Immigrants of African descent have come to Texas in waves—first as free blacks seeking economic and social opportunity under the Spanish and Mexican governments, then as enslaved people who came with settlers from the deep South. Then after the Civil War, a new wave of immigration began. In The African Texans, author Alwyn Barr considers each era, giving readers a clear sense of the challenges that faced African Texans and the social and cultural contributions that they have made in the Lone Star State. With wonderful photographs and first-hand accounts, this book expands readers’ understanding of African American history in Texas. Special features include · 59 illustrations · 12 biographical sketches · excerpts from newspaper articles · excerpts from court rulings The African Texans is part of a five-volume set from the Institute of Texan Cultures. The entire set, entitled Texans All, explores the social and cultural contributions made by five distinctive cultural groups that already existed in Texas prior to its statehood or that came to Texas in the early twentieth century: The Indian Texans, The Mexican Texans, The European Texans, The African Texans, and The Asian Texans.

In the 1860s, as America waged civil war, several thousand African Americans sought greater freedom by emigrating to the fledgling nation of Liberia. While some argued that the new black republic represented disposal rather than emancipation, a few intrepid men set out to explore their African home. African-American Exploration in West Africa collects the travel diaries of James L. Sims, George L. Seymour, and Benjamin J. K. Anderson, who explored the territory that is now Liberia and Guinea between 1858 and 1874. These remarkable diaries reveal the wealth and beauty of Africa in striking descriptions of its geography, people, flora, and fauna. The dangers of the journeys surface, too -- Seymour was attacked and later died of his wounds, and his companion, Levin Ash, was captured and sold into slavery again. Challenging the notion that there were no black explorers in Africa, these diaries provide unique perspectives on 19th-century Liberian life and life in the interior of the continent before it was radically changed by European colonialism.

Jean Hartley, born in Kenya, is acknowledged as being the first to legitimise ìfixingî for wildlife film crews. Over the last 25 years, she has worked on over a thousand films, the vast majority being about wildlife and nature. She features five of the great film makers who all started their careers in Kenya in the1950s, legends whom she is proud to call personal friends. Watching all of their films, and many more, she became fascinated by the history of film making in Kenya and determined to find out when it all started. In this insightful book, she traces the roots of wildlife film back a hundred years, drawing on accounts of the original film makers and the professional hunters who guided those early safaris. She tracks the changes from those grainy, speeded up, silent films through to the technologically perfect High Definition and 3D films that are being made today.

The TAZARA (Tanzania Zambia Railway Authority), or Freedom Railway, from Dar es Salaam on the Tanzanian coast to the Copperbelt region of Zambia, was instrumental in fostering one of the most sweeping development transitions in postcolonial Africa. Built during the height of the Cold War, the railway was intended to redirect the mineral wealth of the interior away from routes through South Africa and Rhodesia. Rebuffed by Western aid agencies, newly independent Tanzania and Zambia accepted help from China to construct what would become one of Africa's most vital transportation corridors. The book follows the railroad from design and construction to its daily use as a vital means for moving villagers and goods. It tells a story of how transnational interests contributed to environmental change, population movements, and the rise of local and regional enterprise.

The second edition of this landmark work is enhanced by new chapters on Ogun worship in the New World. From reviews of the first edition:

"... an ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the changing environments of the Americas." -- African Studies Review

"... leav[es] the reader with a sense of the vitality, dynamism, and complexity of Ogun and the cultural contexts in which he thrives.... magnificent contribution to the literature on Ogun, Yoruba culture, African religions, and the African diaspora." -- International Journal of Historical Studies

Africa?s Political Wastelands explores and confirms the fact that because of irresponsible, corrupt, selfish, and unpatriotic kleptocrats parading as leaders, the ultimate breakdown of order has become the norm in African nations, especially those south of the Sahara. The result is the virtual annihilation of once thriving and proud nations along with the citizenry who are transformed into wretches, vagrants, and in the extreme, refugees. Doh uses Cameroon as an exemplary microcosm to make this point while still holding imperialist ambitions largely responsible for the status quo in Africa. Ultimately, in the hope of jumpstarting the process, he makes pertinent suggestions on turning the tide on the continent.

The first book to compare Cuban American and African American religiosity, Afro-Cuban Theology argues that Afro-Cuban religiosity and culture are central to understanding the Cuban and Cuban American condition. Gonzalez interprets this saturation of the Afro-Cuban as transcending race and affecting all Cubans and Cuban Americans in spite of their pigmentation or self-identification. Building on a historical overview of the intersection of race, religion, and nationhood, the author explores the manner in which devotion to La Caridad del Cobre, popular religion, and Cuban letters inform an Afro-Cuban theology.

This interdisciplinary study draws from various theological schools as well as the disciplines of history, literary studies, and ethnic studies. The primary discipline is systematic theology, with special attention to black and Latino/a theologies. Far from being disconnected subfields, they are interrelated areas within theological studies. Gonzalez provides a broad overview of the Cuban and Cuban American communities, emphasizing the manner in which the intersection of race and religion have functioned within the construction of Cuban and Cuban American identities. The Roman Catholic Church's role in this history, as well as the preservation of African religious practices and consequent formation of Afro-Cuban religions, are paramount.

Also groundbreaking is the collaborative spirit between black and Latino/a that underlines this work. The author proposes an expansion of racial identity recognizing the different cultures that exist within U.S. racial contexts--specifically a model of collaboration versus dialogue between black and Latino/a theologies.

The late Julius Kambarage Nyerere was nicknamed ìMusaî (Moses) during the later, post-independence years for leading his people from slavery and guiding them toward a free land of prosperity ñ the Promised Land. The Tanzanian odyssey chronicled in this book, which first appeared ten years ago as Tanzanians to the Promised Land, has been updated with new research. The author- also an engineer and a journalist- offers an enlightened and unbiased discussion of the journey and both sides of the contributions - successes and failures - made by former presidents and their systems of administration: the late Mwalimu Julius K. Nyerere, Alhajj Ali H. Mwinyi, and Mr. Benjamin W. Mkapa. Tanzaniansí hopes and expectations of the incumbent president, H.E. Mr. Jakaya Mrisho Kikwete, are also discussed. It is not intended as a political campaign of any kind, for any party or any individual. As a brief, yet comprehensive guide to the understanding of our nationís political and economic history, it puts forward suggestions concerning important areas of the country's economic development. Nyerere unfortunately didnít live to see his people arrive at the hoped-for destination, and I. J. Werremaís original inspiration to write, at forty years of independence, is sustained because after fifty years The Promised Land is Still Too Far.