An essential reference for journalists, activists, and students, this book presents scientifically accurate and accessible overviews of 24 of the most important issues in the nuclear realm, including: • health effects • nuclear safety and engineering • TMI and Chernobyl • nuclear medicine • food irradiation • transport of nuclear materials • spent fuel • nuclear weapons • global warming. Each “brief” is based on interviews with named scientists, engineers, or administrators in a nuclear specialty, and each has been reviewed by a team of independent experts. The objective is not to make a case for or against nuclear-related technologies, but rather to provide definitive background information. (The approach is based on that of The Reporter’s Environmental Handbook, published in 1988, which won a special award for journalism from the Sigma Delta Chi Society of professional journalists.) Other features of the book include: • a glossary of hundreds of terms • an introduction to risk assessment, environmental and economic impacts, and public perceptions • an article by an experienced reporter with recommendations about how to cover nuclear issues • quick guides to the history of nuclear power in the United States, important federal legislation and regulations, nuclear position statements, and key organizations • print and electronic resources.

From a gullible cub reporter with the Daily Herald in Biloxi and Gulfport, to the pugnacious Pulitzer Prize winner at the Atlanta Constitution, to the peerless beat reporter for the Los Angeles Times covering civil rights in the South, Jack Nelson (1929-2009) was dedicated to exposing injustice and corruption wherever he found it. Whether it was the gruesome conditions at a twelve-thousand-bed mental hospital in Georgia or the cruelties of Jim Crow inequity, Nelson proved himself to be one of those rare reporters whose work affected and improved thousands of lives.

His memories about difficult circumstances, contentious people, and calamitous events provide a unique window into some of the most momentous periods in southern and U.S. history. Wherever he landed, Nelson found the corruption others missed or disregarded. He found it in lawless Biloxi; he found it in buttoned-up corporate Atlanta; he found it in the college town of Athens, Georgia. Nelson turned his investigations of illegal gambling, liquor sales, prostitution, shakedowns, and corrupt cops into such a trademark that honest mayors and military commanders called on him to expose miscreants in their midst.

Once he realized that segregation was another form of corruption, he became a premier reporter of the civil rights movement and its cast of characters, including Martin Luther King Jr., Stokely Carmichael, Alabama's Sheriff Jim Clarke, George Wallace, and others. He was, through his steely commitment to journalism, a chronicler of great events, a witness to news, a shaper and reshaper of viewpoints, and indeed one of the most important journalists of the twentieth century.

In an age before radio and television, E. W. Scrippss ownership of twenty-one newspapers, a major news wire service, and a prominent news syndication service represented the first truly national media organization in the United States. In The Scripps Newspapers Go to War, 1914-18, Dale Zacher details the scope, organization, and character of the mighty Scripps empire during World War I to reveal how_x000B_the pressures of the market, government censorship, propaganda,_x000B_and progressivism transformed news coverage during wartime._x000B__x000B_This volume presents the first systematic look at the daily operations of any major newspaper operation during World War I and provides fascinating accounts of how the papers struggled with competition, their patriotic duties, and internal editorial dissent. The book also engages questions about American neutrality and the newspapers relationship with President Woodrow Wilson, the move to join the war, and the fallout from the disillusionment of actually experiencing war. Ultimately, Zacher shows how the progressive spirit and political independence at the Scripps newspapers came under attack and was forever changed by this crucial period in American history.

During the last decade or so, college newspaper sex columns and campus sex magazines have revolutionized student journalism and helped define a new sexual generation. Sex and the University explores the celebrity status that student sex columnists and magazine editors have received, the controversies they have caused, and the sexual generation and student journalism revolution they represent. Complete with a "sexicon" of slang, this book also dives into the columns and magazines themselves, sharing for the first time what modern students are saying about their sex and love lives, in their own words.

In 1924, George McLean, an Ole Miss sophomore and the spoiled son of a judge, attended a YMCA student mission conference whose free-thinking organizers aimed to change the world. They changed George McLean's.

But not instantly. As vividly recounted in the first biography of this significant figure in Southern history, Tupelo Man: The Life and Times of a Most Peculiar Newspaper Publisher, McLean drifted through schools and jobs, always questioning authority, always searching for a way to put his restless vision into practical use. In the Depression's depths, he was fired from a teaching job at what is now Rhodes College in Memphis, Tennessee, over his socialist ideas and labor organizing work.

