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Damned for Their Difference Cover

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Damned for Their Difference

The Cultural Construction of Deaf People as Disabled

Jan Branson and Don Miller

Until the recent recognition of Deaf culture and the legitimacy of signed languages, majority societies around the world have classified Deaf people as “disabled,” a term that separates all persons so designated from the mainstream in a disparaging way. Damned for Their Difference offers a well-founded explanation of how this discrimination came to be through a discursive exploration of the cultural, social, and historical contexts of these attitudes and behavior toward deaf people, especially in Great Britain. Authors Jan Branson and Don Miller examine the orientation toward and treatment of deaf people as it developed from the 17th century through the 20th century. Their wide-ranging study explores the varied constructions of the definition of “disabled,” a term whose meaning hinges upon constant negotiation between parties, ensuring that no finite meaning is ever established. Damned for Their Difference provides a sociological understanding of disabling practices in a way that has never been seen before.

Dangerous Citizens:The Greek Left and the Terror of the State Cover

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Dangerous Citizens:The Greek Left and the Terror of the State

The Greek Left and the Terror of the State

Neni Panourgiá

WINNER OF THE 2011 VICTOR TURNER PRIZE, Society for Humanistic Anthropology WINNER OF THE 2011 EDMUND KEELEY BOOK PRIZE, Modern Greek Studies Association HONORABLE MENTION IN ARCHEOLOGY & ANTHROPOLOGY, 2009 Prose Awards This book simultaneously tells a story-or rather, stories-and a history. The stories are those of Greek Leftists as paradigmatic figures of abjection, given that between 1929 and 1974 tens of thousands of Greek dissidents were detained and tortured in prisons, places of exile, and concentration camps. They were sometimes held for decades, in subhuman conditions of toil and deprivation.The history is that of how the Greek Left was constituted by the Greek state as a zone of danger. Legislation put in place in the early twentieth century postulated this zone. Once the zone was created, there was always the possibility-which came to be a horrific reality after the Greek Civil War of 1946 to 1949-that the state would populate it with its own citizens. Indeed, the Greek state started to do so in 1929, by identifying ever-increasing numbers of citizens as Leftistsand persecuting them with means extending from indefinite detention to execution. In a striking departure from conventional treatments, Neni Panourgi\~ places the Civil War in a larger historical context, within ruptures that have marked Greek society for centuries. She begins the story in 1929, when the Greek state set up numerous exile camps on isolated islands in the Greek archipelago. The legal justification for these camps drew upon laws reaching back to 1871-originally directed at controlling brigands-that allowed the death penalty for those accused and the banishment of their family members and anyone helping to conceal them. She ends with the 2004 trial of the Revolutionary Organization 17 November.Drawing on years of fieldwork, Panourgi\~ uses ethnographic interviews, archival material, unpublished personal narratives, and memoirs of political prisoners and dissidents to piece together the various microhistories of a generation, stories that reveal how the modern Greek citizen was created as a fraught political subject.Her book does more than give voice to feelings and experiences suppressed for decades. It establishes a history for the notion of indefinite detention that appeared as a legal innovation with the Bush administration. Part of its roots, Panourgi\~ shows, lie in the laboratory that Greece provided for neo-colonialism after the Truman Doctrine and under the Marshall Plan.

Dans in België 1890-1940 Cover

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Dans in België 1890-1940

Staf Vos

Pioniersstudie over dans in de Belgische kunstwereld Dans in België brengt het boeiende verhaal van vijftig jaar dansgeschiedenis. Lang vóór er sprake was van De Keersmaeker of Béjart dacht men in Brussel en Antwerpen al na over de plaats van dans tussen de kunsten. Terwijl dans in de late negentiende eeuw gebukt ging onder een kwalijke reputatie, veroverde de kunstvorm in de periode 1890-1940 een belangrijke plaats in het Belgische artistieke landschap. Staf Vos toont hoe buitenlandse dansers, van Isadora Duncan en Les Ballets Russes tot Rudolf von Laban, als voorbeeld dienden voor binnenlandse initiatieven. Daarnaast vertelt dit boek over filosofen, kunstenaars, pedagogen en politici die werden getroffen door de kracht van dans. De lezer krijgt hierdoor een originele kijk op het Belgische artistieke en intellectuele leven in de vroege twintigste eeuw.

