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The Faceless and the Forgotten
Whatever Happened to the Washington Reporters, 19782012, is the first book to comprehensively examine career patterns in American journalism.
In 1978 Brookings Senior Fellow Stephen Hess surveyed 450 journalists who were covering national government for U.S. commercial news organizations. His study became the award-winning The Washington Reporters (Brookings, 1981), the first volume in his Newswork series. Now, a generation later, Hess and his team from Brookings and the George Washington University have tracked down 90 percent of the original group, interviewing 283, some as far afield as France, England, Italy, and Australia.
What happened to the reporters within their organizations? Did they change jobs? Move from reporter to editor or producer? Jump from one type of medium to another from print to TV? Did they remain in Washington or go somewhere else? Which ones left journalism? Why? Where did they go?
A few of them have become quite famous, including television correspondents Ted Koppel, Sam Donaldson, Brit Hume, Carole Simpson, Judy Woodruff, and Marvin Kalb; some have become editors or publishers of the New York Times, Wall Street Journal, Chicago Tribune, Miami Herald, or Baltimore Sun; some have had substantial careers outside of journalism. Most, however, did not become household names.
The book is designed as a series of self-contained essays, each concentrating on one characteristic, such as age, gender, or place of employment, including newspapers, television networks, wire services, and niche publications. The reporters speak for themselves. When all of these lively portraits are analyzed one by one the results are surprisingly different from what journalists and sociologists in 1978 had predicted.
Praise for other books in the Newswork series:
International News and Foreign Correspondents
"It is not much in vogue to speak of things like the public trust, but thankfully Stephen Hess is old fashioned. He reminds us in this valuable and provocative book that journalism is a public trust, providing the basic information on which citizens in a democracy vote, or tune out." Ken Auletta, The New Yorker
"Regardless of one's view of American news media, one cannot help but be influenced by the information Stephen Hess puts forth in International News and Foreign Correspondents. After reading this book, it is not likely one will scan the newspaper or watch television news in the same way again." International Affairs Review
"Readers of all backgrounds will find this a provocative text." The Harvard International Journal of Press/Politics
Live from Capitol Hill
"Hess is a treasure a Washington insider with a sharp sense of the important, the interesting, and the mythological. This book is essential reading for Hill practitioners, journalists, and scholars of Congress and the media." Steven S. Smith, Washington University
The Washington Reporters "A meticulously researched piece of anthropology that represents the first major look at the men and women who cover the government since Leo C. Rosten's classic 1937 book." Newsweek
Reimagining Journalism and Civic Life in the Post-Newspaper Age
In The Wired City, Dan Kennedy tells the story of the New Haven Independent, a nonprofit community website in Connecticut that is at the leading edge of reinventing local journalism. Through close attention to city government, schools, and neighborhoods, and through an ongoing conversation with its readers, the Independent’s small staff of journalists has created a promising model of how to provide members of the public with the information they need in a self-governing society. Although the Independent is the principal subject of The Wired City, Kennedy examines a number of other online news projects as well, including nonprofit organizations such as Voice of San Diego and the Connecticut Mirror and for-profit ventures such as the Batavian, Baristanet, and CT News Junkie. Where legacy media such as major city newspapers are cutting back on coverage, entrepreneurs are now moving in to fill at least some of the vacuum. The Wired City includes the perspectives of journalists, activists, and civic leaders who are actively re-envisioning how journalism can be meaningful in a hyperconnected age of abundant news sources. Kennedy provides deeper context by analyzing the decline of the newspaper industry in recent years and, in the case of those sites choosing such a path, the uneasy relationship between nonprofit status and the First Amendment. At a time of pessimism over the future of journalism, The Wired City offers hope. What Kennedy documents is not the death of journalism but rather the uncertain and sometimes painful early stages of rebirth.
Black Journalists, White Media
Winner of the National Press Club Prize for Media Criticism.
Companion website: http://www.nyupress.nyu.edu/authors/veil.html
Thirty years ago, the Kerner Commission Report made national headlines by exposing the consistently biased coverage afforded African Americans in the mainstream media. While the report acted as a much ballyhooed wake-up call, the problems it identified have stubbornly persisted, despite the infusion of black and other racial minority journalists into the newsroom.
In Within the Veil, Pamela Newkirk unmasks the ways in which race continues to influence reportage, both overtly and covertly. Newkirk charts a series of race-related conflicts at news organizations across the country, illustrating how African American journalists have influenced and been denied influence to the content, presentation, and very nature of news.
Through anecdotes culled from interviews with over 100 broadcast and print journalists, Newkirk exposes the trials and triumphs of African American journalists as they struggle in pursuit of more equitable coverage of racial minorities. She illuminates the agonizing dilemmas they face when writing stories critical of blacks, stories which force them to choose between journalistic integrity, their own advancement, and the almost certain enmity of the black community.
Within the Veil is a gripping front-line report on the continuing battle to integrate America's newsrooms and news coverage.
The Village Voice and the Birth of Rock Criticism
During the mid-1960s, a small group of young journalists made it their mission to write about popular music, especially rock, as something worthy of serious intellectual scrutiny. Their efforts not only transformed the perspective on the era’s music but revolutionized how Americans have come to think, talk, and write about popular music ever since. In Writing the Record, Devon Powers explores this shift by focusing on The Village Voice, a key publication in the rise of rock criticism. Revisiting the work of early pop critics such as Richard Goldstein and Robert Christgau, Powers shows how they stood at the front lines of the mass culture debates, challenging old assumptions and hierarchies and offering pioneering political and social critiques of the music. Part of a college-educated generation of journalists, Voice critics explored connections between rock and contemporary intellectual trends such as postmodernism, identity politics, and critical theory. In so doing, they became important forerunners of the academic study of popular culture that would emerge during the 1970s. Drawing on archival materials, interviews, and insights from media and cultural studies, Powers not only narrates a story that has been long overlooked but also argues that pop music criticism has been an important channel for the expression of public intellectualism. This is a history that is particularly relevant today, given the challenges faced by criticism of all stripes in our current media environment. Powers makes the case for the value of well-informed cultural criticism in an age when it is often suggested that “everyone is a critic.”
The Blame Game is a cycle of creative non-fiction pieces, pulling the readers through the politics of modern day Zimbabwe. Like in any game, there are players in this game, opposing each other. The game is told through the eyes of one of the players, thus it is subjective. It centres on truthfully trying to find who to blame for Zimbabweís problems, and how to undo all these problems. Finding who to blame should be the beginning for the search of solutions. It encourages talking to each other, maybe about the wrongs we have done to each other, and genuinely trying to embrace and forgive each other. In trying to undo the problems in Zimbabwe, it also offers insight or solutions on a larger platform ñ Africa: particularly South Africa; that it might learn from other African countries that have imploded before it, how to solve its own problems.