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A History of the Lipan Apaches
This history of the Lipan Apaches, from archeological evidence to the present, tells the story of some of the least known, least understood people in the Southwest. These plains buffalo hunters and traders were one of the first groups to acquire horses, and with this advantage they expanded from the Panhandle across Texas and into Coahuila, coming into conflict with the Comanches. With a knack for making friends and forging alliances, they survived against all odds, and were still free long after their worst enemies were corralled on reservations. In the most thorough account yet published, Sherry Robinson tracks the Lipans from their earliest interactions with Spaniards and kindred Apache groups through later alliances and to their love-hate relationships with Mexicans, Texas colonists, Texas Rangers, and the U.S. Army. For the first time we hear of the Eastern Apache confederacy of allied but autonomous groups that joined for war, defense, and trade. Among their confederates, and led by chiefs with a diplomatic bent, Lipans drew closer to the Spanish, Mexicans, and Texans. By the 1880s, with their numbers dwindling and ground lost to Mexican campaigns and Mackenzie’s raids, the Lipans roamed with Mescalero Apaches, some with Victorio. Many remained in Mexico, some stole back into Texas, and others melted into reservations where they had relatives. They never surrendered.
Susan McSween and the Lincoln County War
The events of July 19, 1878, marked the beginning of what became known as the Lincoln County War and catapulted Susan McSween and a young cowboy named Henry McCarty, alias Billy the Kid, into the history books. The so-called war, a fight for control of the mercantile economy of southeastern New Mexico, is one of the most documented conflicts in the history of the American West, but it is an event that up to now has been interpreted through the eyes of men. As a woman in a man’s story, Susan McSween has been all but ignored. This is the first book to place her in a larger context. Clearly, the Lincoln County War was not her finest hour, just her best known. For decades afterward, she ran a successful cattle ranch. She watched New Mexico modernize and become a state. And she lived to tell the tales of the anarchistic territorial period many times.
Peter Ellis Bean in Mexican Texas
How can the life of one relatively unknown man change our understanding of Texas history and the American West? Peter Ellis Bean, a fairly minor but fascinating character, casts unexpected light on conflicts, famous characters, and events from the time of Mexican rule through the years of the Republic. Bean’s role in Mexico’s revolution against Spain and his service as an agent of the Mexican government, especially as Indian agent in eastern Texas, provide an unusually vivid picture of Mexican Texas, as well as new information about the Indians in his region. More explosively, Jackson’s research on Bean’s career as Indian agent casts doubt on the traditional characterization of Sam Houston as a friend to the Texas Indians. Bean’s career shows Houston as a rival for the loyalty of the Indians during Texas’ rebellion against Mexico, a rival who made false promises for military and political gain. After Texas independence, Bean acquired vast lands in Texas, at one point holding more than 100,000 acres. A good citizen and a good businessman, involved with real estate, sawmills, salt works, agriculture, and stock raising, he was also a bigamist. Meticulously researched, dramatically written, and embodying a unique understanding of Mexican Texas, Jack Jackson’s chronicle of Peter Ellis Bean not only rescues him from relative obscurity but also corrects key aspects of the history in which he was involved and brings to life an era more often consigned to myth.
Indigenous Identities at Bacone College
When Indian University—now Bacone College—opened its doors in Indian Territory (now Oklahoma) in 1880, it was a small Baptist institution designed to train young Native Americans to be teachers and Christian missionaries among their own people and to act as agents of cultural assimilation. From 1927 to 1957, however, Bacone College changed course and pursued a new strategy of emphasizing the Indian identities of its students and projecting often-romanticized images of Indianness to the non-Indian public in its fund-raising campaigns. Money was funneled back into the school as administrators hired Native American faculty who in turn created innovative curricular programs in music and the art that encouraged their students to explore and develop their Native identities. Through their frequent use of humor and inventive wordplay to reference Indianness—“Indian play”—students articulated the (often contradictory) implications of being educated Indians in mid-twentieth-century America. In this supportive and creative culture, Bacone became an “Indian school,” rather than just another “school for Indians.”
In examining how and why this transformation occurred, Lisa K. Neuman situates the students’ Indian play within a larger theoretical framework of cultural creativity, ideologies of authenticity, and counterhegemonic practices that are central to the fields of Native American and indigenous studies today.
Early Historians of the Lone Star State
Bluebonnets and tumbleweeds, gunslingers and cattle barons all form part of the romanticized lore of the state of Texas. It has an image as a larger-than-life land of opportunity, represented by oil derricks pumping black gold from arid land and cattle grazing seemingly endless plains. In this historiography of eighteenth– and nineteenth–century chronologies of the state, Laura McLemore traces the roots of the enduring Texas myths and tries to understand both the purposes and the methods of early historians. Two central findings emerge: first, what is generally referred to as the Texas myth was a reality to earlier historians, and second, myth has always been an integral part of Texas history. Myth provided the impetus for some of the earliest European interest in the land that became Texas. Beyond these two important conclusions, McLemore’s careful survey of early Texas historians reveals that they were by and large painstaking and discriminating researchers whose legacy includes documentary sources that can no longer be found elsewhere. McLemore shows that these historians wrote general works in the spirit of their times and had agendas that had little to do with simply explaining a society to itself in cultural terms. From Juan Agustin Morfi’s Historia through Henderson Yoakum’s History of Texas to the works of Dudley Wooten, George Pierce Garrison, and Lester Bugbee, the portrayal of Texas history forms a pattern. In tracing the development of this pattern, McLemore provides not only a historiography but also an intellectual history that gives insight into the changing culture of Texas and America itself. Early Texas historians came from all walks of life, from priests to bartenders, and this book reveals the unique contributions of each to the fabric of state history . A must–read for lovers of Texas history, Inventing Texas illuminates the intricate blend of nostalgia and narrative that created the state’s most enduring iconography.