Dark Laughter Cover

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Dark Laughter

Spanish Film, Comedy, and the Nation

Juan F. Egea

In Dark Laughter, Juan F. Egea provides a remarkable in-depth analysis of the dark comedy film genre in Spain, as well as a provocative critical engagement with the idea of national cinema, the visual dimension of cultural specificity, and the ethics of dark humor.

            Egea begins his analysis with General Franco's dictatorship in the 1960s—a regime that opened the country to new economic forces while maintaining its repressive nature—exploring key works by Luis García Berlanga, Marco Ferreri, Fernando Fernán-Gómez, and Luis Buñuel. Dark Laughter then moves to the first films of Pedro Almodóvar in the early 1980s during the Spanish political transition to democracy before examining Alex de la Iglesia and the new dark comedies of the 1990s. Analyzing this younger generation of filmmakers, Egea traces dark comedy to Spain's displays of ultramodernity such as the Universal Exposition in Seville and the Barcelona Olympic Games.
            At its core, Dark Laughter is a substantial inquiry into the epistemology of comedy, the intricacies of visual modernity, and the relationship between cinema and a wider framework of representational practices.

David Hume Cover

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David Hume

Historical Thinker, Historical Writer

Edited by Mark G. Spencer

This volume provides a new and nuanced appreciation of David Hume, the historian. Gone for good are the days when one can off-handedly assert, as R. G. Collingwood once did, that Hume “deserted philosophical studies in favour of historical” ones. History and philosophy are commensurate in Hume’s thought and works from the beginning to the end. Only by recognizing this can we begin to make sense of Hume’s canon as a whole. Only then are we able to see clearly his many contributions to fields we now recognize as the distinct disciplines of history, philosophy, political science, economics, literature, religious studies and much else besides. Casting their individual beams of light on various nooks and crannies of Hume’s historical thought and writing, the book’s contributors illuminate the whole in a way that would not be possible from the perspective of a single-authored study. Aside from the editor, the contributors are David Allan, M. A. Box, Timothy M. Costelloe, Roger L. Emerson, Jennifer Herdt, Philip Hicks, Douglas Long, Claudia M. Schmidt, Michael Silverthorne, Jeffrey M. Suderman, Mark R. M. Towsey, and F. L. Van Holthoon.

De beiaard Cover

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De beiaard

Een politieke geschiedenis

Marnix Beyen, Luc Rombouts, Staf Vos (eds)

Sinds vijf eeuwen is beiaardmuziek een typisch kenmerk van de steden in de Lage Landen. De beiaard maakt zozeer deel uit van het klankbeeld dat hij nauwelijks nog wordt opgemerkt. Toch heeft precies zijn alomtegenwoordigheid ervoor gezorgd dat mensen allerhande betekenissen aan hem hebben toegekend. Die betekenissen overstijgen het domein van de 'zuivere' muziek. De beiaard werd beschouwd als de 'stem' van bevolkingsgroepen en als een symbool van de waarden die hun leden met elkaar deelden. Over de afbakening van die groepen en over de inhoud van die waarden bestonden echter uiteenlopende meningen en rezen conflicten. De beiaard werd dus onvermijdelijk een politiek instrument. In België, een land dat doortrokken was van maatschappelijke tegenstellingen, werd hij dat meer dan waar ook. Soms was de beiaard een toonbeeld van burgerlijk-liberale waarden, dan weer van een strijdbaar katholicisme. Nu eens was hij Vlaams, dan weer Belgisch. Door de manieren te onderzoeken waarop de beiaard werd verbeeld, belichten de auteurs van dit boek de geschiedenis van België dan ook vanuit een verrassende hoek.

