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Bodies and Ruins

Imagining the Bombing of Germany, 1945 to the Present

David F. Crew

Bodies and Ruins explores changing German memories of World War II as it analyzes the construction of narratives in the postwar period including the depiction of the bombing of individual German cities. The book offers a corrective notion rising in the late 1990s notion that discussions of the Allied bombing were long overdue, because Germans who had endured the bombings had largely been condemned to silence after 1945. David Crew shows that far from being marginalized in postwar historical consciousness, the bombing war was in fact a central strand of German memory and identity. Local narratives of the bombing war, including photographic books, had already established themselves as important “vectors of memory” in the late 1940s and early 1950s. The bombing war had allowed Germans to see themselves as victims at a time when the Allied liberation of the concentration camps and the Nuremberg trials presented Germans to the world as perpetrators or at least as accomplices. The bombing war continued to serve this function even as Germans became more and more willing directly to confront the genocide of European Jews—which by the 1960s was beginning to be referred to as the Holocaust.

Bodies and Ruins examines a range of local publications that carried photographic images of German cities destroyed in the air war, images that soon entered the visual memory of World War II. Despite its obvious importance, historians have paid very little attention to the visual representation of the bombing war. This book follows the search for what were considered to be the “right” stories and the “right” pictures of the bombing war in local publications and picture books from 1945 to the present, and is intended for historians as well as general readers interested in World War II, the Allied bombing of German cities, the Holocaust, the history of memory and photographic/visual history.

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The Body Economic

Life, Death, and Sensation in Political Economy and the Victorian Novel

Catherine Gallagher

The Body Economic revises the intellectual history of nineteenth-century Britain by demonstrating that political economists and the writers who often presented themselves as their literary antagonists actually held most of their basic social assumptions in common. Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put the body and its feelings at the center of its theories, and neoclassical economics built itself even more self-consciously on physiological premises.

The Body Economic explains how these shared views of life, death, and sensation helped shape and were modified by the two most important Victorian novelists: Charles Dickens and George Eliot. It reveals how political economists interacted crucially with the life sciences of the nineteenth century--especially with psychophysiology and anthropology--producing the intellectual world that nurtured not only George Eliot's realism but also turn-of-the-century literary modernism.

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The Body of the People

East German Dance since 1945

Jens Richard Giersdorf

The Body of the People is the first comprehensive study of dance and choreography in East Germany. More than twenty years after the fall of the Berlin Wall, Jens Richard Giersdorf investigates a national dance history in the German Democratic Republic, from its founding as a Communist state that supplanted the Soviet zone of occupation in 1949 through the aftermath of its collapse forty years later, examining complex themes of nationhood, ideology, resistance, and diaspora through an innovative mix of archival research, critical theory, personal narrative, and performance analysis.
    Giersdorf looks closely at uniquely East German dance forms—including mass exercise events, national folk dances, Marxist-Leninist visions staged by the dance ensemble of the armed forces, the vast amateur dance culture, East Germany’s version of Tanztheater, and socialist alternatives to rock ‘n’ roll—to demonstrate how dance was used both as a form of corporeal utopia and of embodied socialist propaganda and indoctrination. The Body of the People also explores the artists working in the shadow of official culture who used dance and movement to critique and resist state power, notably Charlotte von Mahlsdorf, Arila Siegert, and Fine Kwiatkowski. Giersdorf considers a myriad of embodied responses to the Communist state even after reunification, analyzing the embodiment of the fall of the Berlin Wall in the works of Jo Fabian and Sasha Waltz, and the diasporic traces of East German culture abroad, exemplified by the Chilean choreographer Patricio Bunster.

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Bolshevism, Syndicalism and the General Strike: The lost

Part 3 The Lost World of A.A. Purcell

Written by Kevin Morgan

This, the third and final volume of Kevin Morgan’s widely acclaimed series Bolshevism and the British Left, centres around the figure of Alf Purcell (1872-1935), who was one of the leading personalities in the British and international labour movement. Purcell was most famous as one of TUC ‘lefts’ of the 1920s. He was Labour MP for both the Forest of Dean and Coventry, as well as being the founder of a working guild in the spirit of guild socialism, the controversial president of the International Federation of Trade Unions and the man who moved the formation of the British communist party. A sometime syndicalist and associate of Tom Mann, his experiences in the militant Furnishing Trades gave rise to the uncompromising trade-union internationalism which features so centrally in these chapters. With the squeezing of his syndicalist approach, as the labour movement polarised into Labour and communist currents, Purcell died a politically broken figure. Morgan uses Purcell’s biography to explore wider controversies – among them the rival modernities of Bolshevism and Americanism; the reactions to Bolshevism of anarchists like Emma Goldman; and the roots of political tourism to the USSR by British labour delegations in which Purcell featured so prominently. The volume also includes a major challenge to existing interpretations of the general strike, which it compellingly presents, not as the last fling of the syndicalists, but as a first and disastrously ill-conceived imposition of social-democratic centralism by Ernest Bevin.

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Bonds of Alliance

Indigenous and Atlantic Slaveries in New France

Brett Rushforth

In the seventeenth and eighteenth centuries, French colonists and their Native allies participated in a slave trade that spanned half of North America, carrying thousands of Native Americans into bondage in the Great Lakes, Canada, and the Caribbean. In ###Bonds of Alliance#, Brett Rushforth reveals the dynamics of this system from its origins to the end of French colonial rule. Balancing a vast geographic and chronological scope with careful attention to the lives of enslaved individuals, this book gives voice to those who lived through the ordeal of slavery and, along the way, shaped French and Native societies.

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The Book of Howth

Elizabethan Conquest and the Old English

Valerie McGowan-Doyle

Traces Joyce’s involvement in early modern cinema, his thematic and formal borrowing from this genre, and the impact of his writings on later avant-garde and mainstream cinema ranging from Godard to Rossellini to Scorsese.

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Books Without Borders in Enlightenment Europe

French Cosmopolitanism and German Literary Markets

By Jeffrey Freedman

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The Bourgeoisie in 18th-Century France

Elinor Barber

The book description for "The Bourgeoisie in 18th-Century France" is currently unavailable.

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Breach

Poems

Nicole Cooley

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Britain and World Power since 1945

Constructing a Nation's Role in International Politics

David M. McCourt

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