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The Struggle for Visibility, 1900--1960
Nine actresses, from Madame Sul-Te-Wan in Birth of a Nation (1915) to Ethel Waters in Member of the Wedding (1952), are profiled in African American Actresses. Charlene Regester poses questions about prevailing racial politics, on-screen and off-screen identities, and black stardom and white stardom. She reveals how these women fought for their roles as well as what they compromised (or didn't compromise). Regester repositions these actresses to highlight their contributions to cinema in the first half of the 20th century, taking an informed theoretical, historical, and critical approach.
Portraits from Five Hundred Years
Although their total numbers in New Mexico were never large, blacks arrived with Spanish explorers and settlers and played active roles in the history of the territory and state. Here, Bruce Glasrud assembles the best information available on the themes, events, and personages of black New Mexico history.
The contributors portray the blacks who accompanied Cabeza de Vaca, Coronado and de Vargas and recount their interactions with Native Americans in colonial New Mexico. Chapters on the territorial period examine black trappers and traders as well as review the issue of slavery in the territory and the blacks who accompanied Confederate troops and fought in the Union army during the Civil War in New Mexico. Eventually blacks worked on farms and ranches, in mines, and on railroads as well as in the military, seeking freedom and opportunity in New Mexico’s wide open spaces. A number of black towns were established in rural areas. Lacking political power because they represented such a small percentage of New Mexico’s population, blacks relied largely on their own resources and networks, particularly churches and schools.
The Atlantic World and the Gullah Geechee
The essays, which range in coverage from the founding of the Georgia colony in the early 1700s through the present era, explore a range of topics, all within the larger context of the Atlantic world. Included are essays on the double-edged freedom that the American Revolution made possible to black women, the lowcountry as site of the largest gathering of African Muslims in early North America, and the coexisting worlds of Christianity and conjuring in coastal Georgia and the links (with variations) to African practices.
A number of fascinating, memorable characters emerge, among them the defiant Mustapha Shaw, who felt entitled to land on Ossabaw Island and resisted its seizure by whites only to become embroiled in struggles with other blacks; Betty, the slave woman who, in the spirit of the American Revolution, presented a “list of grievances” to her master; and S’Quash, the Arabic-speaking Muslim who arrived on one of the last legal transatlantic slavers and became a head man on a North Carolina plantation.
The Eastern Kentucky Social Club
Thomas E. Wagner and Phillip J. Obermiller's African American Miners and Migrants documents the lives of Eastern Kentucky Social Club (EKSC) members, a group of black Appalachians who left the eastern Kentucky coalfields and their coal company hometowns in Harlan County. _x000B__x000B_Bound together by segregation, the inherent dangers of mining, and coal company paternalism, it might seem that black miners and mountaineers would be eager to forget their past. Instead, members of the EKSC have chosen to celebrate their Harlan County roots. African American Miners and Migrants uses historical and archival research and extensive personal interviews to explore their reasons and the ties that still bind them to eastern Kentucky. The book also examines life in the model coal towns of Benham and Lynch in the context of Progressive Era policies, the practice of welfare capitalism, and the contemporary national trend of building corporate towns and planned communities.
From Reconstruction to the Harlem Renaissance
In identifying Jim Crow with the coming of modernity, Smethurst focuses on how artists reacted to the system’s racial territorialization, especially in urban areas, with migration narratives, poetry about the black experience, and black performance of popular culture forms such as ragtime and vaudeville. He shows how black writers such as Fenton Johnson and William Stanley Braithwaite circulated some of the earliest and strongest ideas about an American “bohemia.” Smethurst also upsets the customary assessment of the later Harlem Renaissance as the first and primary site of a nationally significant black arts movement by examining the influence of these earlier writers and artists on the black and white modernists who followed. In so doing, Smethurst brings forward a host of understudied figures while recontextualizing the work of canonical authors such as Charles Chesnutt, Pauline Hopkins, Paul Laurence Dunbar, and James Weldon Johnson. As such, Smethurst positions his work as part of the current growing intellectual conversation about the nature of African American literature and culture between Reconstruction and the Harlem Renaissance. Far from being a “nadir” period, Smethurst argues, this period saw black artists creating cultural forms from which issued some of the most significant literary works of the twentieth century.
The history of South Texas is more racially and ethnically complex than many people realize. As a border area, South Texas has experienced some especially interesting forms of racial and ethnic intersection, influenced by the relatively small number of blacks (especially in certain counties), the function and importance of the South Texas cattle trade, proximity to Mexico, and the history of anti-black violence. The essays in African Americans in South Texas History give insight into this fascinating history. The articles in this volume, written over a span of almost three decades, were chosen for their readability, scholarship, and general interest. Contributors: Jennifer Borrer Edward Byerly Judith Kaaz Doyle Rob Fink Robert A. Goldberg Kenneth Wayne Howell Larry P. Knight Rebecca A. Kosary David Louzon Sarah R. Massey Jeanette Nyda Mendelssohn Passty Janice L. Sumler-Edmond Cary D. Wintz Rue Wood " . . . a valuable addition to the literature chronicling the black experience in the land of the Lone Star. While previous studies have concentrated on regions most reflective of Dixie origins, this collection examines the tri-ethnic area of Texas adjoining Mexico wherein cotton was scarce and cattle plentiful. Glasrud has assembled an excellent group of essays from which readers will learn much."-L. Patrick Hughes, professor of history, Austin Community College
Immigrants of African descent have come to Texas in waves—first as free blacks seeking economic and social opportunity under the Spanish and Mexican governments, then as enslaved people who came with settlers from the deep South. Then after the Civil War, a new wave of immigration began. In The African Texans, author Alwyn Barr considers each era, giving readers a clear sense of the challenges that faced African Texans and the social and cultural contributions that they have made in the Lone Star State. With wonderful photographs and first-hand accounts, this book expands readers’ understanding of African American history in Texas. Special features include · 59 illustrations · 12 biographical sketches · excerpts from newspaper articles · excerpts from court rulings The African Texans is part of a five-volume set from the Institute of Texan Cultures. The entire set, entitled Texans All, explores the social and cultural contributions made by five distinctive cultural groups that already existed in Texas prior to its statehood or that came to Texas in the early twentieth century: The Indian Texans, The Mexican Texans, The European Texans, The African Texans, and The Asian Texans.
How Race Realigned Mississippi Politics, 1965-1986
No one disagrees that 1964--Freedom Summer--forever changed the political landscape of Mississippi. How those changes played out is the subject of Chris Danielson’s fascinating new book, After Freedom Summer.
Prior to the Voting Rights Act of 1965, black voter participation in Mississippi was practically zero. After twenty years, black candidates had made a number of electoral gains. Simultaneously, white resistance had manifested itself in growing Republican dominance of the state.
Danielson demonstrates how race--not class or economics--was the dominant factor in white Mississippi voters' partisan realignment, even as he reveals why class and economics played a role in the tensions between the national NAACP and the local Mississippi Freedom Democratic Party (an offshoot of SNCC) that limited black electoral gains.
Using an impressive array of newspaper articles, legal cases, interviews, and personal papers, Danielson's work helps fill a growing lacuna in the study of post-civil rights politics in the South.
Race, Labor, and Citizenship in the Reconstruction South
Moves beyond broad generalizations concerning black life during Reconstruction in order to address the varied experiences of freed slaves across the South. This collection examines urban unrest in New Orleans and Wilmington, North Carolina, loyalty among former slave owners and slaves in Mississippi, armed insurrection along the Georgia coast, racial violence throughout the region, and much more in order to provide a well-rounded portrait of the era.