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The New Art Examiner was the only successful art magazine ever to come out of Chicago. It had nearly a three-decade long run, and since its founding in 1974 by Jane Addams Allen and Derek Guthrie, no art periodical published in the Windy City has lasted longer or has achieved the critical mass of readers and admirers that it did. The Essential New Art Examiner gathers the most memorable and celebrated articles from this seminal publication. First a newspaper, then a magazine, the New Art Examiner succeeded unlike no other periodical of its time. Before the word “blog” was ever spoken, it was the source of news and information for Chicago-area artists. And as its reputation grew, the New Art Examiner gained a national audience and exercised influence far beyond the Midwest. As one critic put it, “it fought beyond its weight class.” The articles in The Essential New Art Examiner are organized chronologically. Each section of thebook begins with a new essay by the original editor of the pieces therein that reconsiders the era and larger issues at play in the art world when they were first published. The result is a fascinating portrait of the individuals who ran the New Art Examiner and an inside look at the artistic trendsand aesthetic agendas that guided it. Derek Guthrie and Jane Addams Allen, for instance, had their own renegade style. James Yood never shied away from a good fight. And Ann Wiens was heralded for embracing technologies and design. The story of the New Art Examiner is the story of a constantly evolving publication, shaped by talented editors and the times in which it was printed. Now, more than three decades after the journal’s founding, The Essential New Art Examiner brings together the best examples of this groundbreaking publication: great editing, great writing, a feisty staff who changed and adapted as circumstances dictated—a publication that rolled with the times and the art of the times. With passion, insight, and editorial brilliance, the staff of the New Art Examiner turned a local magazine into a national institution.
Timeless Lessons for Today's Politics
Moral Stances in Human Dialogue
Journalism and Power in the Making of Peronist Argentina, 1930–1955
The rise of Juan Perón to power in Argentina in the 1940s is one of the most studied subjects in Argentine history. But no book before this has examined the role the Peronists’ struggle with the major commercial newspaper media played in the movement’s evolution, or what the resulting transformation of this industry meant for the normative and practical redefinition of the relationships among state, press, and public. In The Fourth Enemy, James Cane traces the violent confrontations, backroom deals, and legal actions that allowed Juan Domingo Perón to convert Latin America’s most vibrant commercial newspaper industry into the region’s largest state-dominated media empire. An interdisciplinary study drawing from labor history, communication studies, and the history of ideas, this book shows how decades-old conflicts within the newspaper industry helped shape not just the social crises from which Peronism emerged, but the very nature of the Peronist experiment as well.
Foreign Reporting and the Challenge of New Technology
Ever since the invention of the telegraph, journalists have sought to remove the barriers of time and space. Today, we readily accept that reporters can jet quickly to a distant location and broadcast instantly from a satellite-connected, video-enabled cell phone hanging from their belts. But now that live news coverage is possible from virtually anywhere, is foreign correspondence better? And what are the implications of recent changes in journalistic technology for policy makers and their constituents? In From Pigeons to News Portals, edited by David D. Perlmutter and John Maxwell Hamilton, scholars and journalists survey, probe, and demystify the new foreign correspondence that has emerged from rapidly changing media technology. These distinguished authors challenge long-held beliefs about foreign news coverage, not the least of which is whether, in our interconnected world, such a thing as "foreign news" even exists anymore. Essays explore the ways people have used new media technology--from satellites and cell phones to the Internet--to affect content, delivery modes, and amount and style of coverage. They examine the ways in which speedy reporting conflicts with in-depth reporting, the pros and cons of "parachute" journalism, the declining dominance of mainstream media as a source of foreign news, and the implications of this new foreign correspondence for foreign policy. Entertainment media such as film, television, and video gaming form worldwide opinions about America, often in negative ways. Meanwhile, live reporting abroad is both a blessing and curse for foreign policy makers. Because foreign news is so vital to effective policy making and citizenship, we imperil our future by failing to understand the changes technology brings and how we can wrest the best practice out of those changes. This provocative volume offers valuable insights and analyses to help us better understand the evolving state of foreign news.
The Religious Roots of the Secular Press
This wide-ranging study--hailed by American Journalism as one of the year's best books--provides a fresh and surprising view of the religious impulses at work in the typical newsroom by delving into the largely unexamined parallels between religion and journalism, from the "media" of antiquity to the electronic idolatry of the Internet. Focusing on how the history of religion in the United States has been entwined with the growth of the media, Doug Underwood argues that American journalists are rooted in the nation's moral and religious heritage and operate, in important ways, as personifications of the old religious virtues.
News War over Hong Kong
Focusing on the global media coverage of Hong Kong’s transfer from Britain to China, Global Media Spectacle explores how the world media plan, operate, compete, and produce a historical record during significant global events. The authors interviewed seventy-six print and television reporters from the United States, Britain, the People’s Republic of China, Hong Kong, Taiwan, Australia, Canada, and Japan to delve into the revealing world of writing first drafts of history from reporters’ vantage points. Punctuated with witty and incisive examples, the book provides a useful description of contestation and alliance, themes and variations, and convergence and divergence between and within various blocs of nations.
Doing Videojournalism in the 21st Century
The Press and the Socialist Person after Stalin
The Soviet project of creating a new culture and society entailed a plan for the modeling of "new" persons who embodied and fulfilled the promise of socialism, and this vision was expressed in the institutions of government. Using archival sources, essays, and interviews with journalists, Thomas C. Wolfe provides an account of the final four decades of Soviet history viewed through the lens of journalism and media. Whereas most studies of the Soviet press approach its history in terms of propaganda or ideology, Wolfe's focus is on the effort to imagine a different kind of person and polity. Foucault's concept of governmentality illuminates the relationship between the idea of the socialist person and everyday journalistic representation, from the Khrushchev period to the 1990s and the appearance of the tabloid press. This thought-provoking study provides insights into the institutions of the Soviet press and the lives of journalists who experienced important transformations of their work.