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Architecture and Communications in New York City
With a unique focus on corporate headquarters as embodiments of the values of the press and as signposts for understanding media culture, Media Capital: Architecture and Communications in New York City demonstrates the mutually supporting relationship between the media and urban space. Aurora Wallace considers how architecture contributed to the power of the press, the nature of the reading public, the commercialization of media, and corporate branding in the media industry. Tracing the rise and concentration of the media industry in New York City from the mid-nineteenth century to the present, Wallace analyzes physical and discursive space, as well as labor, technology, and aesthetics, to understand the entwined development of the mass media and late capitalism._x000B_
New Orleans through the Eyes of a Lover
A vividly described and intensely personal memoir, My Bayou charts a personal and spiritual transformation along the fabled banks of Bayou Saint John in New Orleans. When Constance Adler moved to New Orleans, she began what would become a lasting love affair with the city, and especially the bayou, a living entity and the beating heart of local culture. Rites of passage, celebrations, mysterious accidents, and magic all took place on its banks, leading Adler to a vibrant awareness of a divine intelligence animating the world. That faith is tested in the wake of Hurricane Katrina, when Adler’s conviction that the sadness that surrounds her can only be leavened by the optimistic act of having a child comes into devastating conflict with her husband’s position on parenthood.
American Journalism and Diplomacy, 1918-1919
Negotiating in the Press offers a new interpretation of an otherwise dark moment in American journalism. Rather than emphasize the familiar story of lost journalistic freedom during World War I, Joseph R. Hayden describes the press’s newfound power in the war’s aftermath—that seminal moment when journalists discovered their ability to help broker peace talks. He examines the role of the American press at the Paris Peace Conference of 1919, looking at journalists’ influence on the peace process and their relationship to heads of state and other delegation members. Challenging prevailing historical accounts that assume the press was peripheral to the quest for peace, Hayden demonstrates that journalists instead played an integral part in the talks, by serving as “public ambassadors.” During the late 1910s, as World War I finally came to a close, American journalists and diplomats found themselves working in unlikely proximity, with correspondents occasionally performing diplomatic duties and diplomats sometimes courting publicity. The efforts of both groups to facilitate the peace talks at Versailles arose amidst the vision of a “new diplomacy,” one characterized by openness, information sharing, and public accountability. Using evidence from memoirs, official records, and contemporary periodicals, Hayden reveals that participants in the Paris Peace Conference continually wrestled with ideas about the roles of the press and, through the press, the people. American journalists reported on an abundance of information in Paris, and negotiators could not resist the useful leverage that publicity provided. Peacemaking via publicity, a now-obscure dimension of progressive statecraft, provided a powerful ideological ethos. It hinted at dynamically altered roles for journalists and diplomats, offered hope for a world desperate for optimism and order, and, finally, suggested that the fruits of America’s great age of reform might be shared with a Europe exhausted by war. The peace conference of 1919, Hayden demonstrates, marked a decisive stage in the history of American journalism, a coming of age for many news organizations. By detailing what journalists did before, during, and after the Paris talks, he tells us a great deal about how the negotiators and the Wilson administration worked throughout 1919. Ultimately, he provides a richer integrative view of peacemaking as a whole. An engaging analysis of diplomacy and the Fourth Estate, Negotiating in the Press offers a fascinating look at how leading nations democratized foreign policy a century ago and ushered in the dawn of public diplomacy.
Contributions of an Uncompromising Critic to the Democratic Process in Cameroon
No Trifling Matter is a collection of controversial, critical weekly commentary on the reluctance of a monolithic regime to yield to popular aspirations for democracy in Cameroon. In these essays written between 1990 and November 1992, Godfrey Tangwa, alias Rotcod Gobata, doesnít quibble. He comes across as a man of courage and resolve; one ready to swim upstream in a manner of a desperate midwife eager to prevent a still birth (in this case, of democracy). His column is as daring an embarrassment to Biyaís ìdÈmocratie avancÈeî as the radio programme ìCameroon Reportî (later ìCameroon Callingî), was to Presidents Ahidjo and Biya in the hey days of the ìparti uniqueî. Rotcod Gobata believes the time has come for Cameroon to graduate from a country over milked by mediocrity and callous indifference, to the paradise that it was meant to be for the poor and downtrodden. In this regard, he belongs with that rare breed of intellectuals who are genuine in their pursuit of collective betterment, and who in consequence, have opted to distance themselves from the stomach and all its trappings. This position is to be commended and encouraged, especially in a system where explanation is often mistaken for subversion, a system where the stomach is about the only political path-finder - the sole compass in use, a country where the champions of falsehood want all at their beck and call, and where a handful of thirsting palates daily jostle to share with Count Dracula the blood of the common and forgotten. Rotcod Gobata wants the new Cameroon to be rid of the ills and failures of the past five decades that have made it impossible for Cameroonians in their millions to live productive and creative lives.
Journalism in Democratic Societies
Using Fred S. Siebert, Theodore Peterson, and Wilbur Schramm's classic Four Theories of the Press as their point of departure, the authors consider what the role of journalism ought to be in a democratic society. They examine the philosophical underpinnings and political realities of journalism, thereby identifying four distinct yet overlapping roles for the media: "monitorial," "facilitative," "radical," and "collaborative." Ultimately they show how these competing paradigms can affect the laws, policies, and public attitudes of a liberal society.
Unnamed Sources and the Battle for Journalism
Matt Carlson confronts the promise and perils of unnamed sources in this exhaustive analysis of controversial episodes in American journalism during the George W. Bush administration, from prewar reporting mistakes at the New York Times and Washington Post to the Valerie Plame leak case and Dan Rather's lawsuit against CBS News._x000B_ _x000B_Weaving a narrative thread that stretches from the uncritical post-9/11 era to the spectacle of the Scooter Libby trial, Carlson examines a tense period in American history through the lens of journalism. Revealing new insights about high-profile cases involving confidential sources, he highlights contextual and structural features of the era, including pressure from the right, scrutiny from new media and citizen journalists, and the struggles of traditional media to survive amid increased competition and decreased resources.
Newspaper Women and the Making of Modern Public Space
Newspaper women were part of a wave of women seeking new, independent, urban lives, but they struggled to obtain the newspaper work of their dreams. Although some female journalists embraced more adventurous reporting, including stunt work and undercover assignments, many were relegated to the women's page. However, these intrepid female journalists made the women's page their own. Fahs reveals how their writings--including celebrity interviews, witty sketches of urban life, celebrations of being bachelor girls, advice columns, and a campaign in support of suffrage--had far-reaching implications for the creation of new, modern public spaces for American women at the turn of the century. As observers and actors in a new drama of independent urban life, newspaper women used the simultaneously liberating and exploitative nature of their work, Fahs argues, to demonstrate the power of a public voice, both individually and collectively.
American War Correspondents, 1898-1975
Addressing the ever-changing, overlapping trajectories of war and journalism, this introduction to the history and culture of modern American war correspondence considers a wealth of original archival material. In powerful analyses of letters, diaries, journals, television news archives, and secondary literature related to the United States' major military conflicts of the twentieth century, Mary S. Mander highlights the intricate relationship of the postmodern nation-state to the free press and to the public._x000B__x000B_Pen and Sword: American War Correspondents, 1898-1975 situates war correspondence within the larger framework of the history of the printing press to make perceptive new points about the nature of journalism and censorship, the institution of the press as a source of organized dissent, and the relationship between the press and the military. Fostering a deeper understanding of the occupational culture of war correspondents who have accompanied soldiers into battle, Pen and Sword prompts new ways of thinking about contemporary military conflicts and the future of journalism.