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Allies at Odds Cover

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Allies at Odds

The Andean Church and its Indigenous Agents, 1583-1671

John Charles

Focusing on the highland parishes of the Lima archdiocese, John Charles explores the vital, often conflictive role indigenous agents played in the creation of Andean Christian society. Torn between their obligation to enforce colonial laws and their customary obligation to protect native communities from the colonizers’ abuses, indios ladinos used the Spanish language to complicate the Church’s efforts to evangelize on its own terms. Utilizing a vast body of literary activity, Allies at Odds provides perspective on the Spanish cultural values that shaped the literary activity of native Andeans and that native Andeans had a part in shaping.

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The Allotment Plot

Alice C. Fletcher, E. Jane Gay, and Nez Perce Survivance

Nicole Tonkovich

The Allotment Plot reexamines the history of allotment on the Nez Perce Reservation from 1889 to 1892 to account for and emphasize the Nez Perce side of the story. By including Nez Perce responses to allotment, Nicole Tonkovich argues that the assimilationist aims of allotment ultimately failed due in large part to the agency of the Nez Perce people themselves throughout the allotment process. The Nez Perce were actively involved in negotiating the terms under which allotment would proceed and simultaneously engaged in ongoing efforts to protect their stories and other cultural properties from institutional appropriation by the allotment agent, Alice C. Fletcher, who was a respected anthropologist, and her photographer and assistant, E. Jane Gay. The Nez Perce engagement in this process laid a foundation for the long-term survival of the tribe and its culture.

Making use of previously unknown archival sources, Fletcher’s letters, Gay’s photographs and journalistic accounts, oral tribal histories, and analyses of performances such as parades and verbal negotiations, Tonkovich assembles a masterful portrait of Nez Perce efforts to control their own future and provides a vital counternarrative of the allotment period, which is often portrayed as disastrous to Native polities.
 

The Allstons of Chicora Wood Cover

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The Allstons of Chicora Wood

Wealth, Honor, and Gentility in the South Carolina Lowcountry

William Kauffman Scarborough

William Kauffman Scarborough’s absorbing biography, The Allstons of Chicora Wood, chronicles the history of a South Carolina planter family from the opulent antebellum years through the trauma of the Civil War and postwar period. Scarborough’s examination of this extraordinarily enterprising family focuses on patriarch Robert R. F. W. Allston, his wife Adele Petigru Allston, and their daughter Elizabeth Allston Pringle Scarborough. Scarborough shows how Allston, in the four decades before the Civil War, converted a small patrimony into a Lowcountry agricultural empire of seven rice plantations, all the while earning an international reputation for the quality of his rice and his expertise. Scarborough also examines Allston’s twenty-eight-year career in the state legislature and as governor from 1856 to 1858. Upon his death in 1864, Robert Allston’s wife of thirty-two years, Adele, found herself at the head of the family. Scarborough traces how she successfully kept the family plantations afloat in the postwar years through a series of decisions that exhibited her astute business judgment and remarkable strength of character. In the next generation, one of the Allstons’ five children followed a similar path. Elizabeth “Bessie” Allston took over management of the remaining family plantations upon the death of her husband and, in order to pay off the plantation mortgages, embarked on a highly successful literary career. Bessie authored two books, the first treating her experiences as a woman rice planter and the second describing her childhood before the war. A major contribution to southern history, The Allstons of Chicora Wood provides a fascinating look at a prominent southern family that survived the traumas of war and challenges of Reconstruction.

Almost Chosen People Cover

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Almost Chosen People

Oblique Biographies in the American Grain

Michael Zuckerman

Few historians are bold enough to go after America's sacred cows in their very own pastures. But Michael Zuckerman is no ordinary historian, and this collection of his essays is no ordinary book.

In his effort to remake the meaning of the American tradition, Zuckerman takes the entire sweep of American history for his province. The essays in this collection, including two never before published and a new autobiographical introduction, range from early New England settlements to the hallowed corridors of modern Washington. Among his subjects are Puritans and Southern gentry, Benjamin Franklin and Benjamin Spock, P. T. Barnum and Ronald Reagan. Collecting scammers and scoundrels, racists and rebels, as well as the purest genius, he writes to capture the unadorned American character.

