Based on documents from the Laredo Archives, Life in Laredo shows the evolution and development of daily life in a town under the flags of Spain, Mexico, and the United States. Isolated on the northern frontier of New Spain and often forgotten by authorities far away, the people of Laredo became as grand as the river that flowed by their town and left an enduring legacy in a world of challenges and changes. Because of its documentary nature, Life in Laredo offers insights into the nitty-gritty of the comings and goings of its early citizens not to be found elsewhere. Robert D. Wood, S.M., presents the first one hundred years of history and culture in Laredo up to the mid-nineteenth century, illuminating--with primary source evidence--the citizens’ beliefs, cultural values, efforts to make a living, political seesawing, petty quarreling, and constant struggles against local Indians. He also details rebellious military and invading foreigners among the early settlers and later townspeople. Scholars and students of Texas and Mexican American history, as well as the Laredoans celebrating the 250th anniversary (in 2005) of Laredo’s founding, will welcome this volume. “Although there have been a number of books on the history of Laredo, this particular study is far more thorough than any previous work. Life in Laredo is imaginatively organized, exceptionally well researched, and well written. No individual knows the Laredo Archives as well as Robert Wood, and his knowledge and understanding are readily evident. This book will be of interest to anyone studying the history of the Texas-Mexico border, Texas colonial history, or just Texas history in general.”--Jerry D. Thompson, author of A Wild and Vivid Land: An Illustrated History of the South Texas Border and Laredo: A Pictorial History

The story of the five Marlow brothers and their tribulations in late nineteenth-century Texas is the stuff of Old West legend (and served to inspire the John Wayne movie, The Sons of Katie Elder). Violent, full of intrigue, with characters of amazing heroism and deplorable cowardice, their story was first related by William Rathmell in Life of the Marlows, a little book published in 1892, shortly after the events it described in Young County, Texas. It told how Boone, the most reckless of the brothers, shot and killed a popular sheriff and escaped, only to be murdered later by bounty hunters. The other four brothers, arrested as accessories and jailed, made a daring break from confinement but were recaptured. Once back in their cells, they were forced to fight off a mob intent on lynching them. Later, shackled together, the Marlows were placed on wagons by officers late at night, bound for another town, but they were ambushed by angry citizens. In the resulting battle two of the brothers were shot and killed, the other two severely wounded, and three mob members died. The surviving brothers eventually were exonerated, but members of the mob that had attacked them were prosecuted in cases that went all the way to the U.S. Supreme Court. The original 1892 edition and expanded reprint of 1931 are both quite scarce. Later writers drew upon Rathmell’s account when telling the story of the Marlows, but all accounts were slanted sympathetically toward them, given the same bias by Rathmell. Now Robert K. DeArment, a noted historian of outlaws and lawmen of the West, has sifted through the evidence and presents herein an objective, annotated edition of Life of the Marlows , which contains extensive clarifying and corrective footnotes and an index. Now the complete story can be told and readers can judge for themselves: were the Marlows as law-abiding as Rathmell claims? Or was the mob reacting with justified anger?

Millions of Texans and Southwesterners have been touched over the years by the Light Crust Doughboys. From 1930 to 1952, fans faithfully tuned in to their early-morning and, later, noontime radio program, and turned out in droves to hear them play live. The Doughboys embodied the very essence of the “golden era” of radio—live performances and the dominance of programming by advertising agencies. Their radio program began as a way to sell Light Crust Flour. Their early impresario, W. Lee “Pappy” O'Daniel, quickly learned how to exploit the power of radio to influence voters, and he put that lesson to good use to become a two-time Texas governor and the model for Pappy O'Daniel in the movie, Oh Brother, Where Art Thou? But the group was more than a way to push flour; the talented musicians associated with them included Bob Wills and Milton Brown, each of whom receive credit for founding western swing. With the demise of their regular radio program, the Light Crust Doughboys had to remake themselves. Trailblazers in western swing, the Doughboys explored many other musical genres, including gospel, for which they were nominated for Grammys in 1998, 1999, 2001, and 2002. They continue to play together with versatility and wide-ranging talent—“official music ambassadors of the Lone Star State” as declared by the state legislature in 1995. Their legendary banjo player, Smokey Montgomery, was with the group for sixty-six years before his death in 2001. For the first time, here is the story of the Doughboys phenomenon, from their debut broadcast to their contemporary live performances. This is a rich slice of Texas musical and broadcasting history. Included inside is a bonus CD containing seventy-two minutes of Doughboys music, from early studio recordings to contemporary tunes.

