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Africa's Past, Our Future Cover

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Africa's Past, Our Future

Kathleen R. Smythe

Africa's Past, Our Future engages the history of the African continent through the perspective of global issues such as political instability, economic development, and climate change. Since the past may offer alternative models for thinking about our collective future, this book promotes an appreciation for African social, economic, and political systems that have endured over the long-term and that offer different ways of thinking about a sustainable future. Introducing readers to the wide variety of sources from which African history is constructed, the book’s ten chapters cover human evolution, the domestication of plants and animals, climate change, social organization, the slave trade and colonization, development, and contemporary economics and politics.

Africa's Political Wastelands: The Bastardization of Cameroon Cover

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Africa's Political Wastelands: The Bastardization of Cameroon

The Bastardization of Cameroon

Africa?s Political Wastelands explores and confirms the fact that because of irresponsible, corrupt, selfish, and unpatriotic kleptocrats parading as leaders, the ultimate breakdown of order has become the norm in African nations, especially those south of the Sahara. The result is the virtual annihilation of once thriving and proud nations along with the citizenry who are transformed into wretches, vagrants, and in the extreme, refugees. Doh uses Cameroon as an exemplary microcosm to make this point while still holding imperialist ambitions largely responsible for the status quo in Africa. Ultimately, in the hope of jumpstarting the process, he makes pertinent suggestions on turning the tide on the continent.

Africa's World Cup Cover

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Africa's World Cup

Critical Reflections on Play, Patriotism, Spectatorship, and Space

Edited by Peter Alegi and Chris Bolsmann

African American Actresses Cover

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African American Actresses

The Struggle for Visibility, 1900--1960

Charlene Regester

Nine actresses, from Madame Sul-Te-Wan in Birth of a Nation (1915) to Ethel Waters in Member of the Wedding (1952), are profiled in African American Actresses. Charlene Regester poses questions about prevailing racial politics, on-screen and off-screen identities, and black stardom and white stardom. She reveals how these women fought for their roles as well as what they compromised (or didn't compromise). Regester repositions these actresses to highlight their contributions to cinema in the first half of the 20th century, taking an informed theoretical, historical, and critical approach.

African-American Exploration in West Africa Cover

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African-American Exploration in West Africa

Four Nineteenth-Century Diaries

Edited by James Fairhead, Tim Geysbeek, Svend E. Holsoe, and Melissa Leach

In the 1860s, as America waged civil war, several thousand African Americans sought greater freedom by emigrating to the fledgling nation of Liberia. While some argued that the new black republic represented disposal rather than emancipation, a few intrepid men set out to explore their African home. African-American Exploration in West Africa collects the travel diaries of James L. Sims, George L. Seymour, and Benjamin J. K. Anderson, who explored the territory that is now Liberia and Guinea between 1858 and 1874. These remarkable diaries reveal the wealth and beauty of Africa in striking descriptions of its geography, people, flora, and fauna. The dangers of the journeys surface, too -- Seymour was attacked and later died of his wounds, and his companion, Levin Ash, was captured and sold into slavery again. Challenging the notion that there were no black explorers in Africa, these diaries provide unique perspectives on 19th-century Liberian life and life in the interior of the continent before it was radically changed by European colonialism.

African American History in New Mexico Cover

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African American History in New Mexico

Portraits from Five Hundred Years

Bruce A. Glasrud

Although their total numbers in New Mexico were never large, blacks arrived with Spanish explorers and settlers and played active roles in the history of the territory and state. Here, Bruce Glasrud assembles the best information available on the themes, events, and personages of black New Mexico history.

The contributors portray the blacks who accompanied Cabeza de Vaca, Coronado and de Vargas and recount their interactions with Native Americans in colonial New Mexico. Chapters on the territorial period examine black trappers and traders as well as review the issue of slavery in the territory and the blacks who accompanied Confederate troops and fought in the Union army during the Civil War in New Mexico. Eventually blacks worked on farms and ranches, in mines, and on railroads as well as in the military, seeking freedom and opportunity in New Mexico’s wide open spaces. A number of black towns were established in rural areas. Lacking political power because they represented such a small percentage of New Mexico’s population, blacks relied largely on their own resources and networks, particularly churches and schools.

