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This landmark collection by an international group of scholars and public intellectuals represents a major reassessment of French colonial culture and how it continues to inform thinking about history, memory, and identity. This reexamination of French colonial culture, provides the basis for a revised understanding of its cultural, political, and social legacy and its lasting impact on postcolonial immigration, the treatment of ethnic minorities, and national identity.
Maltese Settlers in Algeria and France
"[I]ntersects with very active areas of research in history and anthropology, and links these domains of inquiry spanning Europe and North Africa in a creative and innovative fashion." -- Douglas Holmes, Binghamton University
Maltese settlers in colonial Algeria had never lived in France, but as French citizens were abruptly "repatriated" there after Algerian independence in 1962. In France today, these pieds-noirs are often associated with "Mediterranean" qualities, the persisting tensions surrounding the French-Algerian War, and far-right, anti-immigrant politics. Through their social clubs, they have forged an identity in which Malta, not Algeria, is the unifying ancestral homeland. Andrea L. Smith uses history and ethnography to argue that scholars have failed to account for the effect of colonialism on Europe itself. She explores nostalgia and collective memory; the settlers' liminal position in the colony as subalterns and colonists; and selective forgetting, in which Malta replaces Algeria, the "true" homeland, which is now inaccessible, fraught with guilt and contradiction. The study provides insight into race, ethnicity, and nationalism in Europe as well as cultural context for understanding political trends in contemporary France.
The Urban Grounds of Anti-Imperialism and Feminism in Interwar Paris
World War I gave colonial migrants and French women unprecedented access to the workplaces and nightlife of Paris. After the war they were expected to return without protest to their homes–either overseas or metropolitan. Neither group, however, was willing to be discarded. Between the world wars, the mesmerizing capital of France’s colonial empire attracted denizens from Africa, the Caribbean, and the United States. Paris became not merely their home but also a site for political engagement. Colonial Metropolis tells the story of the interactions and connections of these black colonial migrants and white feminists in the social, cultural, and political world of interwar Paris and of how both were denied certain rights lauded by the Third Republic such as the vote, how they suffered from sensationalist depictions in popular culture, and how they pursued parity in ways that were often interpreted as politically subversive. This compelling book maps the intellectual and physical locales that the disenfranchised residents of Paris frequented, revealing where their stories intersected and how the personal and local became political and transnational. With a focus on art, culture, and politics, this study reveals how both groups considered themselves inhabitants of a colonial metropolis and uncovers the strategies they used to colonize the city. Together, through the politics of anti-imperialism, communism, feminism, and masculinity, these urbanites connected performances of colonial and feminine tropes, such as Josephine Baker’s, to contestations of the colonial system.
Colonialism, Antisemitism, and Germans of Jewish Descent in Imperial Germany examines the relationship between the colonial and antisemitic movements of modern Germany from 1871 to 1918, examining the complicated ways in which German antisemitism and colonialism fed off of and into each other in the decades before the First World War. Author Christian S. Davis studies the significant involvement with and investment in German colonialism by the major antisemitic political parties and extra-parliamentary organizations of the day, while also investigating the prominent participation in the colonial movement of Jews and Germans of Jewish descent and their tense relationship with procolonial antisemites. Working from the premise that the rise and propagation of racial antisemitism in late-nineteenth-century Germany cannot be separated from the context of colonial empire, Colonialism, Antisemitism, and Germans of Jewish Descent in Imperial Germany is the first work to study the dynamic and evolving interrelationship of the colonial and antisemitic movements of the Kaiserreich era. It shows how individuals and organizations who originated what would later become the ideological core of National Socialism---racial antisemitism---both influenced and perceived the development of a German colonial empire predicated on racial subjugation. It also examines how colonialism affected the contemporaneous German antisemitic movement, dividing it over whether participation in the nationalist project of empire building could furnish patriotic credentials to even Germans of Jewish descent. The book builds upon the recent upsurge of interest among historians of modern Germany in the domestic impact and character of German colonialism, and on the continuing fascination with the racialization of the German sense of self that became so important to German history in the twentieth century.