Recognized for his energy, eloquence, and iconoclasm, Zuckerman is known for provoking—and sometimes almost seducing—historians into rethinking their most cherished assumptions about the American past. Now his many fans, and readers of every persuasion, can newly appreciate the distinctive talents of one of America's most powerful social critics.

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Almost Free

A Story about Family and Race in Antebellum Virginia

Eva Wolf Sheppard

In Almost Free, Eva Sheppard Wolf uses the story of Samuel Johnson, a free black man from Virginia attempting to free his family, to add detail and depth to our understanding of the lives of free blacks in the South.

There were several paths to freedom for slaves, each of them difficult. After ten years of elaborate dealings and negotiations, Johnson earned manumission in August 1812. An illiterate “mulatto” who had worked at the tavern in Warrenton as a slave, Johnson as a freeman was an anomaly, since free blacks made up only 3 percent of Virginia's population. Johnson stayed in Fauquier County and managed to buy his enslaved family, but the law of the time required that they leave Virginia if Johnson freed them. Johnson opted to stay. Because slaves' marriages had no legal standing, Johnson was not legally married to his enslaved wife, and in the event of his death his family would be sold to new owners. Johnson's story dramatically illustrates the many harsh realities and cruel ironies faced by blacks in a society hostile to their freedom.

Wolf argues that despite the many obstacles Johnson and others faced, race relations were more flexible during the early American republic than is commonly believed. It could actually be easier for a free black man to earn the favor of elite whites than it would be for blacks in general in the post-Reconstruction South. Wolf demonstrates the ways in which race was constructed by individuals in their day-to-day interactions, arguing that racial status was not simply a legal fact but a fluid and changeable condition. Almost Free looks beyond the majority experience, focusing on those at society's edges to gain a deeper understanding of the meaning of freedom in the slaveholding South.

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Along Navajo Trails

Recollections of a Trader 1898-1948

Will Evans edited by Susan E. Woods and Robert McPherson

Will Evans's writings should find a special niche in the small but significant body of literature from and about traders to the Navajos. Evans was the proprietor of the Shiprock Trading Company. Probably more than most of his fellow traders, he had a strong interest in Navajo culture. The effort he made to record and share what he learned certainly was unusual. He published in the Farmington and New Mexico newspapers and other periodicals, compiling many of his pieces into a book manuscript. His subjects were Navajos he knew and traded with, their stories of historic events such as the Long Walk, and descriptions of their culture as he, an outsider without academic training, understood it. Evans's writings were colored by his fondness for, uncommon access to, and friendships with Navajos, and by who he was: a trader, folk artist, and Mormon. He accurately portrayed the operations of a trading post and knew both the material and artistic value of Navajo crafts. His art was mainly inspired by Navajo sandpainting. He appropriated and, no doubt, sometimes misappropriated that sacred art to paint surfaces and objects of all kinds. As a Mormon, he had particular views of who the Navajos were and what they believed and was representative of a large class of often-overlooked traders. Much of the Navajo trade in the Four Corners region and farther west was operated by Mormons. They had a significant historical role as intermediaries, or brokers, between Native and European American peoples in this part of the West. Well connected at the center of that world, Evans was a good spokesperson.

Along the Hudson and Mohawk Cover

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Along the Hudson and Mohawk

The 1790 Journey of Count Paolo Andreani

Edited and translated by Cesare Marino and Karim M. Tiro

In the summer of 1790 the Italian explorer Count Paolo Andreani embarked on a journey that would take him through New York State and eastern Iroquoia. Traveling along the Hudson and Mohawk Rivers, Andreani kept a meticulous record of his observations and experiences in the New World. Published complete for the first time in English, the diary is of major importance to those interested in life after the American Revolution, political affairs in the New Republic, and Native American peoples.

Through Andreani's writings, we glimpse a world in cultural, economic, and political transition. An active participant in Enlightenment science, Andreani provides detailed observations of the landscape and natural history of his route. He also documents the manners and customs of the Iroquois, Shakers, and German, Dutch, and Anglo New Yorkers. Andreani was particularly interested in the Oneida and Onondaga Indians he visited, and his description of an Oneida lacrosse match accompanies the earliest known depiction of a lacrosse stick. Andreani's American letters, included here, relate his sometimes difficult but always revealing personal relationships with Washington, Jefferson, and Adams.