African American Jeremiad Rev: Appeals For Justice In America Cover

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African American Jeremiad Rev: Appeals For Justice In America

Begun by Puritans, the American jeremiad, a rhetoric that expresses indignation and urges social change, has produced passionate and persuasive essays and speeches throughout the nation's history. Showing that black leaders have employed this verbal tradition of protest and social prophecy in a way that is specifically African American, David Howard-Pitney examines the jeremiads of Frederick Douglass, Booker T. Washington, Ida B. Wells, W.E.B. DuBois, Mary McLeod Bethune, Martin Luther King, Jr., and Malcolm X, as well as more contemporary figures such as Jesse Jackson and Alan Keyes. This revised and expanded edition demonstrates that the African American jeremiad is still vibrant, serving as a barometer of faith in America's perfectibility and hope for social justice.This new edition features: * A new chapter on Malcolm X * An updated discussion of Jesse Jackson * A new discussion of Alan Keyes

African American Life in the Georgia Lowcountry Cover

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African American Life in the Georgia Lowcountry

The Atlantic World and the Gullah Geechee

Philip Morgan

The lush landscape and subtropical climate of the Georgia coast only enhance the air of mystery enveloping some of its inhabitants—people who owe, in some ways, as much to Africa as to America. As the ten previously unpublished essays in this volume examine various aspects of Georgia lowcountry life, they often engage a central dilemma: the region’s physical and cultural remoteness helps to preserve the venerable ways of its black inhabitants, but it can also marginalize the vital place of lowcountry blacks in the Atlantic World.

The essays, which range in coverage from the founding of the Georgia colony in the early 1700s through the present era, explore a range of topics, all within the larger context of the Atlantic world. Included are essays on the double-edged freedom that the American Revolution made possible to black women, the lowcountry as site of the largest gathering of African Muslims in early North America, and the coexisting worlds of Christianity and conjuring in coastal Georgia and the links (with variations) to African practices.

A number of fascinating, memorable characters emerge, among them the defiant Mustapha Shaw, who felt entitled to land on Ossabaw Island and resisted its seizure by whites only to become embroiled in struggles with other blacks; Betty, the slave woman who, in the spirit of the American Revolution, presented a “list of grievances” to her master; and S’Quash, the Arabic-speaking Muslim who arrived on one of the last legal transatlantic slavers and became a head man on a North Carolina plantation.

African American Miners and Migrants Cover

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African American Miners and Migrants

The Eastern Kentucky Social Club

Thomas E. Wagner

Thomas E. Wagner and Phillip J. Obermiller's African American Miners and Migrants documents the lives of Eastern Kentucky Social Club (EKSC) members, a group of black Appalachians who left the eastern Kentucky coalfields and their coal company hometowns in Harlan County. _x000B__x000B_Bound together by segregation, the inherent dangers of mining, and coal company paternalism, it might seem that black miners and mountaineers would be eager to forget their past. Instead, members of the EKSC have chosen to celebrate their Harlan County roots. African American Miners and Migrants uses historical and archival research and extensive personal interviews to explore their reasons and the ties that still bind them to eastern Kentucky. The book also examines life in the model coal towns of Benham and Lynch in the context of Progressive Era policies, the practice of welfare capitalism, and the contemporary national trend of building corporate towns and planned communities.

African American Roots of Modernism Cover

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African American Roots of Modernism

From Reconstruction to the Harlem Renaissance

James Smethurst

In identifying Jim Crow with the coming of modernity, Smethurst focuses on how artists reacted to the system’s racial territorialization, especially in urban areas, with migration narratives, poetry about the black experience, and black performance of popular culture forms such as ragtime and vaudeville. He shows how black writers such as Fenton Johnson and William Stanley Braithwaite circulated some of the earliest and strongest ideas about an American “bohemia.” Smethurst also upsets the customary assessment of the later Harlem Renaissance as the first and primary site of a nationally significant black arts movement by examining the influence of these earlier writers and artists on the black and white modernists who followed. In so doing, Smethurst brings forward a host of understudied figures while recontextualizing the work of canonical authors such as Charles Chesnutt, Pauline Hopkins, Paul Laurence Dunbar, and James Weldon Johnson. As such, Smethurst positions his work as part of the current growing intellectual conversation about the nature of African American literature and culture between Reconstruction and the Harlem Renaissance. Far from being a “nadir” period, Smethurst argues, this period saw black artists creating cultural forms from which issued some of the most significant literary works of the twentieth century.

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