Heritage and Carnival in San Antonio
Fiesta San Antonio began in 1891 and through the twentieth century expanded from a single parade to over two hundred events spanning a ten-day period. Laura Hernández-Ehrisman examines Fiesta's development as part of San Antonio's culture of power relations between men and women, Anglos and Mexicanos.
My Spirited Life in West Texas and Austin
On the southern portion of what was known as the Sibley’s Pezuna del Caballo (Horse’s Hoof) Ranch in West Texas’ Culberson County are two mountains that nearly meet, forming a gap that frames a salt flat where Indians and later, pioneers came to gather salt to preserve foodstuffs. According to the US Geological Survey, the gap that provides this breathtaking and historic view is named “Jane’s Window.”
In Jane’s Window: My Spirited Life in West Texas and Austin, Jane Dunn Sibley, the inimitable namesake of that mountain gap, gives readers a similarly enchanting view: she tells the story of a small-town West Texas girl coming into her own in Texas’ capital city, where her commitment to philanthropy and the arts and her flair for fashion—epitomized by her signature buzzard feather—have made her name a society staple.
Growing up during the Depression in Fort Stockton, Jane Sibley learned first-hand the value of hard work and determination. In what she describes as “a more innocent age,” she experienced the “pleasant life” of a rural community with good schools, friends and neighbors, and daily dips in the Comanche Springs swimming pool. She arrived as a student at the University of Texas only ninety days before the bombing of Pearl Harbor and studied art under such luminaries as sculptor Charles Umlauf. Her enchanting stories of returning to Fort Stockton, working in the oil industry, marrying local doctor D. J. Sibley, and rearing a family evoke both her love for her origins and her clear-eyed aspirations.
The Sibleys never discussed the details of their good fortune, and, to their gratitude, no one ever asked. In Jane’s Window, Sibley narrates travel adventures, shares vignettes of famous visitors, and tells of her favorite causes, among which the Austin Symphony and the preservation of lower Pecos prehistoric rock art are especially prominent.
Peopled with vivid characters and told in Sibley’s uniquely down-to-earth and humorous manner, Jane’s Window paints a portrait of a life filled to the brim with events both heartwarming and heartbreaking.
Building on his earlier work, A History of the Jews in New Mexico, Henry Tobias incorporates new material and sources in this updated volume. He demonstrates how Jewish awareness in New Mexico following World War II gave rise to significant cultural and political influence, introducing writers, musicians, and such artists as Ira Moskowitz, Arthur Sussman, and Judy Chicago to the state's flourishing art scene.
Lawman and Rancher
“Texas, by God!” cried notorious killer John Wesley Hardin when he saw a Colt .45 pointed at him on a train in Florida. At the other end of the pistol stood Texas Ranger John B. Armstrong. Hardin’s arrest assured Armstrong a place in history, but his story is larger, fuller, and even more important—and until now it has never been told. Serving in the Rangers’ famed Frontier Battalion from 1875 to 1878, Armstrong rode with Captain L. H. McNelly in the capture of King Fisher, was called to Round Rock when Sam Bass was cornered, and helped patrol the region caught in the Taylor-Sutton Feud. His more lasting legacy, though, was as founder of the Armstrong Ranch, an operation that remains active and important to this day. From this family base he helped change ranching techniques and was an important sponsor for bringing the railroads to South Texas. In the 1890s he joined a special Ranger division that supplemented the force’s efforts, especially in pursuit and apprehension of gunmen and cattle rustlers in the region. As Elmer Kelton notes in his afterword to this book, “Chuck Parsons’ biography is a long-delayed and much-justified tribute to Armstrong’s service to Texas.” Parsons fills in the missing details of a Ranger and rancher’s life, correcting some common misconceptions and adding to the record of a legendary group of lawmen and pioneers.
Find out more about this title here: http://johnhillfortexas.com/ During his distinguished career, John L. Hill Jr. served as secretary of state, attorney general, and chief justice of the state supreme court—the only person to hold all three state offices. Hill's office played a significant role in vastly expanding Texas consumer protections, waging war against wholesale rate increases by AT&T/Southwestern Bell; and resolving the disposition of Howard Hughes's fabled estate to bring tens of millions of dollars into Texas coffers. Before Hill's death in July 2007, Ernie Stromberger, journalist and Hill's longtime friend, worked with him to craft this first-person narrative.