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Unnamed Sources and the Battle for Journalism
Matt Carlson confronts the promise and perils of unnamed sources in this exhaustive analysis of controversial episodes in American journalism during the George W. Bush administration, from prewar reporting mistakes at the New York Times and Washington Post to the Valerie Plame leak case and Dan Rather's lawsuit against CBS News._x000B_ _x000B_Weaving a narrative thread that stretches from the uncritical post-9/11 era to the spectacle of the Scooter Libby trial, Carlson examines a tense period in American history through the lens of journalism. Revealing new insights about high-profile cases involving confidential sources, he highlights contextual and structural features of the era, including pressure from the right, scrutiny from new media and citizen journalists, and the struggles of traditional media to survive amid increased competition and decreased resources.
Racial Issues, Press, and Progaganda in the Cold War
Newspaper Women and the Making of Modern Public Space
Newspaper women were part of a wave of women seeking new, independent, urban lives, but they struggled to obtain the newspaper work of their dreams. Although some female journalists embraced more adventurous reporting, including stunt work and undercover assignments, many were relegated to the women's page. However, these intrepid female journalists made the women's page their own. Fahs reveals how their writings--including celebrity interviews, witty sketches of urban life, celebrations of being bachelor girls, advice columns, and a campaign in support of suffrage--had far-reaching implications for the creation of new, modern public spaces for American women at the turn of the century. As observers and actors in a new drama of independent urban life, newspaper women used the simultaneously liberating and exploitative nature of their work, Fahs argues, to demonstrate the power of a public voice, both individually and collectively.
Editorial Spokesmen of the Nineteenth Century
Carl R. Osthaus examines the southern contribution to American Press history, from Thomas Ritchie's mastery of sectional politics and the New Orleans Picayune's popular voice and use of local color, to the emergence of progressive New South editors Henry Watterson, Francis Dawson, and Henry Grady, who imitated, as far as possible, the New Journalism of the 1880s. Unlike black and reform editors who spoke for minorities and the poor, the South's mainstream editors of the nineteenth century advanced the interests of the elite and helped create the myth of southern unity.
The southern press diverged from national standards in the years of sectionalism, Civil War, and Reconstruction. Addicted to editorial diatribes rather than to news gathering, these southern editors of the middle period were violent, partisan, and vindictive. They exemplified and defended freedom of the press, but the South's press was free only because southern society was closed.
This work broadens our understanding of journalism of the South, while making a valuable contribution to southern history.
American War Correspondents, 1898-1975
Addressing the ever-changing, overlapping trajectories of war and journalism, this introduction to the history and culture of modern American war correspondence considers a wealth of original archival material. In powerful analyses of letters, diaries, journals, television news archives, and secondary literature related to the United States' major military conflicts of the twentieth century, Mary S. Mander highlights the intricate relationship of the postmodern nation-state to the free press and to the public._x000B__x000B_Pen and Sword: American War Correspondents, 1898-1975 situates war correspondence within the larger framework of the history of the printing press to make perceptive new points about the nature of journalism and censorship, the institution of the press as a source of organized dissent, and the relationship between the press and the military. Fostering a deeper understanding of the occupational culture of war correspondents who have accompanied soldiers into battle, Pen and Sword prompts new ways of thinking about contemporary military conflicts and the future of journalism.
John Forsyth of the Mobile Register
How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties
In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that “internet pirates killed the music industry” has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a “cybercrime” similar to identity fraud or even terrorism. In The Piracy Crusade, Aram Sinnreich critiques the notion of “piracy” as a myth perpetuated by today’s cultural cartels—the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers. Yet the most dangerous legacy of this “piracy crusade” is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy—policies that threaten to undermine the foundations of democratic society.
Ameryka-Echo and the Public Role of the Immigrant Press
Arriving in the U.S. in 1883, typesetter Antoni A. Paryski founded a publishing empire that earned him the nickname "The Polish Hearst." His weekly Ameryka-Echo became a defining publication in the international Polish diaspora and its much-read letters section a public sphere for immigrants to come together as a community to discuss issues in their own language. Anna D. Jaroszyńska-Kirchmann mines seven decades' worth of thoughts expressed by Ameryka-Echo readers to chronicle the ethnic press's long-overlooked role in the immigrant experience. Open and unedited debate harkened back to homegrown journalistic traditions, and The Polish Hearst opens the door on the nuances of an editorial philosophy that cultivated readers as important content creators. As Jaroszyńska-Kirchmann shows, ethnic publications in the process forged immigrant social networks and pushed notions of education and self-improvement throughout Polonia.