By 1934 he decided he had enough of working for others and that he would go into business for himself. In dirt-poor Northeast Mississippi, the Tupelo Journal was for sale, and McLean used his wife's money to buy what he called "a bankrupt newspaper from a bankrupt bank." As he struggled to keep the paper going, his Christian socialism evolved into a Christian capitalism that transformed the region. He didn't want a bigger slice of the pie for himself, he said; he wanted a bigger pie for all.

But McLean (1904-1983) was far from a saint. He prayed about his temper, with little result. He was distant and aloof toward his two children--adopted through a notorious Memphis baby selling operation. His wife, whom he deeply loved in his prickly way, left him once and threatened to leave again. "I don't know why I was born with this chip on my shoulder," he told her. Tupelo Man looks at this far-from-ordinary publisher in an intimate way that offers a fascinating story and insight into our own lives and times.

Whatever Happened to the Washington Reporters, 1978–2012, is the first book to comprehensively examine career patterns in American journalism.

In 1978 Brookings Senior Fellow Stephen Hess surveyed 450 journalists who were covering national government for U.S. commercial news organizations. His study became the award-winning The Washington Reporters (Brookings, 1981), the first volume in his Newswork series. Now, a generation later, Hess and his team from Brookings and the George Washington University have tracked down 90 percent of the original group, interviewing 283, some as far afield as France, England, Italy, and Australia.

What happened to the reporters within their organizations? Did they change jobs? Move from reporter to editor or producer? Jump from one type of medium to another —from print to TV? Did they remain in Washington or go somewhere else? Which ones left journalism? Why? Where did they go?

A few of them have become quite famous, including television correspondents Ted Koppel, Sam Donaldson, Brit Hume, Carole Simpson, Judy Woodruff, and Marvin Kalb; some have become editors or publishers of the New York Times, Wall Street Journal, Chicago Tribune, Miami Herald, or Baltimore Sun; some have had substantial careers outside of journalism. Most, however, did not become household names.

The book is designed as a series of self-contained essays, each concentrating on one characteristic, such as age, gender, or place of employment, including newspapers, television networks, wire services, and niche publications. The reporters speak for themselves. When all of these lively portraits are analyzed —one by one —the results are surprisingly different from what journalists and sociologists in 1978 had predicted.

Praise for other books in the Newswork series:

International News and Foreign Correspondents

"It is not much in vogue to speak of things like the public trust, but thankfully Stephen Hess is old fashioned. He reminds us in this valuable and provocative book that journalism is a public trust, providing the basic information on which citizens in a democracy vote, or tune out." —Ken Auletta, The New Yorker

"Regardless of one's view of American news media, one cannot help but be influenced by the information Stephen Hess puts forth in International News and Foreign Correspondents. After reading this book, it is not likely one will scan the newspaper or watch television news in the same way again." — International Affairs Review

"Readers of all backgrounds will find this a provocative text." — The Harvard International Journal of Press/Politics

Live from Capitol Hill

"Hess is a treasure —a Washington insider with a sharp sense of the important, the interesting, and the mythological. This book is essential reading for Hill practitioners, journalists, and scholars of Congress and the media." —Steven S. Smith, Washington University

The Washington Reporters "A meticulously researched piece of anthropology that represents the first major look at the men and women who cover the government since Leo C. Rosten's classic 1937 book." — Newsweek

Winner of the National Press Club Prize for Media Criticism.

Companion website: http://www.nyupress.nyu.edu/authors/veil.html

Thirty years ago, the Kerner Commission Report made national headlines by exposing the consistently biased coverage afforded African Americans in the mainstream media. While the report acted as a much ballyhooed wake-up call, the problems it identified have stubbornly persisted, despite the infusion of black and other racial minority journalists into the newsroom.

In Within the Veil, Pamela Newkirk unmasks the ways in which race continues to influence reportage, both overtly and covertly. Newkirk charts a series of race-related conflicts at news organizations across the country, illustrating how African American journalists have influenced and been denied influence to the content, presentation, and very nature of news.

Through anecdotes culled from interviews with over 100 broadcast and print journalists, Newkirk exposes the trials and triumphs of African American journalists as they struggle in pursuit of more equitable coverage of racial minorities. She illuminates the agonizing dilemmas they face when writing stories critical of blacks, stories which force them to choose between journalistic integrity, their own advancement, and the almost certain enmity of the black community.

Within the Veil is a gripping front-line report on the continuing battle to integrate America's newsrooms and news coverage.