Mexican settlers first came to the valley of the Rio Grande to establish their ranchos in the 1750s. Two centuries later the Great River, dammed in an international effort by the U.S. and Mexican governments to provide flood control and a more dependable water supply, inundated twelve settlements that had been built there. Under the waters of the new Falcón Reservoir lay homes, businesses, churches, and cemeteries abandoned by residents on both sides of the river when the floods of 1953 filled the 115,000-acre area two years ahead of schedule. The Smithsonian Institution, the National Park Service, and the University of Texas at Austin conducted an initial survey of the communities lost to the Falcón Reservoir, but these studies were never completed or fully reported. When architect W. Eugene George came to the area in the 1960s, he found a way of life waiting to be preserved in words, photographs, and drawings. Two subsequent recessions of the reservoir—in 1983–86 and again in 1996–98—gave George new access to one of the settlements, Guerrero Viejo in Mexico. Unfortunately, the receding lake waters also made the village accessible to looters. George’s work, then, was crucial in documenting the indigenous architecture of these villages, both as it existed prior to the flooding and as it remained before it was despoiled by vandals’ hands. Lost Architecture of the Rio Grande Borderlands combines George’s original 1975 Texas Historical Commission report with the information he gleaned during the two low-water periods. This handsome, extended photographic essay casts new light on the architecture and lives of the people of the Texas-Mexico borderlands.

Thousands of black men died violently at the hands of mobs in the post–Civil War South. But in Brazos County, Texas, argues Cynthia Nevels, five such deaths in particular point to an emerging social phenomenon of the time: the desire of newly arrived European immigrants to assert their place in society, and the use of racially motivated violence to achieve that end. Driven by economics and the forces of history, the Italian, Irish, and Czech immigrants to this rich agricultural region were faced with the necessity of figuring out where they fit in a culture that had essentially two categories: white and black. In many ways, the newcomers realized, they belonged in neither position. In the end, they found ways to resolve the ambiguity by taking advantage of and sometimes participating directly in the South’s most brutal form of racial domination. For each of the immigrant groups caught up in the violence, the deaths of black men helped to establish racial identity and to bestow the all-important privileges of whiteness. This compelling and superbly written study will appeal to students and scholars of social and racial history, both regional and national.

Post-Reconstruction Texas in the mid-1870s was still relatively primitive, with communities isolated from each other in a largely open-range environment. Cattlemen owned herds of cattle in numerous counties while brand laws remained local. Friction arose when the nonresident stockmen attempted to gather their cattle, and mavericking was common. Law enforcement at the local level could cope with handling local drunks, collecting taxes, and attending the courts when in session, but when an outrageous crime occurred, or depredations in a community were at a level that severely taxed or overwhelmed the local sheriff, there was seldom any other recourse except a vigilante movement. With such a fragile hold on civilization in these communities, it is not difficult to understand how a “blood feud” could occur. During 1874 the Hoo Doo War erupted in the Texas Hill Country of Mason County, and for the remainder of the century violence and fear ruled the region in a rising tide of hatred and revenge. It is widely considered the most bitter feud in Texas history. Traditionally the feud is said to have begun with the intention of protecting the families, property and livelihood of the largely agrarian settlers in Mason and Llano counties. The truth is far more sinister. Evidence shows that the mob was contaminated from the outset by a criminal element, a fact the participants failed to recognize. They believed they were above the law. They were not above vengeance. The feud began in 1874 with the rise of the mob under Sheriff John Clark, but it was not until the premeditated murder of rancher Timothy Williamson in the spring of 1875, a murder orchestrated by Sheriff Clark, that the violence escalated out of control. His death drew former Texas Ranger Scott Cooley to the region seeking justice, and when the courts failed, he began a vendetta to avenge his friend. In the ensuing months, Sheriff Clark used the mob to secure his political position by ambushing ranchers George Gladden and Moses Baird, which drew gunfighters such as John Ringo into the violence. As more men were killed, new forces joined the spiral of death. Local and state officials proved powerless, and it was not until the early 1900s that the feud burned itself out. Johnson has proven a diligent researcher in locating information concerning the Hoo Doo War. Using contemporary newspaper accounts, letters, diaries, and official reports, he analyzes the myths and legends surrounding the feud and presents the unvarnished truth of what happened in Mason County. This book is the definitive account of the Hoo Doo War, as well as a case study in frontier violence of the bloodiest kind.

