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A Social History of the Continental Army
One of the images Americans hold most dear is that of the drum-beating, fire-eating Yankee Doodle Dandy rebel, overpowering his British adversaries through sheer grit and determination. The myth of the classless, independence-minded farmer or hard-working artisan-turned-soldier is deeply ingrained in the national psyche.
Charles Neimeyer here separates fact from fiction, revealing for the first time who really served in the army during the Revolution and why. His conclusions are startling. Because the army relied primarily on those not connected to the new American aristorcracy, the African Americans, Irish, Germans, Native Americans, laborers-for-hire, and "free white men on the move" who served in the army were only rarely alltruistic patriots driven by a vision of liberty and national unity.
Bringing to light the true composition of the enlisted ranks, the relationships of African-Americans and of Native Americans to the army, and numerous acts of mutiny, desertion, and resistance against officers and government, Charles Patrick Neimeyer here provides the first comprehensive and historically accurate portrait of the Continental soldier.
The Progressive Era and World War I
Detailing the events of the Progressive Era and World War I (1901-20), America in the Age of the Titans is the only interdisciplinary history covering this period currently available. The book contains the results of research into primary sources an drecent scholarship with an emphases on leading personalities and anecdotes about them. Sean Dennis Cashman's sequesl to America in the Gilded Age gives special attention to industry and inventions, and social and cultural history. He covers developments in science, technology, and industry; the Progressive movement and the presidencies of Theodore Roosevelt, immigration, the new woman, and labor, including the Industrial Workers of the World and the Great Red Scare; the transportation and communications revolution in radio and motion pictures; the cultural contribuation of artists, architects, and creatice writers; and America's foreign policies across the world. Written in a lively, accessible style with over sixty illustrations, this book is an excellent introduction to these momentous years. It provides an assessment of the contributions of the titans - political, scientific, and industrial.
America in the Forties is a readable and concise narrative that tells the story of the forties in the United States. The book argues that the forties were an important period in American life, shaped by charismatic, brilliant, and sometimes controversial leaders. It traces the entire decade from the first stirrings of war in a nation consumed by the Great Depression to fights with Europe and Japan and through the start of the Cold War and the dawn of the atomic age.
When the first edition of America in the Gilded Age was published in 1984, it soon acquired the status of a classic, and was widely acknowledged as the first comprehensive account of the latter half of the nineteenth century to appear in many years. Sean Dennis Cashman traces the political and social saga of America as it passed through the momentous transformation of the Industrial Revolution and the settlement of the West. Revised and extended chapters focusing on immigration, labor, the great cities, and the American Renaissance are accompanied by a wealth of augmented and enhanced illustrations, many new to this addition.
Greene sketches the well-known players of the period—John F. Kennedy, Lyndon B. Johnson, Martin Luther King Jr., Malcolm X, and Betty Friedan—bringing each to life with subtle detail. He introduces the reader to lesser-known incidents of the decade and offers fresh and persuasive insights on many of its watershed events. Greene argues that the civil rights movement began in 1955 following the death of Emmett Till; that many accomplishments credited to Kennedy were based upon myth, not historical fact, and that his presidency was far from successful; that each of the movements of the period—civil rights, students, antiwar, ethnic nationalism—were started by young intellectuals and eventually driven to failure by activists who had different goals in mind; and that the "counterculture," which has been glorified in today’s media as a band of rock-singing hippies, had its roots in some of the most provocative social thinking of the postwar period. Greene chronicles the decade in a thematic manner, devoting individual chapters to such subjects as the legacy of the fifties, the Kennedy and Johnson administrations, the civil rights movements, and the war in Vietnam. Combining an engrossing narrative with intelligent analysis, America in the Sixties enriches our understanding of that pivotal era.
Rogue Radio Broadcasters of the Jazz Age
When American radio broadcasting began in the early 1920s there was a consensus among middle-class opinion makers that the airwaves must never be used for advertising. Even the national advertising industry agreed that the miraculous new medium was destined for higher cultural purposes. And yet, within a decade American broadcasting had become commercialized and has remained so ever since.
