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Canadian Cultural Exchange / Échanges culturels au Canada Cover

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Canadian Cultural Exchange / Échanges culturels au Canada

Translation and Transculturation / traduction et transculturation

The essays in Canadian Cultural Exchange / Échanges culturels au Canada provide a nuanced view of Canadian transcultural experience. Rather than considering Canada as a bicultural dichotomy of colonizer/colonized, this book examines a field of many cultures and the creative interactions among them. This study discusses, from various perspectives, Canadian cultural space as being in process of continual translation of both the other and oneself.

Les articles réunis dans Canadian Cultural Exchange / Échanges culturels au Canada donnent de l’expérience transculturelle canadienne une image nuancée. Plutôt que dans les termes d’une dichotomie biculturelle entre colonisateur et colonisé, le Canada y est vu comme champ où plusieurs cultures interagissent de manière créative. Cette étude présente sous de multiples aspects le processus continu de traduction d’autrui et de soi-même auquel l’espace culturel canadien sert de théâtre.

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The Canadian Journal of Linguistics / La revue canadienne de linguistique

Vol. 48 (2003) through current issue

The Canadian Journal of Linguistics publishes articles in linguistics in both English and French. The articles deal with linguistic theory, linguistic description of English, French and a variety of other natural languages, phonetics, phonology, morphology, syntax, semantics, historical linguistics, sociolinguistics, psycholinguistics, first and second language acquisition, and other areas of interest to linguists. The journal also includes reviews of recent books in linguistics.

Capturing the Beat Moment Cover

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Capturing the Beat Moment

Cultural Politics and the Poetics of Presence

Erik Mortenson

"Capturing the Beat Moment" examines the assumptions the Beats made about the moment and their attempt to “capture” this “immediacy,” focusing on the works of Kerouac and Ginsberg as well as on those of women and African American Beat writers.

Cartographie dans les médias / Cartography in the media Cover

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Cartographie dans les médias / Cartography in the media

Les cartes et les diagrammes dans les médias - Approche théorique d'un savoir-faire graphique : étude de quelques produits graphiques des hebdomadaires nord-américains, Newsweek et Time - Essai d'évaluation des cartes dans les médias du Royaume-Uni - Un bilan des images graphiques (diagrammes et cartes) dans la presse française : 1980-1986 - La cartographie journalistique - Notes sur la cartographie dans Newsweek Magazine - La cartographie peut-elle être «sexy»? - Nouvelles orientations cartographiques du magazine de la National Geographic Society - La remémorisation et le rappel des cartes et autres graphiques - Table ronde sur la cartographie journalistique : transcriptions des débats.

Catalogus Translationum et Commentariorum, Volume 8 Cover

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Catalogus Translationum et Commentariorum, Volume 8

Virginia Brown

Considered a definitive source for scholars and students, this highly acclaimed series illustrates the impact of Greek and Latin texts on the Middle Ages and Renaissance.

Catalogus Translationum et Commentariorum, Volume 9 Cover

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Catalogus Translationum et Commentariorum, Volume 9

Virginia Brown

Considered a definitive source for scholars and students, this highly acclaimed series illustrates the impact of Greek and Latin texts on the Middle Ages and Renaissance.

Center Will Hold Cover

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Center Will Hold

edited by Michael A. Pemberton & Joyce Kinkead

In The Center Will Hold, Pemberton and Kinkead have compiled a major volume of essays on the signal issues of scholarship that have established the writing center field and that the field must successfully address in the coming decade. The new century opens with new institutional, demographic, and financial challenges, and writing centers, in order to hold and extend their contribution to research, teaching, and service, must continuously engage those challenges.

Appropriately, the editors offer the work of Muriel Harris as a key pivot point in the emergence of writing centers as sites of pedagogy and research. The volume develops themes that Harris first brought to the field, and contributors here offer explicit recognition of the role that Harris has played in the development of writing center theory and practice. But they also use her work as a springboard from which to provide reflective, descriptive, and predictive looks at the field.

Chaim Perelman Cover

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Chaim Perelman

Alan G. Gross and Ray D. Dearin

Changing of Knowledge in Composition Cover

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Changing of Knowledge in Composition

Contemporary Perspectives

Lance Massey

Lance Massey and Richard Gebhardt offer in this collection many signs that composition again faces a moment of precariousness, even as it did in the 1980s—the years of the great divorce from literary studies. The contours of writing in the university again are rapidly changing, making the objects of scholarship in composition again unstable. Composition is poised to move not from modern to postmodern but from process to postprocess, from a service-oriented "field" to a research-driven "discipline." Some would say we are already there. Momentum is building to replace "composition" and the pedagogical imperative long implied in that term with a "writing studies" model devoted to the study of composition as a fundamental tool of, and force within, all areas of human activity.

Appropriately, contributors here use Stephen M. North's 1987 book The Making of Knowledge in Composition to frame and background their discussion, as they look at both the present state of the field and its potential futures. As in North's volume, The Changing of Knowledge in Composition describes a body of research and pedagogy brimming with conflicting claims, methodologies, and politics, and with little consensus regarding the proper subjects and modes of inquiry.

The deep ambivalence within the field itself is evident in this collection. Contributors here envision composition both as retaining its commitment to broad-based, generalized writing instruction and as heading toward content-based vertical writing programs in departments and programs of writing studies. They both challenge and affirm composition's pedagogical heritage. And they sound both sanguine and pessimistic notes about composition's future.

Charting the Future of Translation History Cover

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Charting the Future of Translation History

Edited by Georges L. Bastin and Paul F. Bandia

Over the last 30 years there has been a substantial increase in the study of the history of translation. Both well-known and lesser-known specialists in translation studies have worked tirelessly to give the history of translation its rightful place. Clearly, progress has been made, and the history of translation has become a viable independent research area.

This book aims at claiming such autonomy for the field with a renewed vigour. It seeks to explore issues related to methodology as well as a variety of discourses on history with a view to laying the groundwork for new avenues, new models, new methods. It aspires to challenge existing theoretical and ideological frameworks. It looks toward the future of history. It is an attempt to address shortcomings that have prevented translation history from reaching its full disciplinary potential. From microhistory, archaeology, periodization, to issues of subjectivity and postmodernism, methodological lacunae are being filled.

Contributors to this volume go far beyond the text to uncover the role translation has played in many different times and settings such as Europe, Africa, Latin America, the Middle-east and Asia from the 6th century to the 20th. These contributions, which deal variously with the discourses on methodology and history, recast the discipline of translation history in a new light and pave the way to the future of research and teaching in the field.

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