On a chilly October afternoon in 1881, two brothers named Tom and Frank McLaury were gunned down on the streets of Tombstone, Arizona, by the Earp brothers and Doc Holliday. The deadly event became known as the gunfight at the O.K. Corral, and in a quirk of fate, the brothers’ names became well-known, but only as bad men and outlaws. Did they deserve that reputation? The McLaurys in Tombstone, Arizona: An O.K. Corral Obituary explores this question, revealing details of their family background and the context of their lives on the frontier. Paul Lee Johnson begins their story with the McLaury brothers’ decision to go into the cattle business with an ambition to have their own ranch. When they moved to Arizona, they finally achieved that goal, but along the way they became enmeshed with the cross-border black market that was thriving there. As “honest ranchers” they were in business with both the criminal element as well as the legitimate businesses in Tombstone. Another principal in this story was an older brother, William, who set aside his law practice in Fort Worth to settle his brothers’ affairs, and associated himself with the prosecution of the Earp brothers and Doc Holliday. Despite his efforts, the Earps and Holliday were exonerated, and the “Gunfight at the O.K. Corral” became the opening salvo of a feud that took several more lives. Johnson has interviewed family descendants and mined their sources, government correspondence, and letters that have never before been published to reveal the human lives behind the storied events. For the first time the events of the O.K. Corral gunfight are presented from the viewpoint of the McLaurys, two brothers who lost their lives and reputations, and a family who tried in vain to find restitution.

In The Mexican Texans, author Phyllis McKenzie uses historical narrative and a wealth of photographs to explore how time has shaped the identity of Mexican Texans and their continued contribution in the Lone Star State through more than six generations. With vivid descriptions of the language, music, values, and celebrations that enrich Mexican Texan life, this book will appeal to readers young and old who are interested in Texas and Mexican history. Features include · 58 illustrations · boxed biographical sketches · Spanish poetry with English translation · recipes for traditional Mexican Texan dishes The Mexican Texans is part of a five-volume set from the Institute of Texan Cultures. The entire set, entitled Texans All, explores the social and cultural contributions made by five distinctive cultural groups that already existed in Texas prior to its statehood or that came to Texas in the early twentieth century: The Indian Texans, The Mexican Texans, The European Texans, The African Texans, and The Asian Texans.

As historian Miguel Antonio Levario explains in this timely book, current tensions and controversy over immigration and law enforcement issues centered on the US-Mexico border are only the latest evidence of a long-standing atmosphere of uncertainty and mistrust plaguing this region. Militarizing the Border: When Mexicans Became the Enemy, focusing on El Paso and its environs, examines the history of the relationship among law enforcement, military, civil, and political institutions, and local communities.?In the years between 1895 and 1940, West Texas experienced intense militarization efforts by local, state, and federal authorities responding to both local and international circumstances. El Paso’s “Mexicanization” in the early decades of the twentieth century contributed to strong racial tensions between the region’s Anglo population and newly arrived Mexicans. Anglos and Mexicans alike turned to violence in order to deal with a racial situation rapidly spinning out of control. ?Highlighting a binational focus that sheds light on other US-Mexico border zones in the late nineteenth and early twentieth centuries, Militarizing the Border establishes historical precedent for current border issues such as undocumented immigration, violence, and racial antagonism on both sides of the boundary line. This important evaluation of early US border militarization and its effect on racial and social relations among Anglos, Mexicans, and Mexican Americans will afford scholars, policymakers, and community leaders a better understanding of current policy . . . and its potential failure.