Prefaced by an illuminating historical and biographical introduction, Along the Hudson and Mohawk is a fascinating look at the New Republic as seen through the eyes of an observant and curious explorer.

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Along the Streets of Bronzeville

Black Chicago's Literary Landscape

Elizabeth Schlabach

Along the Streets of Bronzeville examines the flowering of African American creativity, activism, and scholarship in the South Side Chicago district known as Bronzeville during the period between the Harlem Renaissance in the 1920s and the Black Arts Movement of the 1960s. Poverty stricken, segregated, and bursting at the seams with migrants, Bronzeville was the community that provided inspiration, training, and work for an entire generation of diversely talented African American authors and artists who came of age during the years between the two world wars. In this significant recovery project, Elizabeth Schlabach investigates the institutions and streetscapes of Black Chicago that fueled an entire literary and artistic movement. She argues that African American authors and artists--such as Gwendolyn Brooks, Richard Wright, Langston Hughes, painter Archibald Motley, and many others--viewed and presented black reality from a specific geographic vantage point: the view along the streets of Bronzeville. Schlabach explores how the particular rhythms and scenes of daily life in Bronzeville locations, such as the State Street Stroll district or the bustling intersection of 47th Street and South Parkway, figured into the creative works and experiences of the artists and writers of the Black Chicago Renaissance. Providing a virtual tour South Side African American urban life at street level, Along the Streets of Bronzeville charts the complex interplay and intersection of race, geography, and cultural criticism during the Black Chicago Renaissance's rise and fall.

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Alvin York

A New Biography of the Hero of the Argonne

Douglas V. Mastriano

Alvin C. York (1887--1964) -- devout Christian, conscientious objector, and reluctant hero of World War I -- is one of America's most famous and celebrated soldiers. Known to generations through Gary Cooper's Academy Award-winning portrayal in the 1941 film Sergeant York, York is credited with the capture of 132 German soldiers on October 8, 1918, in the Meuse-Argonne region of France -- a deed for which he was awarded the Congressional Medal of Honor.

At war's end, the media glorified York's bravery but some members of the German military and a soldier from his own unit cast aspersions on his wartime heroics. Historians continue to debate whether York has received more recognition than he deserves. A fierce disagreement about the location of the battle in the Argonne forest has further complicated the soldier's legacy.

In Alvin York, Douglas V. Mastriano sorts fact from myth in the first full-length biography of York in decades. He meticulously examines York's youth in the hills of east Tennessee, his service in the Great War, and his return to a quiet civilian life dedicated to charity. By reviewing artifacts recovered from the battlefield using military terrain analysis, forensic study, and research in both German and American archives, Mastriano reconstructs the events of October 8 and corroborates the recorded accounts. On the eve of the WWI centennial, Alvin York promises to be a major contribution to twentieth-century military history.

Always a Cowboy Cover

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Always a Cowboy

Judge Wilson McCarthy and the Rescue of the Denver & Rio Grande Western Railroad

Will Bagley

Cowboy, judge, federal official, then business executive, Wilson McCarthy mirrored change and growth in the twentieth-century West. Leading the Denver & Rio Grande back from the brink saved a vital link in the national transportation system. The D&RGW ran over and through the scenic Rockies, developing mineral resources, fighting corporate wars, and helping build communities. The Depression brought it to its knees. Accepting federal assignment to save the line, McCarthy turned it into a paragon of mid-century railroading, represented by the streamlined, Vista-Domed California Zephyr, although success hauling freight was of more economic importance. Prior to that, McCarthy’s life had taken him from driving livestock in Canada to trying to drive the national economy as a director of the Reconstruction Finance Corporation, the first line of federal attack on the Depression. Always a Cowboy positions McCarthy’s story in a rich historical panorama..

Will Bagley is the author of Blood of the Prophets: Brigham Young and the Massacre at Mountain Meadows

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