Much recent scholarship treats this unsought commercialization as a coup, imposed from above by mercenary corporations indifferent to higher public ideals. Such research has focused primarily on metropolitan stations operated by the likes of AT&T, Westinghouse, and General Electric. In American Babel, Clifford J. Doerksen provides a colorful alternative social history centered on an overlooked class of pioneer broadcaster—the independent radio stations.
Doerksen reveals that these "little" stations often commanded large and loyal working-class audiences who did not share the middle-class aversion to broadcast advertising. In urban settings, the independent stations broadcast jazz and burlesque entertainment and plugged popular songs for Tin Pan Alley publishers. In the countryside, independent stations known as "farmer stations" broadcast "hillbilly music" and old-time religion. All were unabashed in their promotional practices and paved the way toward commercialization with their innovations in programming, on-air style, advertising methods, and direct appeal to target audiences. Corporate broadcasters, who aspired to cultural gentility, were initially hostile to the populist style of the independents but ultimately followed suit in the 1930s.
Drawing on a rich array of archives and contemporary print sources, each chapter of American Babel looks at a particular station and the personalities behind the microphone. Doerksen presents this group of independents as an intensely colorful, perpetually interesting lot and weaves their stories into an expansive social and cultural narrative to explain more fully the rise of the commercial network system of the 1930s.
From his founding of The Journal of Social History to his groundbreaking work on the history of emotions, weight, and parenting, Peter N. Stearns has pushed the boundaries of social history to new levels, presenting new insights into how people have lived and thought through the ages. Having established the history of emotions as a major subfield of social history, Stearns and his collaborators are poised to do the same thing with the study of human behavior. This is their manifesto.
American Behavioral History deals with specific uses of historical data and analysis to illuminate American behavior patterns, ranging from car buying rituals to sexuality, and from funeral practices to contemporary grandparenting. The anthology illustrates the advantages and parameters of analyzing the ways in which people behave, and adds significantly to our social understanding while developing innovative methods for historical teaching and research.
At its core, the collection demonstrates how the study of the past can be directly used to understand current behaviors in the United States. Throughout, contributors discuss not only specific behavioral patterns but, importantly, how to consider and interpret them as vital historical sources.
Contributors include Gary Cross, Paula Fass, Linda Rosenzweig, Susan Matt, Steven M. Gelber, Peter N. Stearns, Suzanne Smith, Mark M. Smith, Kevin White.
A Deleuzian Approach
A reflection on the metaphor of the body politic throughout American history Bernd Herzogenrath’s An American Body|Politic is a study of the intersection between the material, biological body and body as political and cultural metaphor in American politics, religion, literature, and popular culture. Deeply influenced by the thought of Gilles Deleuze, Herzogenrath’s approach to American culture encompasses endless possibilities and potentials, eschewing the mechanic and structural. He traipses through American history and culture, pausing to examine such varied facets as the Puritans’ “two bodies,” Anne Hutchinson and the Antinomian Controversy, Cotton Mather and smallpox, the poetics|politics of Whitman, Henry Adams’s stroll along the shores of complexity, and the Detroit-based techno music of today.
Social Thought and Political Economy in the Twentieth Century
At the dawn of the twenty-first century, the legitimacy of American capitalism seems unchallenged. The link between open markets, economic growth, and democratic success has become common wisdom, not only among policy makers but for many intellectuals as well. In this instance, however, the past has hardly been prologue to contemporary confidence in the free market. American Capitalism presents thirteen thought-provoking essays that explain how a variety of individuals, many prominent intellectuals but others partisans in the combative world of business and policy, engaged with anxieties about the seismic economic changes in postwar America and, in the process, reconfigured the early twentieth-century ideology that put critique of economic power and privilege at its center.
The essays consider a broad spectrum of figures—from C. L. R. James and John Kenneth Galbraith to Peter Drucker and Ayn Rand—and topics ranging from theories of Cold War "convergence" to the rise of the philanthropic Right. They examine how the shift away from political economy at midcentury paved the way for the 1960s and the "culture wars" that followed. Contributors interrogate what was lost and gained when intellectuals moved their focus from political economy to cultural criticism. The volume thereby offers a blueprint for a dramatic reevaluation of how we should think about the trajectory of American intellectual history in twentieth-century United States.