Deaf History and Culture in Spain Cover

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Deaf History and Culture in Spain

A Reader of Primary Documents

Benjamin Fraser, Editor and Translator

In this landmark reader, Benjamin Fraser offers in five parts 44 Spanish documents dating from 1417 to the present, translated for the first time to trace the turbulent history of Deaf culture in Spain. Part I: The Birth of Oralism and Deafness as Metaphor illustrates the predominant impression of deafness as isolation, exemplified by Teresa de Cartagena writings in 1455-60 about deafness as an island. Part II: The Return to Deaf Education highlights writers who wished to restore “the Spanish ‘Art’” of educating deaf students. Lorenzo Hervás y Panduro wrote The Spanish School of Deafmutes, or Method of Teaching Them to Write and Speak the Spanish Language in 1795. Yet, Madrid’s Royal School for Deaf-Mutes, which opened in 1805, taught deaf students using methodical signs adopted from France’s Abbé de l’Epée. Readings in Part III :The Contemporary Deaf Experience reveal considerations from the 1970s to the ‘90s of Deaf culture and linguistics similar to those in the United States, typified by the works of Inés Polo and Félix-Jesús Pinedo Peydró. The fourth part, The Recognition of Deaf Language and Culture, marks the expansion of academic research in Spain. María Angeles Rodríguez González spearheaded Spanish Sign Language (LSE) linguistics in 1992 with her publication Sign Language. The final part, A Selection of Deaf Poetry, concludes these documents with verse in Spanish spoken dialects rather than LSE, indicating that the evolution of the Deaf experience in Spain continues on its own path today.

Deaf Identity and Social Images in Nineteenth-Century France Cover

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Deaf Identity and Social Images in Nineteenth-Century France

Anne T. Quartararo

Since the French Revolution in1789, Deaf French people have struggled to preserve their cultural heritage, to win full civil rights, and to gain access to society through their sign language. Anne T. Quartararo depicts this struggle in her new book Deaf Identity and Social Images in Nineteenth-Century France. In it, she portrays the genesis of the French Deaf community, examines its identity as a minority culture, and analyzes how deaf people developed their cultural heritage, a deaf patrimonie that has been historically connected to the preservation of French sign language. Quartararo begins by describing how Abbé de l’Epée promoted the education of deaf students with sign language, an approach supported by the French revolutionary government, which formally established the Paris Deaf Institute in 1791. In the early part of the nineteenth century, the school’s hearing director, Roch-Ambroise-Auguste Bébian, advocated the use of sign language even while the institute’s physician Dr. Jean-Marc-Gaspard Itard worked to discredit signing. In this meticulous study, Quartararo details the many variations in deaf education from 1830 to1930. She describes the banquet movement in the 1830s led by Ferdinand Berthier, Alponse Lenoir, and Claudius Forestier, which celebrated sign language and fostered the deaf association known as the Société Centrale. Quartararo also recounts how hearing educators at the Milan Congress in 1880 universally adopted oralism as the way to defeat deafness, and prohibited sign language in deaf schools. French deaf people refused to submit to this attack upon their cultural heritage, however, and an explosion of social activity among deaf people between 1880 and 1900 created a host of active deaf groups in all corners of the country. Deaf Identity and Social Images paints a unique, rich tapestry of the resilience of French deaf people in defending their culture through the most trying century in their history.

The Deeds of Louis the Fat Cover

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The Deeds of Louis the Fat

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Defiant Populist Cover

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Defiant Populist

Jörg Haider and the Politics of Austria

by Lothar Höbelt

Whether or not Haider has followed the ideological path of his compatriot Adolf Hitler, says Austrian political historian Höbelt, he has certainly followed his route to publicity around the world. He explores the politics of modern Austria, and debunks the myth that Haider is driven by passion rather than self-interest.

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