Mary and the Politics of Seventeenth-Century Spanish Theater
Few characters were as ubiquitous in the collective consciousness of early modern Spain as the Virgin Mary. By the 1600s, the cult of the Immaculate Conception had become so popularized that the Hapsburg monarchy issued a decree in defense of the Virgin's purity. In a climate of political disharmony, however, this revered icon—often pictured as the passive, chaste, and pious mother of God—would become an archetype of paradox within the Spanish imagination. In The Comedia of Virginity, Mirzam Perez underscores how the character of the Virgin Mary was represented on the theater stage. Following a concise account of the historical, academic, and political forces operating within Hapsburg Spain, Perez dissects three comedias—three-act productions featuring both drama and comedy—and draws out their multivalent interpretations of Mary. In their own ways, these secular comedias reproduced an uncommonly empowering feminine vision while making light of the Virgin's purity. The Mary of the stage was an active, sinuous, even sensual force whom playwrights would ultimately use to support a fracturing monarchy.
The Paris Commune and Its Cultural Aftermath
Nothing says more about a culture than the way it responds to deeply traumatic events. The Reign of Terror, America's Civil War, the Holocaust, Hiroshima and Nagasaki, the Kennedy assassination, September 11th-watershed moments such as these can be rich sounding boards for the cultural historian patient enough to tease out the traumatic event's complex cultural resonances.This book is about one such moment in the history of modern France. The so-called Terrible Year began with the French army's crushing defeat at Sedan and the fall of the Second Empire in September of 1870, followed by the Prussian occupation of France and first siege of Paris in the fall and winter of that year. But no event of the period proved so deeply traumatic as the Paris Commune of 1871 and the bloody reprisals that attended its demise.Commemorating Trauma engages the rich body of recent scholarly work on cultural trauma to examine a curious conundrum. Why do French literary, historical and philosophical texts written in the aftermath of the Paris Commune so often employ the trope of confusion (in both the phenomenal and cognitive senses of that term) to register and work through the historical traumas of the Terrible Year? And how might these representations of confusion both reflect and inflect the confusions inherent to an ongoing process of social upheaval evident in late nineteenth-century France-a process whose benchmarks include democratization and the blurring of social classes, a persistent and evolving revolutionism, radical reconfigurations of the city as lived environment, and the development of specifically capitalist logics of commerce? These are the two principal questions addressed in this important study of cultural memory.
Essays in Memory of Bryce Lyon (1920-2007)
The book features a section of appreciations of Bryce Lyon followed by three sections on the major areas on which Lyon's research concentrated: the legacy of Henri Pirenne, constitutional and legal history of England and the Continent, and the economic history of the Low Countries. Original essays by Bernard S. Bachrach, David S. Bachrach, Jan Dumolyn, Caroline Dunn, Jelle Haemers, John H. A. Munro, James M. Murray, Anthony Musson, David Nicholas, W. Mark Ormrod, Walter Prevenier, Jeff Rider, Don C. Skemer, and Marci Sortor deepen our understanding of Lyon's career and siginificance and further our knowledge of the areas in which he worked.
The Cold War between the United States and the Communists in France and Italy
Fierce and cunning in their Cold War anti-American propaganda, the French and Italian Communists identified capitalist oppression with American domination. Pressed by this resilient internal opposition from within two core Western allies, the United States did not limit itself to tactical countermeasures. It also constantly reassessed the very meaning of American liberal capitalist culture and ideology. CONFRONTING AMERICA looks not only at Italian and French Communist resistance to Americanization, but also at an America that confronted itself, its own foreign policy, social structure, and overall culture. This psychological impact was particularly intense because the French and Italian Communist parties (PCF and PCI) were deeply rooted in Western culture, and, given their strength, they could not be dismissed simply as anomalies. At crucial junctures, America’s struggle with Western European Communism took on the same universal and sometimes apocalyptic connotations as its conflict with the Soviet Union. Using new archival evidence from Communist archives in France and Italy, as well as repositories in the US, this study emphasizes the interconnection of political, economic, and diplomatic aspects with cultural and ideological constructs.
Emotions, Publicity, and Legal Culture in Marseille, 1264–1423
In the thirteenth and fourteenth centuries, the ideas and practices of justice in Europe underwent significant change as procedures were transformed and criminal and civil caseloads grew apace. Drawing on the rich judicial records of Marseille from the years 1264 to 1423, especially records of civil litigation, this book approaches the courts of law from the perspective of the users of the courts (the consumers of justice) and explains why men and women chose to invest resources in the law.
Daniel Lord Smail shows that the courts were quickly adopted as a public stage on which litigants could take revenge on their enemies. Even as the new legal system served the interest of royal or communal authority, it also provided the consumers of justice with a way to broadcast their hatreds and social sanctions to a wider audience and negotiate their own community standing in the process. The emotions that had driven bloodfeuds and other forms of customary vengeance thus never went away, and instead were fully incorporated into the new procedures.