Quickly realizing he was not suited to a life of farming and ranching, Swallow entered the University of Wyoming to study literature and earned a fellowship to further his studies at Louisiana State University. It was there, under the influence of Robert Penn Warren and Cleanth Brooks, that Swallow began his almost three-decade-long career as a publisher, teacher, and poet. This outstanding biography is the first to explore the fascinating life of Alan Swallow, a pioneering western publisher whose authors included such literary luminaries as Anaïs Nin, Allen Tate, and Yvor Winters. Moving to Colorado, Swallow founded the Swallow Press and dedicated himself to bringing literary authors, both regionally and nationally recognized, to print in high-quality yet affordable books. Swallow’s tireless work as an editor and innovative publisher gave him much integrity. He became a revered literary figure of his day, while rumors of his marital infidelities and his fondness for fast cars earned him a different notoriety. Nelson brings this forgotten episode of publishing history vividly back to life, shining a bright light on the rich literary legacy of the West.
A Guide for Successful Academic Publishing
In this straightforward and sometimes hard-hitting guide, prolific author Stanley Porter shares the tools necessary for scholars seeking advancement in the world of academic publishing. From his years of experience as an editor, author, and active scholar in his own guild, Porter presents industry insights and practical suggestions for both seasoned scholars and newly minted Ph.D.s who have yet to develop an academic publishing profile. Written primarily for scholars in the arts and humanities, Porter’s advice will help readers gain a valuable understanding of the publishing process and a new confidence with which to pursue academic success.
Limits and Legacies of the Enlightenment; Essays in Honor of Robert Darnton
The famous clash between Edmund Burke and Tom Paine over the Enlightenment’s “evil” or “liberating” potential in the French Revolution finds present-day parallels in the battle between those who see the Enlightenment at the origins of modernity’s many ills, such as imperialism, racism, misogyny, and totalitarianism, and those who see it as having forged an age of democracy, human rights, and freedom. The essays collected by Charles Walton in Into Print paint a more complicated picture. By focusing on print culture—the production, circulation, and reception of Enlightenment thought—they show how the Enlightenment was shaped through practice and reshaped over time. These essays expand upon an approach to the study of the Enlightenment pioneered four decades ago: the social history of ideas. The contributors to Into Print examine how writers, printers, booksellers, regulators, police, readers, rumormongers, policy makers, diplomats, and sovereigns all struggled over that broad range of ideas and values that we now associate with the Enlightenment. They reveal the financial and fiscal stakes of the Enlightenment print industry and, in turn, how Enlightenment ideas shaped that industry during an age of expanding readership. They probe the limits of Enlightenment universalism, showing how demands for religious tolerance clashed with the demands of science and nationalism. They examine the transnational flow of Enlightenment ideas and opinions, exploring its domestic and diplomatic implications. Finally, they show how the culture of the Enlightenment figured in the outbreak and course of the French Revolution. Aside from the editor, the contributors are David A. Bell, Roger Chartier, Tabetha Ewing, Jeffrey Freedman, Carla Hesse, Thomas M. Luckett, Sarah Maza, Renato Pasta, Thierry Rigogne, Leonard N. Rosenband, Shanti Singham, and Will Slauter.
Salesman for Segregation
James J. Kilpatrick was a nationally known television personality, journalist, and columnist whose conservative voice rang out loudly and widely through the twentieth century. As editor of the ###Richmond News Leader#, writer for the ###National Review#, debater in the "Point Counterpoint" portion of CBS's ###60 Minutes#, and supporter of conservative political candidates like Barry Goldwater, Kilpatrick had many platforms for his race-based brand of southern conservatism. In ###James J. Kilpatrick: Salesman for Segregation#, William Hustwit delivers a comprehensive study of Kilpatrick's importance to the civil rights era and explores how his protracted resistance to both desegregation and egalitarianism culminated in an enduring form of conservatism that revealed a nation's unease with racial change. Relying on archival sources, including Kilpatrick's personal papers, Hustwit provides an invaluable look at what Gunnar Myrdal called the race problem in the "white mind" at the intersection of the postwar conservative and civil rights movements. Growing out of a painful family history and strongly conservative political cultures, Kilpatrick's personal values and self-interested opportunism contributed to America's ongoing struggles with race and reform. William P. Hustwit is visiting assistant professor of history at the University of Mississippi.