Mississippi Journalists Confront the Movement
For southern newspapers and southern readers, the social upheaval in the years following Brown v. Board of Education (1954) was, as Time put it in 1956, "the region's biggest running story since slavery." The southern press struggled with the region's accommodation of the school desegregation ruling and with black America's demand for civil rights.
The nine essays in The Press and Race illuminate the broad array of print journalists' responses to the civil rights movement in Mississippi, a state that was one of the nation's major civil rights battlegrounds. Three of the journalists covered won Pulitzer prizes for their work and one was the first woman editorial writer to earn that coveted prize.
The journalists and editors covered are Hodding Carter, Jr. (Greenville Delta Democrat-Times), J. Oliver Emmerich (McComb Enterprise-Journal), Percy Greene (Jackson Advocate), Ira B. Harkey, Jr. (Pascagoula Chronicle), George A. McLean (Tupelo Journal), Bill Minor (New Orleans Times-Picayune), Hazel Brannon Smith (Lexington Adviser), and Jimmy Ward (Jackson Daily News). Their editorial stances run the gamut from moderates such as Minor, Smith, and Carter, Jr., to openly segregationist editors such as Ward and Greene.
The Press and Race follows the press from the 1954 Brown v. Board of Education decision to 1965, when Congress passed the Voting Rights Act. Those years saw some of the most important events of the civil rights movement-the South's resistance to school desegregation throughout the 1950s and 1960s; the Freedom Rides of 1961; James Meredith's admission into the University of Mississippi in 1962; the assassination of Medgar Evers in 1963; and the events of Freedom Summer in 1964. These essays present an in-depth analysis of the editorials, articles, journalistic standards, and work of Mississippi newspaper reporters and editors as they covered this tumultuous era in American history.
While a handful of Mississippi journalists openly defended blacks and challenged the state's racial policies, others responded by redoubling their support of Mississippi's segregated society. Still others responded with a moderate defense of black Americans' legal rights, while at the same time defending the status quo of segregation.
The Press and Race reveals the outrage, emotion, and deliberation of the people who would soon be carrying out the nation's command to end segregation. The journalists discussed here were southerners and insiders in a crisis. Their writing made journalism history.
David R. Davies is chair of the department of journalism at the University of Southern Mississippi in Hattiesburg. A former reporter for the Arkansas Gazette, he has been published in American Journalism, the Chicago Tribune, and the Journal of Mississippi History.
Robert Horton and Federal Propaganda, 1938-1948
Though historians have largely overlooked Robert Horton, his public relations campaigns remain fixed in popular memory of the home front during World War II. Utilizing all media—including the nascent technology of television—to rally civilian support, Horton’s work ranged from educational documentary shorts like Pots to Planes, which depicted the transformation of aluminum household items into aircraft, to posters employing scare tactics, such as a German soldier with large eyes staring forward with the tagline “He’s Watching You.” Iconic and calculated, Horton’s campaigns raise important questions about the role of public relations in government agencies. When are promotional campaigns acceptable? Does war necessitate persuasive communication? What separates information from propaganda? Promoting the War Effort traces the career of Horton—the first book-length study to do so—and delves into the controversies surrounding federal public relations. A former reporter, Horton headed the public relations department for the U.S. Maritime Commission from 1938 to 1940. Then—until Pearl Harbor in December 1941—he directed the Division of Information (DOI) in the Executive Office of the President, where he played key roles in promoting the New Deal, President Franklin D. Roosevelt’s unprecedented third-term reelection campaign, and the prewar arms-production effort. After Pearl Harbor, Horton’s DOI encouraged support for the war, primarily focusing on raising civilian and workforce morale. But the DOI under Horton assumed a different wartime tone than its World War I predecessor, the Committee on Public Information. Rather than whipping up prowar hysteria, Horton focused on developing campaigns for more practical purposes, such as conservation and production. In mid-1942, Roosevelt merged the Division and several other agencies into the Office of War Information. Horton stayed in government, working as the PR director for several agencies. He retired in mid-1946, during the postwar demobilization. Promoting the War Effort recovers this influential figure in American politics and contributes to the ongoing public debate about government public relations during a time when questions about how facts are disseminated—and spun—are of greater relevance than ever before.